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chord symbol

A shorthand system for notating chords, chord symbols are commonly used in popular and jazz music as a guide for the performer to improvise the melody or accompaniment. This is an alternative to Roman Numeral notation indicating individual chords without regard to the chord progression

Each chord symbol has four basic components: chord root, chord quality, chord extension, and chord alteration.

Chord Root:

The chord symbol begins with a letter to indicate the root note of the basic triad. It is the only required component of a chord symbol.In this example, the letter “C” would indicate that the chord is a triad based on the pitchC”. 

Chord Quality :

The root is often followed by an indication of the quality of the chord (major, minor, diminished, or augmented). If there is no quality indicated, the chord is assumed to be major.Major: For example, the chord symbol “C” would indicate a C major triad with the notes CE and G. This can also be notated “Cmaj”, “Cma”, or “CM” (see table below).Minor: The chord symbol “Cm” would indicate a C minor triad with the notes CE flat  and G. This can also be notated “Cmin”, “Cmi”, or “C-“. Occasionally, this may also be seen as a lower case letter. For example, “c” would indicate a C minor triad.Diminished: The chord symbol “Cdim” would indicate a C diminished triad with the notes CE flat and G. This can also be notated “Cº”.

Augmented: The chord symbol “Caug” would indicate a C augmented triad with the notes CE and G sharp. This can also be notated “C+”.

Chord Extension:

The next component of the chord symbol is the extension, or a  number that indicates pitches that are added to the basic triad. The number represents the interval between the root and the highest additional note in the chord. The most common extension is the interval of a seventh. So “CM7” would indicate that the triad CEG would also include the seventh note above the root C or B flat.

Other common extensions include:

Sixth: A “C6” chord would indicate that the note a sixth above the root (A) should be added creating the chord CEGA.

Ninth: A “C9” chord would include the ninth note  (D) above the root.  As an aside, this chord would typically include the seventh (B flat) as well making the chord   –  –  – B flat  - D.

Eleventh: A "C11" chord would include the eleventh note above the root () along with the seventh , and ninth  notes  ( –  –  – B flat  –  – ). Note: it is common to omit the third  () of the chord .

Thirteenth: A "Cl3" chord would include the thirteenth () along with the seventh ninth  and eleventh  notes  ( –  –  – B flat  –  –  - ).

Chord Alterations

Any of  the added notes may be sharpened, indicated by a sharp sign  or plus "+" sign, or flattened, indicated by a flat sign or minus "-" sign . alterations would typically be shown as a superscript, or slightly higher than the other components of the chord symbol. For example, "Cmaj13♯11" would indicate the chord C - E - B flat - F sharp, where the eleventh note F sharp has been raised one half step (one semitone

Another common alteration is the abbreviation 'sus ’ indicating a suspension . For example, "sus " would indicate the third of a C triad would be raised to create a C - F - G triad where the F would resolve to the third (E) in the following chord.

Key to Chord Symbol Notation
major maj M
minor min m -
diminished dim   º
augmented aug   +
half-diminished     ø
Table of Common Chord Symbols
Chord Traditional Example Jazz Notation Example Chord Pitches Alternate Notation
Major maj Cmaj M CM C-E-G C
Minor min Cmin m Cm C-E♭-G C-
Diminished dim Cdim º C-E♭-G♭  
Augmented Aug Caug + C+ C-E-G♯ C+5
Major Seventh maj7 Cmaj7 M7 CM7 C-E-G-B C∆
Dominant Seventh 7 C7 7 C7 C-E-G-B♭  
Minor Seventh min7 Cmin7 m7 Cm7 C-E♭-G-B♭ C-7 or Cmi7
Half-Diminished Seventh m7(♭5) Cm7(♭5) ø Cø C-E♭-G♭-B♭  
Diminished Seventh dim7 Cdim7 º7 7 C-E♭-G♭-B♭♭  
Minor Major Seventh min(maj7) Cmin(maj)7 m7 Cm∆7 C-E♭-G-B C-∆7 or CM7
Augmented Seventh aug7 Caug7 +7 C+7 C-E-G♯-B♭ C+ or C7 (+5) or C7 (#5) or C7+5
Augmented Major Seventh maj7(♯5) Cmaj7(#5) +M7 C+M7 C-E-G♯-B C+∆7
Dominant Seventh with Flat Fifth     7♭5 C7♭5 C-E-G♭-B♭  
Major Ninth maj9 Cmaj9 9 C9 C-E-G-B-D  
Minor Ninth min9 Cmin9 ♭9 C♭9 C-E♭-G-B♭-D  
Major Eleventh maj11 Cmaj11 11 C11 C-(E)-G-B♭-D-F♯ * See note below
Minor Eleventh min11 Cmin11 ♭11 C♭11 C-E♭-G-B♭-D-F  
Major Thirteenth maj13 Cmaj13 13 C13 C-E-G-B-D-F-A ** See note below
Minor Thirteenth min13 Cmin13 ♭13 Cm13 C-E♭-G-B♭-D-F-A ** See note below

* Note: The third of the C11 chord is typically omitted due to the dissonance between the third and the ninth (G and F) and the 11th is almost always sharped.** Note: Often the 5th, 9th and 11th are omitted.

Popular questions related to chord symbol

Chord symbols tell you the root of the triad, the quality of the triad, any extensions to the triad, and any non- root bass note. Chord symbols don't reference a specific key. Instead, symbols are always assumed to be a certain quality unless otherwise indicated: Triads are assumed to be major.

An easier way to think of it is that the 7 adds a note that is one tone lower than the root note for an octave higher. For example, if you're trying to play a G7 chord, you would add whichever note is one tone below the root note, G. So, for a G7 chord, you'd add in an F.

major seventh ∆ = Major scale/chord or major seventh (C∆). A (7) after a letter means to lower the 7th note of the scale, making it a Dominant 7th quality (C7). A dash ( - ) when located beside a letter means to lower the third and seventh of the scale 1/2 step, thus making it a minor tonality (Dorian minor) (C - ).

Half-diminished seventh chords are often symbolized as a circle with a diagonal line through it, as in Cø7 or simply Cø. It also can be represented as m7♭5, −7♭5, m, etc. The terms and symbols for this chord break expectations that derive from the usual system of chord nomenclature.

A chord is a type of musical structure, built from 3 or more notes. For example, C major contains the notes C, E and G. C, E and G are therefore the building blocks of the C major chord. However, when learning chord construction, it's far more effective to think of these building blocks as intervals rather than notes.

The famous four chords used in many pop song progressions are the I, V, vi and IV chords of a major key. The roman numerals represent the numbers of the major scale we begin a chord from (1, 5, 6, 4) so in C major this would be C, G, Amin, F or in G major it would be G, D, Emin, C.

The note G is the dominant degree of C major - its fifth note. When we arrange the notes of the C major scale in ascending pitch and use only these notes to build a seventh chord, and we start with G (not C), then the resulting chord contains the four notes G–B–D–F and is called G dominant seventh (G7).

Half-diminished Chords However, it's more commonly known as a 'B half-diminished chord'. It's also commonly written using the ø-symbol, a circle with a line through it.

In root/quality chord symbols, the quality of a chord is indicated by either a lower-case letter or a symbol that is placed after the capital letter that indicates the root of the chord. For triads, there are only 4 possible qualities: major, minor, diminished, and augmented.

Chord qualities are related to the qualities of the component intervals that define the chord. The main chord qualities are: Major and minor. Augmented, diminished, and half-diminished.

half-diminished chord The letter "Ø" is often used in trapped-key interlock sequence drawings to denote a key trapped in a lock. A lock without a key is shown as an "O". The letter "Ø" is also used in written music, especially jazz, to type an ad-hoc chord symbol for a half-diminished chord, as in "Cø".

*Sidenote: the little “o” symbol after the vii chord means this is a diminished chord. A diminished chord is a stack of minor thirds. A minor chord is a major third stacked on top of a minor third. Interestingly, in major keys, the ii chord will always be minor, the V chord will always be major, and so on.

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