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hand

1. The part of a person's body that is at the end of the arm which includes the wrist, palm, fingers, and thumb. In music, the hand is critical in the process of performing any number of instruments. The hand is used to depress valves and keys on aerophones, strum, pluck and bow chordophones, as well as strike idiophones and membranophones. The use of the word hand is most common in the performance of keyboard music with the directives of left hand and right hand.

2. The German term for hand. (f)

See more about keyboard notations in the Appendix.

In addition, you can familiarize yourself with the terms:

Popular questions related to hand

In music, gesture is any movement, either physical (bodily) or mental (imaginary). As such "gesture" includes both categories of movements required to produce sound and categories of perceptual moves associated with those gestures.

And back up and you feel the ictus down at the one one. Two three one two three one two three one two three try that with me.

The movement in the left hand signifies dynamics, emotion and expression while the right hand is mainly used to signify speed and beat. Conductors have unique styles and skills. Watch Igor Stravinsky conduct and you will see how he keeps an exact beat, very rigid and solid with no emotion.

Manualism is the art of playing music by squeezing air through the hands. Because the sound produced has a distinctly flatulent tone, such music is usually presented as a form of musical comedy or parody. The musical performer is called a manualist, who may perform a cappella or with instrumental accompaniment.

Hand gestures used in the context of public speaking or musical conducting are chironomy, while those used in an elaborate system of specific communication are known as sign language.

Hand gestures are key for face-to-face communication. They accompany natural daily speech. During a conversation, speakers spontaneously produce hand movements that support certain aspects of speech content (Hostetter, 2011).

Because you don't really Express words yet you want to practice keeping. Your arms just hanging very loosely by your sides. They don't do anything.

Keeping your hands at your sides during a singing performance is safest. It may not be the most interesting place for them, but you won't go too wrong by erring on the side of calm and still. If you choose to gesture, make it a complete gesture and make sure that your elbows move out, away from your body.

The five hand gestures: (a) pushing and pulling (PP), firstly pushing your hand to the front and then pull it back; (b) waving left and right (WLR), firstly waving your hand to the left and then to the right; (c) waving up and down (WUD), firstly waving your hand up and then down; (d) stretching each finger (SF), ...

A symphony is made up of four sections called movements. Each movement follows its own structure or format. The first uses a quick tempo and follows sonata-allegro form; the second is slower and more lyrical; the third is a minuet or scherzo and the final movement often uses sonata-allegro form.

While both flat and domed handclaps disturb the air and create pressure waves that our ears detect as sounds, they do so in slightly different ways. As two flat hands collide, the air between them is forced out increasingly quickly, ultimately exceeding the speed of sound.

In most instances, it's so they can hear themselves better. Often, when we sing, we hear our "inside" voice, which is not the same as what everyone else hear. The hand to the ear redirects some "outside" sound. If the singer is attempting to sing against a loud accompaniment, it's also helpful.

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