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conductus

Meaning of Conductus in Music

In music, a conductus refers to a type of medieval vocal composition. It typically consists of one to four voice parts, with the lowest voice part featuring a Latin text set to an invented melody. The other voices accompany the lowest voice part in a homophonic manner. Conductus compositions were often performed during liturgical ceremonies, such as at the end of Mass or the Office, as well as during public readings in chapter houses and monastic refectories .

Medieval singers would often improvise the refrains of the conductus, which served as visual cues for the repetition of music and text. They could change the lyrics, rhythmic delivery, or even create new correspondences between the music and text, showcasing their improvisatory skills. Conductus compositions with larger numbers of stanzas required even more improvisatory skill from the singers.

It is worth noting that the term "conductus" can also be found in other contexts, such as in the etymology of the word or in discussions about the origins and reception of the genre. However, in the context of music, the term primarily refers to the medieval vocal composition described above .

A medieval song with monophonic or polyphonic texture and a Latin text that is rhymed and rhythmic. It is thought to have its origin in the south of France around the end of the 12th century. Used by the Notre Dame composers, it became well established from about 1160 to about 1240, but was replaced by the motet in the second half of the 13th century.

Popular questions related to conductus

con·​duc·​tus. kənˈdəktəs. plural conductus. " : a medieval vocal composition consisting of one to four voice parts the lowest of which is composed of a Latin text set to an invented melody and accompanied homophonically by the other voices.

The conductus typically includes one, two, or three voices. A small number of the conducti are for four voices. Stylistically, the conductus is a type of discant (i.e. note-against-note polyphony). Its form can be strophic or through-composed form.

The correct answer is D. It was part of liturgy at mass. What is Conductus? Conductus was a musical style of the Medieval era that was a form of Gregorian chant that was rhythmically accentuated and performed with two or three voices in a simple, stately manner.

Organum purum is one of three styles of organum, which is used in section where the chant is syllabic thus where the tenor can not be modal. As soon as the chant uses ligatures, the tenor becomes modal and it will have become discant, which is the second form. The third form is copula (Lat.

Organum (a term drawn from the Greek word for “organ, instrument, tool”) is a style of plainchant melody (think: chanting monks) that dates back to the Middle Ages. In its earliest days, “organum” described what we now call polyphony – combining two or more harmonized melodies.

Monophonic means using only one line of music, unaccompanied by any other voices or instruments. Monophony is a musical texture which only uses a single layer of melody. The melody can be performed by a single instrument, or multiple instruments.

Characteristics of music include: sound, melody, harmony, rhythm or the driving beats in a measure or section of music, structure or form, texture, and expression. Music is made or created by using sound from human voices or instruments.

Motet Definition A motet can be defined as an unaccompanied choral composition based on a sacred Latin text. There have been some exceptions, such as motets with secular text or the occasional instrumental accompaniment, but we'll focus on the most common one here.

An accent is a music terminology that indicates to play a note with extra emphasis or force. When playing accents, pianists need to be able to balance the volume and weight of each note to create a clear and dynamic sound. Allegro is a musical term indicating a fast and lively speed.

Organum (a term drawn from the Greek word for “organ, instrument, tool”) is a style of plainchant melody (think: chanting monks) that dates back to the Middle Ages. In its earliest days, “organum” described what we now call polyphony – combining two or more harmonized melodies.

The simplest form of Organum comprises two musical voices or melodies. One melody is a Gregorian or plain chant melody, and the other is an additional melody added in parallel at the interval of a perfect fourth or fifth.

The simplest form of Organum comprises two musical voices or melodies. One melody is a Gregorian or plain chant melody, and the other is an additional melody added in parallel at the interval of a perfect fourth or fifth. Thus it is called parallel organum.

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