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shawm

Meaning of Shawm in Music

In music, a **shawm** refers to an early woodwind instrument with a double reed. It is considered the forerunner of the modern oboe. The shawm was commonly used during the medieval and Renaissance periods and was known for its loud and piercing sound. It was often used in outdoor settings and military bands due to its ability to project sound over long distances The instrument had a cylindrical wooden body with finger holes and a conical bore, and it was played by blowing air through a double reed attached to a mouthpiece. The shawm played a significant role in the development of wind instruments in Western music history.

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A popular Medieval and Renaissance instrument in use from the 12th to the 17th century. The shawm preceded the modern oboe, but has a wider conical borebell, and finger holes. Made out of wood, often maple, it has a double reed and a particularly loud, rough, nasal tone. Shawms were made in seven sizes and were typically used in civil ceremonies and in bands.

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Popular questions related to shawm

shawm, (from Latin calamus, “reed”; Old French: chalemie), double-reed wind instrument of Middle Eastern origin, a precursor of the oboe.

The shawm is a loud double-reed instrument which is the ancestor of the oboe. It first appears in the l3th century, and by the end of the Middle Ages was the most important loud instrument in use, finding a place in dance bands as well as ensembles for municipal and court ceremonies.

The shawm's conical bore and flaring bell, combined with the style of playing dictated by the use of a pirouette, gives the instrument a piercing, trumpet-like sound, well-suited for outdoor performances.

It is made of wood and has a double reed, similar to the oboe. The instrument is played by blowing air into the reed, which vibrates and produces sound. The shawm has a distinct sound and is classified as a “loud” instrument, meaning it was often used in outdoor performances or to accompany large groups of singers.

They are generically called either shawms or oboes. The shawm was introduced into Europe during the Crusades and was widely used in dance and ceremonial music. Instruments of various pitches, from treble to great bass, were constructed in the 16th century.

Like the oboe, it is conically bored; but its bore, bell, and finger holes are wider, and it has a wooden disk (called a pirouette, on European shawms) that supports the lips and, on Asian instruments, holds them away from the reed. The tone, intended for open air, is powerful.

The shawm (/ʃɔːm/) is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music.

Shawms were made of various hardwoods, often maple. They have a conical bore expanding into a bell and are usually made of one piece, except the larger instruments which consist of several sections fitted together. These instruments have seven finger-holes at the front.

The shawm was a medieval and Renaissance musical instrument of the woodwind family from the late thirteenth century until the seventeenth century. It is considered the predecessor of the modern oboe.

The shawm was the most important double reed instrument of the Middle Ages and Renaissance. The shrill piercing tone of the medieval shawm made it suitable for use outdoors. It is still found in Asian and European folk cultures today.

There are several distinct differences between shawms and oboes. Shawms normally have a larger bore, which makes them louder and more suitable than the oboe for outdoor playing. In addition, the bore is more "sword-shaped" than that of the oboe (it is more like a narrow parabola than a perfect cone).

double-reed instrument The shawm is a loud double-reed instrument which is the ancestor of the oboe. It first appears in the l3th century, and by the end of the Middle Ages was the most important loud instrument in use, finding a place in dance bands as well as ensembles for municipal and court ceremonies.

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