da capo aria

The da capo aria was a large-scale form in three sections (ABA), with the third repeating the first “from the capo, or head” - that is, from the beginning. The form consisted of a pithy, rhymed poem, the main idea of which was captured by one or two…

air from the beginning Italian, air from the beginning.

The da capo aria is a vocal form used primarily in the Baroque Era. It is in ternary form (ABA'). The A section is in the tonic key, and the B section is often in a minor key with the mood frequently being more reflective.

An aria that follows an A–B–A structure, with an opening “A” section; a contrasting “B” section; and a return of the complete “A” section, typically with added (improvised) ornamentation. The term “da capo,” which means “from the head” (or “from the top”), describes this return to the beginning of the piece.

Famous examples Handel's oratorio Messiah (1742) includes two well-known da capo arias, "He Was Despised" (for alto voice) and "The Trumpet Shall Sound" (for bass). J. S. Bach's cantata Jauchzet Gott in allen Landen, BWV 51 (1730) begins with a flamboyant da capo aria for soprano, trumpet soloist, and strings.

air, melody, tune : air, melody, tune. specifically : an accompanied, elaborate melody sung (as in an opera) by a single voice. enjoyed the soprano's romantic aria. 2. : a striking solo performance (as in a movie)

The word aria means "song" or "melody" in Italian. Its literal translation being "air" Also having the musical definition that refers to an elaborate vocal solo usually found within a larger piece of music, generally an opera. Aria means "lioness" in Greek.

The sheet music would only include the A section and the B section, with a “Da Capo” or “D. C.” in the end, signaling the singer to go back to the A section and improvise. Sometimes, the composer would realize (write out) the ornamented A section, for example “Rejoice greatly” from Handel's Messiah, but this is rare.

“O mio babbino caro” from Puccini's Gianni Schicchi. This famous aria is a recital favorite. The aria itself is even more famous than the opera it comes from!

"Der Hölle Rache kocht in meinem Herzen" from The Magic Flute by Wolfgang Amadeus Mozart (1791): Known as the "Queen of the Night" aria, this Mozart composition is the epitome of an operatic aria.

The term originated in Italy in the 16th century and first gained currency after 1602, when Giulio Caccini published Le nuove musiche (The New Music), a collection of solo songs with continuo (usually cello and harpsichord) accompaniment. Caccini called his strophic, or stanza-form, songs arie (singular aria).

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