Short bio Roberto Gerhard
Full biography Roberto Gerhard
Roberto Gerhard was a Spanish Catalan composer and musical scholar born on September 15 , 1896, in Valls, Catalonia. He was known for his contributions to classical music and electronic music, as well as his work as a musical scholar and writer. Gerhard's music was influenced by his Catalan roots, and he drew inspiration from science, philosophy, and the arts to create an oeuvre that was both visionary and unique.
Gerhard began his musical career studying under the composer and conductor Felip Pedrell, who was instrumental in the revival of traditional Catalan music. After studying at the Paris Conservatoire, Gerhard returned to Catalonia, where he became involved in the cultural and intellectual life of the region. In the 1930s, Gerhard fled to England to escape the Spanish Civil War, and he remained there until his death on January 5, 1970, in Cambridge.
Gerhard's music is known for its experimental and innovative qualities. He was a pioneer of electronic music, and he created his first electronic composition in the late 1950s. Gerhard was also interested in serialism, a technique in which musical elements such as pitch, rhythm, and dynamics are ordered according to a predetermined series.
Gerhard's compositions range from serious concert works to lighter pieces for film and television. His works include operas, ballets, orchestral and chamber music, and electronic music. Some of his best-known works include the opera "The Duenna," the ballet "Don Quixote," and the "Concerto for Piano and Strings."
Despite his significant contributions to classical and electronic music, Roberto Gerhard remains relatively unknown to the wider public. However, his influence can be seen in the work of many contemporary composers, and his contributions to music scholarship have been recognized by institutions such as the Royal College of Music, where he served as a professor of composition for many years.
Compositions featuring Roberto Gerhard
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Andantino, for violin, clarinet & piano | 3:42 min | Chamber Music | 1974 |
2 | Leo, for ensemble | 20:25 min | Chamber Music | 1969 |
3 | Libra, for flute/piccolo, clarinet, violin, percussion & piano | 15:35 min | Chamber Music | 1968 |
4 | Gemini, duo concertante for violin & piano | 13:18 min | Chamber Music | 1966 |
5 | Symphony No. 4 ("New York") | 26:25 min | Symphony | 1966 |
6 | Epithalamion for orchestra | 21:40 min | Orchestral | 1965 |
7 | Concerto for orchestra | 23:38 min | Orchestral | 1965 |
8 | This Sporting Life, film score | Film Score | 1963 | |
9 | The Plague | 46:18 min | Miscellaneous (Classical) | 1963 |
10 | Concierto Para Ocho | 10:52 min | Concerto | 1962 |
11 | Concerto for 8 | 10:43 min | Chamber Music | 1962 |
12 | String Quartet No. 2 | 13:32 min | Chamber Music | 1961 |
13 | Symphony No. 3 ("Collages") | 15:38 min | Symphony | 1960 |
14 | Chaconne for solo violin | 19:04 min | Chamber Music | 1959 |
15 | Dances from Don Quixote, for orchestra | 16:12 min | Orchestral | 1958 |
16 | Symphony No. 2 ("Metamorphoses") | 31:49 min | Symphony | 1957 |
17 | Fantasia for guitar | 4:40 min | Chamber Music | 1957 |
18 | Sonata for cello & piano | 15:08 min | Chamber Music | 1956 |
19 | Nonet | 20:05 min | Chamber Music | 1956 |
20 | Concerto for harpsichord, string orchestra & percussion | 22:20 min | Concerto | 1955 |
21 | Symphony No. 1 | 38:59 min | Symphony | 1952 |
22 | Estudi per al film Secret People, for violin, clarinet & piano | 3:51 min | Chamber Music | 1952 |
23 | Concerto for piano & strings | 24:17 min | Concerto | 1951 |
24 | Impromptus (3) for piano, No. 3, Con Impeto | 2:05 min | Keyboard | 1950 |
25 | Impromptus (3) for piano, No. 2, Teneramente | 2:23 min | Keyboard | 1950 |
26 | Impromptus (3) for piano, No. 1, Giochevole | 1:43 min | Keyboard | 1950 |
27 | String Quartet No. 1 | 22:06 min | Chamber Music | 1950 |
28 | Capriccio for flute | 6:09 min | Chamber Music | 1949 |
29 | Sonata for viola & piano | 14:57 min | Chamber Music | 1948 |
30 | Pandora, ballet and concert suite | 27:53 min | Ballet | 1944 |
31 | Concerto for violin & orchestra | 34:53 min | Concerto | 1942 |
32 | Cancionero de Pedrell, for soprano (or tenor) & piano (or chamber orchestra) | 18:24 min | Vocal Music | 1941 |
33 | Don Quixote, ballet | 33:37 min | Ballet | 1940 |
34 | Ariel, ballet | 24:22 min | Ballet | 1934 |
35 | L'Alta Naixenca del Rei En Jaume, cantata | 18:08 min | Choral | 1932 |
36 | Sardana I, for orchestra | 6:39 min | Orchestral | 1928 |
37 | Cancons Populars Catalanes (6), for soprano & orchestra | 13:40 min | Vocal Music | 1928 |
38 | Sardana II, for orchestra | 6:40 min | Orchestral | 1928 |
39 | Sonata for clarinet & piano | 3:08 min | Chamber Music | 1928 |
40 | Concertino for strings, Op. 12 | 12:46 min | Orchestral | 1927 |
41 | Piano Trio No. 1 | 25:58 min | Chamber Music | 1918 |
42 | L'Infantament Meravellós de Schahrazada for soprano (or tenor) & piano, Op 1 | Vocal Music | - | |
43 | Soirées de Barcelone, for piano | 18:09 min | Keyboard | - |
44 | Symphony ("Homenaje a Pedrell") | Symphony | - | |
45 | The Duenna, opera | 148:19 min | Opera | - |
46 | Un crit de mercat | 2:28 min | Vocal Music | - |
47 | Un Galán y su Morena, for voice & guitar (Cantares No. 4) | 4:28 min | Vocal Music | - |
48 | Albada, Interludi I Dansa for orchestra | 11:00 min | Orchestral | - |
49 | Alegrías Suite | 12:42 min | Orchestral | - |
50 | Alegrías, for 2 pianos | 11:59 min | Keyboard | - |
51 | Apunts (2), for piano | 3:38 min | Keyboard | - |
52 | Cantares, song cycle for voice & guitar | 16:44 min | Vocal Music | - |
53 | El Toro, for voice & guitar (Cantares No. 2) | 2:09 min | Vocal Music | - |
54 | For Whom the Bell Tolls, for guitar | 15:42 min | Chamber Music | - |
55 | Impromptus (3) for piano | 6:54 min | Keyboard | - |
56 | Jove flautista | 2:35 min | Vocal Music | - |
57 | Sketches (2) for piano | Keyboard | - | |
58 | La Auséncia, for voice & guitar (Cantares No. 3) | 2:53 min | Vocal Music | - |
59 | La Indita, for voice & guitar (Cantares No. 1) | 2:50 min | Vocal Music | - |
60 | La Lobada, for voice & guitar | 1:38 min | Vocal Music | - |
61 | La Muerte y la Donzella, for voice & guitar (Cantares No. 5) | 2:54 min | Vocal Music | - |
62 | Pedrelliana | 17:54 min | Orchestral | - |
63 | Reinas de la Baraja, for voice & guitar (Cantares No. 6) | 1:22 min | Vocal Music | - |
64 | Sept Haiku | 10:59 min | Vocal Music | - |
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