Short bio Orazio Bassani
Full biography Orazio Bassani
Orazio Bassani was a Baroque composer and musician from Italy who gained recognition for his choral, instrumental, and vocal works. He was born in Padua, Italy, in 1615, and little is known about his early life. However, it is believed that he received his musical training from Giovanni Legrenzi, a prominent Baroque composer.
Bassani's career as a musician began in Venice, where he was employed as a singer in the chapel of St. Mark's Basilica in the mid-1630s. After a few years, he moved to Mantua, where he became the maestro di cappella of Santa Barbara in 1653. During his time in Mantua, he composed several sacred works, including masses, psalms, and motets, that display his command of counterpoint and treatment of vocal texture.
In 1657, Bassani moved to Bergamo, where he served as the maestro di cappella in the Cattedrale di Sant'Alessandro for over twenty years. During this time, he composed a significant number of works, including operas, oratorios, and instrumental compositions. A few of his notable works include the oratorios, "Giona," "La Betulia liberata," and "Il trionfo della fede."
Bassani's style of composing was a blend of traditional and modern elements. He was well-informed in the techniques of earlier generations, especially the contrapuntal style, but he also incorporated modern trends such as the monodic style and the use of chromaticism. His music is characterized by lively rhythms, intricate harmonies, and imaginative use of counterpoint.
Orazio Bassani died in Bergamo in 1676, leaving behind a significant body of work that continues to be appreciated by Baroque music enthusiasts today. His contribution to music during the Baroque period continues to hold a significant place in the history of music, and his work remains a valuable asset to the world of classical music.
Compositions featuring Orazio Bassani
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Cara la vita mia à 5 (after Jacques de Wert) | 7:56 min | Chamber Music | - |
2 | Cara la vita mia, instrumental canzon | 8:51 min | Chamber Music | - |
3 | Cosi Le Chiome, Madrigal | 5:15 min | - | |
4 | Io son ferito hai lasso à 5 (after Palestrina) | 6:32 min | Chamber Music | - |
5 | Lasso che mal accorto fui à 5 (after Rore di Cipriano) | 6:01 min | Chamber Music | - |
6 | Susanna un giorno, instrumental canzone | 6:45 min | Chamber Music | - |
7 | Toccata | 1:23 min | Chamber Music | - |
8 | Toccata Del Signor Oratio Bassani (attrib.) | 2:11 min | Keyboard | - |
9 | Vergine bella che di sol vestita à 5 (after Rore di Cipriano) | 5:59 min | Chamber Music | - |
10 | Vergine bella, for string consort | 6:32 min | Orchestral | - |
Albums featuring Orazio Bassani
# | Сover | Name album | Year | Music label |
---|---|---|---|---|
1 | Così Le Chiome.Various – Les Plus Beaux CD Du Mois - Juin 2019(CD, Compilation, Sampler) | 2019 | Diapason | |
2 | Toccata Per la ViolaGiulio Caccini – Roberta Invernizzi, Accademia Strumentale Italiana, Alberto Rasi – Madrigali & Arie ... Dolcissimo sospiro ...(SACD, Hybrid, Multichannel, Stereo, Album) | 2005 | Divox | |
3 | Parte Seconda: " Così Le Chiome" Per Violla A la Bastarda (ca. 1600)Ensemble "Aurora", Enrico Gatti – Musica Al Tempo Del Guido Reni (Sonate, Canzoni E Madrigali Diminuiti) | 1988 | Tactus |
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