Short bio Giovanni Bassano
Birthday:
1558 in Venice, Italy
Died:
1617 in Venice, Italy
Genre:
Classical
Period:
Renaissance
Full biography Giovanni Bassano
Giovanni Bassano was an Italian composer and cornettist born in Padua around 1558. He was a member of a well-known family of musicians and was raised in a musical environment. Giovanni and his five younger brothers formed a wind band that was widely famous throughout Italy at the time.
Bassano was an accomplished cornettist, and he is widely regarded as one of the greatest virtuosos on the instrument in history. He performed for several years at the court of the Duke of Mantua, where he achieved great recognition for his skills as a performer.
In addition to his virtuosic talent on the cornett, Bassano was also an accomplished composer, primarily writing sacred vocal music for the Catholic Church. His compositions reflect the musical style of the late Renaissance, with a strong emphasis on vocal polyphony and expressive harmonies.
Bassano's works include numerous sacred vocal pieces, including motets, psalms, and mass settings. His music was known for its expressive qualities and rich harmonies, which were said to have brought a new level of depth and intensity to sacred music of the period.
Despite his accomplishments as both a performer and a composer, relatively little is known about Bassano's personal life. He lived during a time of great political instability in Italy, and many of the historical records from this period have been lost or destroyed.
Today, Bassano's music remains an important part of the repertoire for early music performers and is admired for its beauty and technical sophistication. His contributions to the development of sacred vocal music continue to be recognized as an important part of the musical heritage of the Renaissance.
Compositions featuring Giovanni Bassano
| # | Name | Duration | Genre | Year |
|---|---|---|---|---|
| 1 | Haec est virgo, for chamber ensemble | 3:07 min | Chamber Music | 1599 |
| 2 | Salvator Mundi, for chamber ensemble | 3:04 min | Chamber Music | 1599 |
| 3 | Hodie Christus natus est (Concerti ecclesiastici II, 1599) | 2:32 min | Miscellaneous (Classical) | 1599 |
| 4 | Confitemini Domino, for chamber ensemble | 2:53 min | Chamber Music | 1599 |
| 5 | Vestiva i colli, diminution after Giovanni da Palestrina | 5:25 min | Chamber Music | 1592 |
| 6 | Susanne un jour, diminution after Lassus for chamber ensemble | 3:52 min | Chamber Music | 1592 |
| 7 | Ricercata for flute No. 1 | 2:43 min | Chamber Music | 1592 |
| 8 | Mirami vita mia, diminution after Claudio Merulo | 3:00 min | Chamber Music | 1592 |
| 9 | Fuit homo missus a Deo (In Nativitate Joannis Baptistae), diminution for sackbut & organ (after Palestrina) | 5:53 min | Chamber Music | 1591 |
| 10 | Anchor che co'l partire, diminution for voice & continuo (after de Rore) | 3:18 min | Vocal Music | 1591 |
| 11 | Introduxit me rex, diminution after Palestrina for cornet & continuo | 3:51 min | Chamber Music | 1591 |
| 12 | La bella netta ignuda e bianca mano, diminution for sackbut & organ (after de Rore) | 5:28 min | Chamber Music | 1591 |
| 13 | Liquide perle Amor, diminution for sackbut & organ (after Luca Marenzio) | 2:17 min | Chamber Music | 1591 |
| 14 | Ma poi che vostr'altezza, diminution for sackbut & organ (after de Rore) | 3:49 min | Chamber Music | 1591 |
| 15 | Nasce la pena mia, diminution for voice & continuo (after Striggio) | 5:45 min | Vocal Music | 1591 |
| 16 | Quando i vostri, diminution for sackbut & organ (after Luca Marenzio) | 3:09 min | Chamber Music | 1591 |
| 17 | Quando signor, diminution for sackbut & organ (after de Rore) | 2:40 min | Chamber Music | 1591 |
| 18 | Tota pulchra es amica mea, diminution for chamber ensemble (after Palestrina) | 4:30 min | Chamber Music | 1591 |
| 19 | Veni, veni dilecte mi, diminution for chamber ensemble (after Palestrina) | 4:22 min | Chamber Music | 1591 |
| 20 | Fantasia No. 6 alla quarta bassa | 1:51 min | Chamber Music | 1585 |
| 21 | Fantasia No. 10 | 1:58 min | Chamber Music | 1585 |
| 22 | Fantasia No. 13 | 1:58 min | Chamber Music | 1585 |
| 23 | Fantasia No. 17 alla quarta bassa | 2:14 min | Chamber Music | 1585 |
| 24 | Fantasia No. 20 | 1:25 min | Chamber Music | 1585 |
| 25 | Omnes Gentes Plaudite Manibus, for 8 voices (Concerti Ecclesiastici) | 3:07 min | Vocal Music | - |
| 26 | Viri Sancti à 6 | 2:40 min | Vocal Music | - |
| 27 | Oncques amour, dimunitions for virginal & zink (after Crecquillon) | 3:22 min | Chamber Music | - |
| 28 | Pulchra es, for soloists & chamber ensemble (after Palestrina) | 3:59 min | Vocal Music | - |
| 29 | Canite Tuba | 3:24 min | Chamber Music | - |
| 30 | Benedicta sit sancta Trinitas, for voice & chamber ensemble (after Palestrina) | 5:43 min | Vocal Music | - |
| 31 | Bass-Diminution (from Motets, Madrigals & French Songs, 1591) | 3:08 min | Chamber Music | - |
| 32 | Ricercata ottava (Ricercate/passagi et Cadentie) | 2:54 min | Chamber Music | - |
| 33 | Ricercata quarta | 2:47 min | Miscellaneous (Classical) | - |
| 34 | Ricercata seconda | 2:57 min | Chamber Music | - |
| 35 | Ricercata sesta | 4:18 min | Chamber Music | - |
| 36 | Ricercata terza | 2:31 min | Miscellaneous (Classical) | - |
| 37 | Ave Regina | 3:32 min | Chamber Music | - |
| 38 | Signor mio caro, diminution after Cipriano de Rore for chamber ensemble | 3:07 min | Chamber Music | - |
| 39 | Ave Maria, for voice & chamber ensemble (after Palestrina) | 4:42 min | Vocal Music | - |
| 40 | Angelus ad pastores ait | 2:57 min | Choral | - |
| 41 | Tota pulchra es, diminution after Palestrina for chamber ensemble | 4:04 min | Vocal Music | - |
| 42 | Un gay bergère, diminution after Thomas Crécquillon | 4:25 min | Chamber Music | - |
| 43 | Ancor che col partire, for voice & chamber ensemble (after Cipriano de Rore) | 3:31 min | Chamber Music | - |
| 44 | A la fontana, for 3 parts | 4:54 min | Chamber Music | - |
| 45 | Fantasia for consort No. 3 | 2:08 min | Chamber Music | - |
| 46 | Diminution on Palestrina's "Cosi le chiome", for voice & lute | 4:49 min | Vocal Music | - |
| 47 | Fantasia Prima A Tre Voci | 1:54 min | Vocal Music | - |
| 48 | Fantasia Quinta A Tre Voci | 2:27 min | Miscellaneous (Classical) | - |
| 49 | Divisions on Frais et Gaillard | 3:41 min | Miscellaneous (Classical) | - |
| 50 | Fuit homo missus, for voice & chamber ensemble (after Palestrina) | 5:51 min | Vocal Music | - |
| 51 | Divisions on Crecquillon's "Onques amour" for ensemble | 3:31 min | Chamber Music | - |
| 52 | Hodie beata Virgo, diminuations for zink & virginal (after Palestrina) | 5:05 min | Chamber Music | - |
| 53 | Dissi a l'amata mia, for soloists & chamber ensemble (after Luca Marenzio) | 3:33 min | Choral | - |
| 54 | Diminuzioni for basso & canto on "Veni, veni, dilecte mi" of G.P. da Palestrina (Motetti, Madrigali et Canzoni Francese) | 4:27 min | Chamber Music | - |
| 55 | Io canterei d'amor, for soloists & chamber ensemble (after Cipriano de Rore) | 3:44 min | Vocal Music | - |
| 56 | O doctor optime, motet à 6 | 2:54 min | Vocal Music | - |
| 57 | La rose, diminution after Adriano Willaert for chamber ensemble | 4:17 min | Chamber Music | - |
| 58 | Dic nobis, Maria | 3:14 min | Miscellaneous (Classical) | - |
| 59 | Deus Qui Beatum Marcum | 3:36 min | Chamber Music | - |
| 60 | Ma poichè vostra altezza, diminution after Cipriano de Rore for chamber ensemble | 3:18 min | Chamber Music | - |
| 61 | Caro dolce ben mio, for voice & chamber ensemble (after Andrea Gabrieli) | 3:36 min | Vocal Music | - |
| 62 | Cantate Domino, for 8 voices | 3:09 min | Choral | - |
| 63 | Nativitas tua Dei genitrix | 3:17 min | Chamber Music | - |
| 64 | Non gemme, non fin' oro, transcription (after Cipriano de Rore) | 3:40 min | Chamber Music | - |
| 65 | Non è ch'il duol mi scemi, for string consort | 3:37 min | Chamber Music | - |
Albums featuring Giovanni Bassano
| # | Сover | Name album | Year | Music label |
|---|---|---|---|---|
| 1 |  |
Giovanni Bassano, La Guilde Des Mercenaires – Ricercare Per Instrumenti Insieme(CD, ) | 2016 | L'Encelade |
| 2 |  |
Giovanni Bassano - Capricornus Ensemble Stuttgart, Monika Mauch – Amor Sacro • Amor Profano(CD, ) | 2011 | Coviello Classics |
| 3 |  |
Correa De Arauxo · Bassano · Buonamento · Castello · Macque · Merula · Peñalosa · Schein · Scheidt · Vierdanck · Weckmann · Ximénez – His Majestys Sagbutts And Cornetts – Grand Tour - Music From 16th & 17th-Century Italy, Spain And Germany(CD, Reissue | 2010 | Helios |
| 4 |  |
Arcadelt | Bassano | Cima | De Rore | Mainiero | Palestrina | Ruffo | Arianna Savall, Il Desiderio, Thomas Kügler – Vergine Bella Madrigali Da Sonar | 2008 | Aeolus |
| 5 |  |
Bassano – Flanders Recorder Quartet – Viva L'Amore XVI - XVII Secolo(CD, ) | 2000 | Opus 111 |
| 6 |  |
Angelo Berardi (2), Bartolome de Selma y Salaverde, Angelo Notari, Giovanni Bassano – Susanne Erhardt, Angelika Oertel, Christian Beuse, Klaus Eichhorn – Canzonen Und Tänze Des Frühbarock | 2000 | New Classical Adventure |
| 7 |  |
Giovanni Bassano - Musica Figurata, Stefano Lorenzetti – Mottetti, Madrigali Et Canzoni Francese Di Diversi Eccellentissimi Autori | 1999 | Tactus |
| 8 |  |
Giovanni Bassano - Ensemble Jacques Moderne, Joël Suhubiette – Motetti & Concerti Ecclesiastici(CD, Album) | 1997 | Calliope |
| 9 |  |
Le Trio ABC, Hoffmann, Bassano, Blendinger, Romberg, Michael Haydn – Kammermusik Für Tiefe Streicher(CD, Album) | 1996 | Bayer Records |
| 10 |  |
Philip Jones Brass Ensemble, The Monteverdi Choir, John Eliot Gardiner, Magdalen College Choir Oxford, Bernard Rose (2), The Choir Of St. John's College Cambridge, George Guest (2), Monteverdi - Gabrieli - Bassano – The Glory Of Venice(3×LP, Stereo, Box S | 1982 | Argo (2) |
| 11 |  |
Walter Van Hauwe - Bassano, Van Eyk, Marais, Shinohara En Ishii – Blokfluitmuziek Uit Vijf Eeuwen(LP) | 1980 | CBS |
| 12 |  |
G. Gabrieli · A. Gabrieli · Croce · Monteverdi · Bassano - The Choir Of Magdalen College, Oxford, Dr. Bernard Rose – Music From Venice(LP) | 1977 | Argo (2) |
| 13 |  |
Monteverdi, Grandi, Frescobaldi, Palestrina, Bassano, Clemencic Consort, Deller Consort – Messe À Quatre Voix Avec Trombones / La Naissance Du Baroque | 1975 | Harmonia Mundi |
| 14 |  |
Giovanni Bassano / Solistes De L'Ensemble Vocal De Lausanne, Michel Corboz, Michel Piguet, Anthony Bailes – Chansons Et Madrigaux De La Renaissance (Avec Leur Double Orné Par Giovanni Bassano)(LP, Stereo) | 1974 | Erato |
| 15 |  |
Rolf Rapp, Nives Poli-Rapp, Cesare Ferraresi, Irma Bozzi Lucca, Edward Smith (8), Josquin Des Prés, Francesco Spinacino, Bartolomeo Tromboncino, Giovanni Maria Da Crema, Giovanni Pierluigi da Palestrina, Vincenzo Galilei, Jacopo Gorzanis, Giovanni Bassano | 1968 | Carisch |
| 16 |  |
Mainerio, Giovanni Gabrieli, Gastoldi, Vincente Galilei, Orologio, Bendusi, Ruffo, Vincenzo Galilei, Canova da Milano, Matelart, Marenzio, Bassano, Bertoldo, Ricercare Ensemble Of Zurich Director Michel Piguet – Consort Music Of The Italian Renaissance(LP | - | Musical Heritage Society |
| 17 |  |
Castello, Bassano, Picchi, Van Eyck, Vivaldi, Telemann, Schaffrath, Marianne Lüthi, Walter Stiftner, Rudolf Scheidegger – Musik Für Blöckflöte, Fagott Und Cembalo(LP) | - | Jecklin |
| 18 |  |
Frescobaldi, Bassano, Gabrieli - Fiati Virtuosi – Musica Strumentale Italiana Del Rinascimento(CD, Album) | - | Analekta |
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