Short bio Luigi Nono
Full biography Luigi Nono
Luigi Nono was an Italian avant-garde composer who was born on January 29, 1924, in Venice, Italy and died on May 8, 1990, in Venice, Italy. He was known for his innovative compositions and his political activism, which often informed his musical works.
Nono began his musical studies in his hometown of Venice before studying at the Milan Conservatory under the guidance of composer and conductor Bruno Maderna. Nono quickly became interested in electronic music and began incorporating it into his compositions in the late 1950s and early 1960s.
In addition to his innovative use of electronic music, Nono was also known for incorporating his political beliefs into his compositions. His 1961 work "Intolleranza 1960" was a critique of capitalism, fascism, and the dehumanizing effects of modern society. The piece was met with controversy upon its premiere in Venice, with some audience members even walking out in protest. However, it eventually gained critical acclaim and is now considered a masterpiece of 20th-century avant-garde music.
Throughout his career, Nono continued to experiment with sound and push the boundaries of traditional composition. His use of extended techniques, such as playing inside the piano or using unconventional sounds, helped to create music that was both challenging and innovative.
Nono's legacy continues to influence contemporary composers and musicians, and his works are still performed today by ensembles and orchestras around the world.
Compositions featuring Luigi Nono
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | "Hay que caminar" soñando, for 2 violins | 25:48 min | Chamber Music | 1989 |
2 | La lontananza nostalgica utopica futura, for violin & 8 magnetic tapes | 65:48 min | Avant-Garde Music | 1989 |
3 | No hay caminos, hay que caminar. . . Andrei Tarkovski, for orchestra in 7 groups | 24:49 min | Orchestral | 1987 |
4 | Post-Prae-ludium No.1 "per Donau", for tuba & live electronics | 13:39 min | Chamber Music | 1987 |
5 | Caminantes... Ayacucho, for alto, flute, organ, 2 choruses, orchestra in 3 parts & live electronics | 35:06 min | Vocal Music | 1987 |
6 | Risonanze errante, Liederzyklus a Massimo Cacciari, for mezzo-soprano, flute, tuba, 6 percussionists & live electronics | 39:53 min | Vocal Music | 1986 |
7 | Donde estàs, hermano?, for 2 sopranos, mezzo & alto | 5:42 min | Vocal Music | 1986 |
8 | A Pierre. Dell' azzuro silenzio, inquietum, for bass flute, clainet, double bass & live electronics | 9:19 min | Chamber Music | 1985 |
9 | Prometeo, Tragedia dell'ascolto, for vocal soloists, speakers, choruses, orchestras & live electronics | 127:20 min | Opera | 1984 |
10 | A Carolo Scarpa, architetto, ai suoi infiniti possibili, for orchestra | 9:59 min | Orchestral | 1984 |
11 | Omaggio a György Kurtág, for contralto, flute, clarinet, tuba & live electronics | 17:38 min | Vocal Music | 1983 |
12 | Guai ai gelidi mostri, for 2 altos, flute, clarinet, tuba, viola, cello, bass & live electronics | 39:30 min | Vocal Music | 1983 |
13 | Quando stanno morendo. Diario polacco No.2, for 4 female voices, bass flute, cello & live electronics | 32:02 min | Vocal Music | 1982 |
14 | Io, frammento dal Prometeo, for 3 sopranos, small chorus, flute, clarinet, bass & live electronics | 72:27 min | Vocal Music | 1981 |
15 | Das atmende Klarsein, for small chorus, bass flute, live electronics & tape | 30:16 min | Choral | 1980 |
16 | Fragmente - Stille, an Diotima, for string quartet | 34:48 min | Chamber Music | 1979 |
17 | Con Luigi Dallapiccola, for 6 percussionists also operating 4 pickups, 3 ring modulators & 3 frequency generators | 12:52 min | Chamber Music | 1979 |
18 | ...sofferte onde serene..., for piano & tape | 14:08 min | Keyboard | 1976 |
19 | Al gran sole carico d'amore, opera for soloists, choruses, orchestra & tape | 97:46 min | Opera | 1975 |
20 | Per Paul Dessau, for tape | 7:07 min | Electronic/Computer Music | 1974 |
21 | Como una ola de fuerza y luz, for soprano, piano, orchestra & tape | 30:03 min | Opera | 1972 |
22 | Musiche per Manzù, film music for tape | 17:18 min | Film Score | 1969 |
23 | Intolleranza 1960, concert suite for soprano, chorus & orchestra | 64:18 min | Choral | 1969 |
24 | Contrappunto dialettico alla mente, for tape | 21:14 min | Electronic/Computer Music | 1968 |
25 | Per Bastiana -- Tai-Yeng Cheng, for orchestra in 3 groups & tape | Orchestral | 1967 | |
26 | Ricorda cosa ti hanno fatto in Auschwitz, for tape | 8:35 min | Electronic/Computer Music | 1966 |
27 | A floresta é jovem e chega de vida, oratorio | 40:37 min | Choral | 1966 |
28 | Musiche per "Die Ermittlung" di Peter Weiss, for tape | 22:12 min | Electronic/Computer Music | 1965 |
29 | La fabbrica illuminata, for voice & tape | 16:48 min | Vocal Music | 1964 |
30 | Canciones a Guiomar, for soprano, women's chorus of 6 voices & instruments | 9:59 min | Vocal Music | 1963 |
31 | Da un diario italiano, for 2 choirs | 7:48 min | Choral | 1962 |
32 | Canti di vita e d'amore: Sul Ponte di Hiroshima, for soprano, tenor & orchestra | 4:53 min | Vocal Music | 1962 |
33 | Intolleranza 1960 (revised as "Intolleranza 1970" with 1 new scene), opera in 2 parts | 54:30 min | Opera | 1961 |
34 | "Ha venido". Canciones para Silvia, for soprano & chorus of 6 sopranos | 6:43 min | Vocal Music | 1960 |
35 | Sarà dolce tacere, for 8 vocal soloists | 7:47 min | Vocal Music | 1960 |
36 | Omaggio a Vedova, for tape | 4:53 min | Electronic/Computer Music | 1960 |
37 | Composizione No.2: Diario polacco '58, for orchestra | 12:34 min | Orchestral | 1959 |
38 | Cori di Didone, for chorus & percussion | 11:33 min | Choral | 1958 |
39 | La terra e la compagna, for soprano, tenor, chorus & instruments | 7:45 min | Choral | 1957 |
40 | Varianti, for solo violin, strings & woodwinds | 16:42 min | Concerto | 1957 |
41 | Il canto sospeso, cantata for soprano, mezzo-soprano, tenor, chorus & orchestra | 29:48 min | Choral | 1955 |
42 | Incontri, for 24 instruments | 6:11 min | Orchestral | 1955 |
43 | Canti per 13, for 13 instruments | 11:02 min | Chamber Music | 1955 |
44 | Liebeslied, for chorus & instruments | 5:03 min | Choral | 1954 |
45 | Espressioni (2), for orchestra | 12:11 min | Orchestral | 1953 |
46 | Epitaffio per Federico Garcia Lorca No.3: Memento. Romance de la Guardia Civil española, for speaker, speaking chorus & orchestra | 16:46 min | Choral | 1953 |
47 | Epitaffio per Federico Garcia Lorca No.2: Y su sangre ya viene cantando, for flute & small orchestra | 15:05 min | Concerto | 1952 |
48 | Epitaffio per Federico Garcia Lorca No.1: España en el corazón, for soprano, baritone, reciting chorus & instruments | 10:42 min | Choral | 1951 |
49 | Composizione No.1, for orchestra | 14:06 min | Orchestral | 1951 |
50 | Polifonica - Monodia - Ritmica, for 6 instruments and percussion (2 versions) | 10:18 min | Chamber Music | 1950 |
51 | Variazoni canoniche sulla serie dell'Op.41 di Arnold Schoenberg, for orchestra | 22:12 min | Orchestral | 1949 |
52 | Il mantello rosso (Der rote Mantel), ballet in 3 acts for soloists, chorus & orchestra | 36:51 min | Ballet | - |
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