Short bio Gioseffo Guami
Full biography Gioseffo Guami
Gioseffo Guami was a renowned Italian composer of the late Renaissance period, born in Lucca, Italy in 1542. He came from a family of musicians, and his father, Francesco Guami, was a renowned composer and music theorist himself. Gioseffo Guami then went on to train with the famous Flemish composer Philippe de Monte in the Habsburg court in Vienna.
Guami spent a considerable part of his musical career working in Venice, where he was appointed as the maestro di cappella at St. Mark's Basilica in 1578. He remained in this position for over two decades and produced several notable compositions for the choir during this time. Many of his compositions were written for the polychoral style of music, which was prevalent in Venice at that time and required multiple choirs to sing in different locations.
Guami's music was renowned for its simplicity, clarity, and precision, earning him a reputation as a master of counterpoint. His compositions were considered to be highly innovative for their time, and he frequently experimented with different musical forms and genres. Notably, Guami was the first to compose madrigals using chromatic harmony.
In addition to his work at St. Mark's Basilica, Guami was also highly regarded as a teacher and mentor to several aspiring composers of the time. Many of his pupils went on to become renowned composers themselves, including Giovanni Gabrieli and Scipione Stella.
Gioseffo Guami passed away in 1611, leaving behind a legacy of innovative and influential compositions that continue to inspire musicians to this day. His work played a significant role in the development of the Baroque music style, and he remains a celebrated composer of the Renaissance period.
Compositions featuring Gioseffo Guami
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Canzon "La Cromatica" a 4 | 4:09 min | Chamber Music | 1601 |
2 | Canzon No. 1 (from L'Accorta da Canzonette alla francese a 4,5 e 8 voci per cantar con più sorte d'instrumenti, Venezia, 1601) | 3:14 min | Vocal Music | 1601 |
3 | Offertoire [insertion for Gagliano's Messe à double choeur] (from Messe de Mariage, 1600) | 3:24 min | Choral | 1600 |
4 | Toccata for keyboard (from Il Transilvano, 1593) | 1:45 min | Keyboard | - |
5 | Canzon "La Battaglia" a 4 | 4:20 min | Chamber Music | - |
6 | Toccata del secondo tuono | 2:11 min | - | |
7 | O Maria mater gratiae (for 2 voices) | 2:20 min | Vocal Music | - |
8 | La Todeschina, canzon | 2:31 min | Miscellaneous (Classical) | - |
9 | La Poggina, canzon a 4 | 4:25 min | Chamber Music | - |
10 | La Novellina | 3:45 min | Chamber Music | - |
11 | La Lucchesina, canzona a 8 for consort " | 2:50 min | Chamber Music | - |
12 | La Guamina for organ | 2:30 min | Keyboard | - |
13 | La Gentile, canzona a 4 for consort | 2:24 min | Chamber Music | - |
14 | La Brillantina, canzona for consort | 3:02 min | Chamber Music | - |
15 | La Bastina, canzona a 4 for consort | 2:41 min | Chamber Music | - |
16 | L'Armoniosa | 4:13 min | Chamber Music | - |
17 | L'Accorta, canzona a 4 for consort | 3:11 min | Chamber Music | - |
18 | In die tribulationis | 3:45 min | Miscellaneous (Classical) | - |
19 | Canzone a 8 | 2:43 min | - | |
20 | Canzona Venezian a 4 | 1:48 min | Chamber Music | - |
21 | Canzon Vigesimaquinta XXIV a 8 | 2:29 min | Chamber Music | - |
22 | Canzon Vigesimaquarta XXIV a 8 | 3:03 min | - | |
23 | Canzon settimadecima à 4 | 3:03 min | Chamber Music | - |
24 | Canzon No. 6 a 4 | 1:22 min | Chamber Music | - |
25 | Canzon No 25 a 8 for brass ensemble | 2:38 min | Chamber Music | - |
26 | Canzon No 24 à 8 for brass ensemble | 3:22 min | Chamber Music | - |
27 | Canzon No 19 a 5 | 2:16 min | Miscellaneous (Classical) | - |
28 | Canzon "La Vega" a 4 | 3:32 min | - | |
29 | Canzon "La Ondeggiante" a 4 | 2:14 min | - | |
30 | Canzon "La Guamina" a 4 | 2:15 min | - |
Leave a Reply