Short bio Gerard Grisey
Full biography Gerard Grisey
Gerard Grisey was a notable French composer of contemporary classical music who made significant contributions to the field of spectral music. He was born on June 17, 1946, in Belfort, France, and passed away on November 11, 1998, in Paris, France, at the age of 52. Grisey was interested in music from a young age and started writing essays on the subject when he was only nine years old.
Grisey's music emphasized the use of timbre and spectral harmonies, exploring the overtone series and the harmonic relationships that exist within complex sound spectra. His compositions often incorporated electronic music and non-Western instruments, and he frequently collaborated with visual artists and poets to create multimedia works.
Some of Grisey's notable compositions include "Les espaces acoustiques," "Partiels," and "Quatre chants pour franchir le seuil." His music has been performed by numerous prestigious ensembles and orchestras around the world, and he has received recognition for his contributions to the field of contemporary classical music.
Grisey's teachings and philosophies about music have also influenced many composers and performers in the years since his passing. He believed that music was a way to transfigure time and that it could allow listeners to experience the world in a new and transformative way. Overall, Gerard Grisey was an important figure in twentieth-century music, and his innovative compositions and ideas continue to influence and inspire musicians around the world.
Compositions featuring Gerard Grisey
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Vortex temporum, for flute, clarinet, violin, viola, cello & piano | 41:00 min | Chamber Music | 1995 |
2 | Stèle, for two percussionists | 6:40 min | Chamber Music | 1995 |
3 | L'Icône paradoxale, for 2 female voices & large orchestra | 24:41 min | Vocal Music | 1993 |
4 | Le Temps et l'Écume, for 4 percussionists, 2 synthesizers & chamber orchestra | 20:32 min | Orchestral | 1988 |
5 | Talea, for flute, clarinet, violin, cello & piano | 16:42 min | Chamber Music | 1986 |
6 | Epilogue, for 4 horns & large orchestra | 7:55 min | Concerto | 1985 |
7 | Nout, for saxophone | 5:19 min | Chamber Music | 1983 |
8 | Anubis, for saxophone | 7:02 min | Chamber Music | 1983 |
9 | Anubis-Nout, two pieces for contrabass clarinet (à la mémoire de mon ami Claude Vivier) | 12:37 min | Chamber Music | 1983 |
10 | Les Chants de l'Amour, for 12 voices & tape | 35:13 min | Vocal Music | 1982 |
11 | Solo pour deux, for clarinet & trombone | 15:22 min | Chamber Music | 1981 |
12 | Transitoires, for large orchestra | 18:40 min | Orchestral | 1980 |
13 | Jour contre jour, for chamber ensemble | 22:06 min | Orchestral | 1979 |
14 | Tempus ex machina, for six percussionists | 21:59 min | Chamber Music | 1979 |
15 | Prologue, for viola & resonators | 16:59 min | Chamber Music | 1976 |
16 | Partiels for 16 or 18 musicians | 20:02 min | Orchestral | 1975 |
17 | Périodes, for 7 musicians | 14:11 min | Chamber Music | 1974 |
18 | Charme, for clarinet | 6:03 min | Chamber Music | 1969 |
19 | Passacaille, for accordion | 5:13 min | Chamber Music | 1967 |
20 | Le Noir de l'Etoile, for percussion ensemble | 62:37 min | Chamber Music | - |
21 | Modulations for 33 musicians | 16:02 min | Orchestral | - |
22 | Chants (4) pour franchir le seuil, for soprano & ensemble | 40:51 min | Vocal Music | - |
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