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Gerard Grisey

Short bio Gerard Grisey

Birthday: 1946 in Belfort, France
Died: 1998 in Paris, France
Active: 1970s - 1990s
Genre: Classical,Avant-Garde
Period: Contemporary

Full biography Gerard Grisey

photo Gerard Grisey

Gerard Grisey was a notable French composer of contemporary classical music who made significant contributions to the field of spectral music. He was born on June 17, 1946, in Belfort, France, and passed away on November 11, 1998, in Paris, France, at the age of 52. Grisey was interested in music from a young age and started writing essays on the subject when he was only nine years old.

Grisey's music emphasized the use of timbre and spectral harmonies, exploring the overtone series and the harmonic relationships that exist within complex sound spectra. His compositions often incorporated electronic music and non-Western instruments, and he frequently collaborated with visual artists and poets to create multimedia works.

Some of Grisey's notable compositions include "Les espaces acoustiques," "Partiels," and "Quatre chants pour franchir le seuil." His music has been performed by numerous prestigious ensembles and orchestras around the world, and he has received recognition for his contributions to the field of contemporary classical music.

Grisey's teachings and philosophies about music have also influenced many composers and performers in the years since his passing. He believed that music was a way to transfigure time and that it could allow listeners to experience the world in a new and transformative way. Overall, Gerard Grisey was an important figure in twentieth-century music, and his innovative compositions and ideas continue to influence and inspire musicians around the world.

Compositions featuring Gerard Grisey

# Name Duration Genre Year
1 Vortex temporum, for flute, clarinet, violin, viola, cello & piano 41:00 min Chamber Music 1995
2 Stèle, for two percussionists 6:40 min Chamber Music 1995
3 L'Icône paradoxale, for 2 female voices & large orchestra 24:41 min Vocal Music 1993
4 Le Temps et l'Écume, for 4 percussionists, 2 synthesizers & chamber orchestra 20:32 min Orchestral 1988
5 Talea, for flute, clarinet, violin, cello & piano 16:42 min Chamber Music 1986
6 Epilogue, for 4 horns & large orchestra 7:55 min Concerto 1985
7 Nout, for saxophone 5:19 min Chamber Music 1983
8 Anubis, for saxophone 7:02 min Chamber Music 1983
9 Anubis-Nout, two pieces for contrabass clarinet (à la mémoire de mon ami Claude Vivier) 12:37 min Chamber Music 1983
10 Les Chants de l'Amour, for 12 voices & tape 35:13 min Vocal Music 1982
11 Solo pour deux, for clarinet & trombone 15:22 min Chamber Music 1981
12 Transitoires, for large orchestra 18:40 min Orchestral 1980
13 Jour contre jour, for chamber ensemble 22:06 min Orchestral 1979
14 Tempus ex machina, for six percussionists 21:59 min Chamber Music 1979
15 Prologue, for viola & resonators 16:59 min Chamber Music 1976
16 Partiels for 16 or 18 musicians 20:02 min Orchestral 1975
17 Périodes, for 7 musicians 14:11 min Chamber Music 1974
18 Charme, for clarinet 6:03 min Chamber Music 1969
19 Passacaille, for accordion 5:13 min Chamber Music 1967
20 Le Noir de l'Etoile, for percussion ensemble 62:37 min Chamber Music -
21 Modulations for 33 musicians 16:02 min Orchestral -
22 Chants (4) pour franchir le seuil, for soprano & ensemble 40:51 min Vocal Music -
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