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The Meaning of 1° in Music

In music, the symbol "1°" typically represents the tonic or the first degree of a scale. The tonic is the central pitch or note that a musical composition is based on, and it serves as a point of stability and resolution. The tonic is often considered the "home" note of a musical piece and provides a sense of grounding and finality. The symbol "1°" is commonly used in music theory and notation to indicate the tonic or the first degree of a scale. It helps musicians understand the tonal center and structure of a musical composition.

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In the score of an orchestral composition, 1° will designate which musician in a section performs the indicated notes. Specifically, orchestral composition are written for one musician to perform each part in the wind and percussion sections  As an example, if four horns are indicated in the score, each horn will have a separate part to perform.  Often, the composer (or editor)  will combine two parts onto one page of music, or in the case of the conductor's  score  all parts are shown on one page with more than one instrument shown per staff. If more than one part is shown on a single staff on the score  there needs to be a way to indicate which part is to be performed by each performer. In the cases where both parts are performing , they can be designated by placing all of the note stems up for one part and down for another. However, there are situations where only one musician is desired. In these cases, the indication 1° directs the musician on the first part to perform the indicated passage  Several indications may be used to cancel this designation, or indicate that both parts should perform  a 2, à 2, a due, a deux, tutti, or unison will all effectively cancel 1°.  

In the examples below (from Claude Debussy's Prelude to "The Afternoon of a Faun"), example #1 shows measure 16 of the clarinet part where the first clarinet performs alone. Measure 17 shows the notation of à 2,  indicating that both clarinets perform these notes. In example #2 measure 98, the first horn performs the note in the top staff  while horn 3 and 4 perform the note in the bottom staff  In measure 100, the horns are broken into four parts with each part indicated by 1°, , or .

This indication would not be used in string parts  Each of the string instruments typically has multiple musicians performing on each part  so the composer must use other directives. For example, if the composer wants the first violin section to perform more than one note the term "divisi" (or divided) would used to indicated that the section would need to divide the section where some performed one note and some performed the other. Often, the first chair performers on a stand will perform the top note of the divisi and the second chair player on the stand will perform the bottom note.  Composers  will often write more than two notes to be divided among the performers  In these cases, the principal performer in the section will determine who performs each note. Again, the divisi directive is cancelled by a 2, à 2, a due, a deux, tutti, or unison.

See also:  .

Popular questions related to 1°

Spins. Almost extremes but spins. And what that means is a song was played. The most so that's based on their airplay time so of the number one spot is for the song that was played the most.

The plain number represents a quarter note (crotchet). Each underline halves the note length: One represents an eighth note (quaver), two represent a sixteenth note (semiquaver), and so on.

Reading Music : Note Value

Name (USA)Name (England)Duration
Whole NoteSemibreve4 beats
Half NoteMinim2 beats
Quarter NoteCrotchet1 beat

The top number tells us the number of beats in each measure. The bottom number in time signature tells you what note values those beats are. If the bottom number is a 4, it means the beats are quarter notes (four quarter notes in a measure).

1 = whole note (you'll never see this) 2 = half note. 4 = quarter note. 8 = eighth note.

The first time through you play the first ending and the second time through you play the second ending. This happens a lot in music and there is a common way of notating it. For each ending, a bracket is drawn above the ending's bar (or bars) along with an ending number (i.e. 1, 2, etc).

When first and second endings are used, the musician plays the music once, including the measures in the first ending, then repeats back to the opening repeat sign (or to the beginning of the piece, if there is no opening repeat sign).

quarter note The quarter note equals one beat.

And then rest is zero. And then if a single number without any line underneath is a quarter note. And one line underneath the number is eighth note and then two lines underneath a sixteenth thumb.

In music notation, triplets are always marked with the number 3 over or under the triplet notes. Sometimes triplets have a slur mark (an arc-shaped line), or they may have a bracket. Other times the 3 notes are just beamed together with the number 3 written near the beam.

A due [a dˈduːe] in Italian or à deux [a dø] in French is a musical direction meaning "for two". Most often seen in its abbreviated form a2, the marking signifies that on a staff that normally carries parts for two players, both players are to play the single part in unison.

Traditional Rhythm Counting Traditionally teachers teach you to count rhythms using numbers along with some other words or sounds. You would count the beat 1, 2, 3, 4, 1, 2, 3, 4, 1, and so on. In-between you would fill in the word 'and' for the eighth note subdivisions of each beat.

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