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villanelle

A French term used in the 16th century for pastoral poems or songs. The term was later revived, and applied to compositions by composers such as Georg Philipp Telemann, Hector Berlioz, and Paul Dukas.

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In music, a villanella (Italian pronunciation: [villaˈnɛlla]; plural villanelle) is a form of light Italian secular vocal music which originated in Italy just before the middle of the 16th century. It first appeared in Naples, and influenced the later canzonetta, and from there also influenced the madrigal.

The villanelle is a specific poetic form that uses repeated lines and a strict rhyming pattern throughout its 19 lines, which are grouped into six separate stanzas. Villanelles have a lyrical quality to them, creating a song-like poem with their structured lines.

Definition of a Villanelle A villanelle is a fixed-form poem consisting of five tercets and a quatrain and also follows a specific rhyme scheme using only two different sounds. A tercet is a stanza with only three lines, and a quatrain is a stanza with four lines. Thus, the villanelle has nineteen total lines.

villanelle, rustic song in Italy, where the term originated (Italian villanella from villano: “peasant”); the term was used in France to designate a short poem of popular character favoured by poets in the late 16th century.

The villanelle has 19 lines, split into 5 tercets (three-line stanzas) and 1 quatrain (a stanza of 4 lines). There are two repeating rhymes and two "refrains," or repeated lines. The 1st and 3rd lines alternate as the last lines of stanzas 2, 3, and 4. The last stanza uses the 1st and 3rd lines as a rhymed couplet.

A villanelle is a 19-line poem with a fixed form, including two repeated rhymes and two refrains. If you memorize a villanelle and recite it in class, your English teacher will be very impressed!

On this page you'll find 49 synonyms, antonyms, and words related to villanelle, such as: ballad, composition, epic, lyric, poetry, and rhyme.

Jean Passerat The villanelle was established as a French form by Jean Passerat (1534-1602), whose rustic song about a lost turtledove created the vogue for the villanelle as a form of pastoral. Passerat's villanelle, which is really a love poem, permanently set the pattern.

The woman who would one day become the infamous assassin known as Villanelle was born in Russia as Oksana Astankova to her mother Tatiana and her father Anatoly. She also had a brother named Pytor, both of whom were emotionally abused by their mother.

Jean Passerat The villanelle was established as a French form by Jean Passerat (1534-1602), whose rustic song about a lost turtledove created the vogue for the villanelle as a form of pastoral. Passerat's villanelle, which is really a love poem, permanently set the pattern.

19 lines A classic form of poetry, the villanelle has a strict form of 19 lines within five triplets and a repeating refrain. These poems are very song-like and are fun to both read and write once you know the rules behind them.

The villanelle has 19 lines, split into 5 tercets (three-line stanzas) and 1 quatrain (a stanza of 4 lines). There are two repeating rhymes and two "refrains," or repeated lines. The 1st and 3rd lines alternate as the last lines of stanzas 2, 3, and 4. The last stanza uses the 1st and 3rd lines as a rhymed couplet.

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