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sul tasto

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  • Braulio Kshlerin
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Meaning of "sul tasto" in music

"Sul tasto" is an Italian term used in music notation that instructs string players to bow over the fingerboard of their instrument, producing a warmer and mellower sound. The term translates to "on the touch" in English. This technique is often used to create a softer and more delicate tone quality. It is indicated in the sheet music as "sul tasto" or sometimes simply as "sul" followed by the name of the string on which it should be performed, such as "sul E" for the E string of a violin.

Usage and Interpretation

The use of "sul tasto" is indicated in the sheet music by the composer. Musicians, especially those who play in large ensembles, must follow the composer's directions. If the music indicates the use of "sul tasto," the performer should bow over the fingerboard as instructed. Soloists may have more freedom to interpret the music in their own individualistic ways.

Difference Between Sul Tasto and Flautando

The term "flautando" is often used interchangeably with "sul tasto" in some contexts. Both terms refer to a similar technique where the bow is applied lightly and smoothly over the fingerboard to imitate the flute's tone. The difference between the two is minimal, with "flautando" specifically emphasizing the flute-like quality of the sound produced.

Examples in Music

"Sul tasto" and other unique bowing techniques are directly notated in sheet music. For example, in Claude Debussy's composition "La Mer," the notation for "sul tasto" is explicit and direct, providing clear instructions for the musician.

Conclusion

"Sul tasto" is a technique used by string players to produce a warmer and mellower sound by bowing over the fingerboard of their instrument. It is indicated in the sheet music and can be interpreted as an instruction to create a softer and more delicate tone quality. The term is often used interchangeably with "flautando," which emphasizes the flute-like quality of the sound produced.

An Italian term for at the fingerboard.

In addition, you can familiarize yourself with the terms:

Popular questions related to sul tasto

on the touch Meaning 'on the touch' in Italian, Sul Tasto is a technique that requires the bow to be used over the end of the fingerboard, creating a more mellow tone.

noun. south [noun] the direction to the right of a person facing the rising sun, or any part of the earth lying in that direction.

Sul tasto and sul tasto extremo. It means play with the bow over the fingerboard, creating an ee- rie sound.

However, composers quite often specify the two extremes of as close to the bridge as possible (sul ponticello), which makes quite a harsh sound, or right over the fingerboard (sul tasto), which creates a whispery tone.

violins The "sul G playing" on violins is very often used in the standard literature of famous composers and is a very typical effect.

with the wood : with the wood. used as a direction in music to players of bowed instruments to use the wood and not the hair of the bow in playing.

School of Open Learning - Wikipedia.

Swahili. / (swɑːˈhiːlɪ) / noun. Also called: Kiswahili a language of E Africa that is an official language of Kenya and Tanzania and is widely used as a lingua franca throughout E and central Africa.

Sul Tasto is usually played at the end or near the end of the fingerboard, away from the bridge. Its purpose is to get more low partials and a darker sound. Flautando is played with little pressure and high speed, usually at the edge of the fingerboard. Its purpose is to obtain a flute-like sound.

Sul Tasto is usually played at the end or near the end of the fingerboard, away from the bridge. Its purpose is to get more low partials and a darker sound. Flautando is played with little pressure and high speed, usually at the edge of the fingerboard. Its purpose is to obtain a flute-like sound.

flute-like Flautando (it.) (engl. 'flute-like'), instruction to a stringed instrument to bow over the fingerboard to produce a flute-like tone. Flautato (it) a on-string-technique in which the sound of a flute is imitated by bowing near the end of the fingerboard.

The highest notes that I have played sul G are G5 in Ravel's Tzigane and B5 in Wieniawski's Concerto No. 2, a natural harmonic. It is possible, but not recommended to go much higher.

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