Home Terms stile antico

stile antico

Meaning of Stile Antico in Music

Stile antico is a term used to describe a manner of musical composition that emerged in the sixteenth century and continued onwards. It refers to a style that is historically conscious, as opposed to more contemporary or modern styles of composition. The term "stile antico" literally means "old style" in Italian.

In the context of music, stile antico specifically refers to the standard polyphonic style of church music from the sixteenth century, particularly as it was employed in the seventeenth century. It is often associated with the music of composers like Giovanni Palestrina, whose polyphonic compositions became the basis for this style of music.

The stile antico is characterized by its contrapuntal texture, with multiple independent melodic lines woven together to create rich harmonies. It emphasizes clarity, balance, and purity of sound, and is often characterized by its smooth and flowing melodic lines. The music of the stile antico is typically sung a cappella, without instrumental accompaniment, and is often performed in a sacred or religious context.

It is worth noting that stile antico is distinct from stile moderno, which refers to a more contemporary or modern style of composition that emerged during the same period. Stile moderno is characterized by its use of new harmonic and melodic techniques, such as the use of dissonance and chromaticism, and a greater emphasis on individual expression and emotional depth.

In summary, stile antico is a term used to describe a historical style of musical composition from the sixteenth century onwards, characterized by its contrapuntal texture, clarity, and balance. It is often associated with the polyphonic music of composers like Giovanni Palestrina and is typically performed a cappella in a sacred context.

Term used in the transitional period between the Renaissance and Baroque eras. The stile antico, was the style of music based upon Giovanni Palestrina's polyphonic musical style, used mostly for sacred music, and written around the year 1600. Stile antico was used by composers from Claudio Monteverdi to Alessandro Scarlatti; this style became the basis of the rules of strict counterpoint.

In addition, you can familiarize yourself with the terms:

Popular questions related to stile antico

sti·​le an·​ti·​co ˈstē-lā-än-ˈtē-kō : the standard polyphonic style of 16th-century church music especially as employed in the 17th century.

Stile Antico's performances are often praised for their immediacy, expressive commitment, and their sensitive and imaginative response to text. These qualities arise from the group's collaborative working style: members rehearse and perform as chamber musicians, each contributing artistically to the musical results.

While the stile antico, the universal polyphonic style of the 16th century, continued, it was henceforth reserved for sacred music, while the stile moderno, or nuove musiche - with its emphasis on solo voice, polarity of the melody and the bass line, and interest in expressive harmony - developed for secular…

Giovanni Palestrina's STEE-lay an-TEE-koe The stile antico, was the style of music based upon Giovanni Palestrina's polyphonic musical style, used mostly for sacred music, and written around the year 1600.

stile1. / (staɪl) / noun. a set of steps or rungs in a wall or fence to allow people, but not animals, to pass over.

stile: (noun) an upright that is a member in a door or window frame. style: (noun) a particular kind (as to appearance).

Claudio Monteverdi is the composer who distinguished between the stile antico, representing older, contrapuntal music styles, and the stile moderno, representing a more modern, expressive melody style.

Style is one of the most salient qualities of music, and in fact most descriptions of music refer to some aspect of musical style. Style in music can refer to historical periods, composers, performers, sonic texture, emotion, and genre.

Monteverdi The basis of the distinction for Monteverdi was that in the first practice music dominated the text, whereas in the second, the text dominated the music. Others called the two practices "stile antico" and "stile moderno" (old and modern style).

The basis of the distinction for Monteverdi was that in the first practice music dominated the text, whereas in the second, the text dominated the music. Others called the two practices "stile antico" and "stile moderno" (old and modern style).

Prima Pratica Prima Pratica: (the "first practice") In the early 1600s, this was the term used to describe the "old style" of late Renaissance vocal counterpoint with its carefully-controlled use of dissonance (represented by the music of Palestrina).

From Middle English stile, style, stiȝele, from Old English stiġel (“stile, set of steps for getting over a fence”), from Proto-West Germanic *stigilu, from Proto-Germanic *stigilō (“entry, entrance, overpass, device for climbing, stile”), equivalent to sty (“to ascend, climb”) +‎ -le.

Video on the subject: stile antico
Leave a Reply

Your email adress will not be published ,Requied fileds are marked*.

Send to mobile phone