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parallel chords

Meaning of Parallel Chords in Music

Parallel chords in music refer to a series of chords that consist of intervals that do not change as the chord moves. This technique is used for smooth key modulation and the insertion of chords borrowed from other scales. In German music theory, the term "parallel" (Parallelklang) is used to describe these chords, which are also known as "relative" chords in English.

In the Riemann system, parallel chords are formed by raising the fifth of the tonic, subdominant, and dominant chords a whole tone. Similarly, the minor tonic, subdominant, dominant, and their parallels are created by lowering the fifth/root a whole tone.

Parallel chords can be used to create catchy progressions in dance music and have been employed by artists such as Motor City Drum Ensemble, Ian Pooley, and Kerri Chandler They can also be used for chord substitutions in classical music, allowing for smooth key changes and the introduction of new harmonic elements.

It's important to note that the term "parallel" in German music theory refers to the concept of "relative" in English, which can cause confusion for those familiar with the functional harmony tradition.

In summary, parallel chords in music are a technique used to create chord progressions where the intervals remain consistent as the chords change. They can be used for smooth key modulation, chord substitutions, and creating catchy progressions in various genres of music

A sequence of chords consisting of intervals that do not change as the chord moves. For example, a major chord of CE, and G (with the intervals of a major third between the C and E and a minor third between the E and G) would be parallel to a following chord of {% fA, and C (again a major chord with the intervals of a major third between the F and A and a minor third between the A and C), which, in turn, would be parallel to another major chord consisting of GB, D, etc. This is also referred to as parallel motion.

In addition, you can familiarize yourself with the terms:

Popular questions related to parallel chords

Parallel means that each note within the chord rises or falls by the same interval.

G major and E minor are called parallel keys. The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann system. The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone.

This particular harmonic technique consists in moving a chord or a harmonic interval and maintain the relative distance between pitches, or put another way, it's when all the voices of a chord move in the same direction. It can be used to connect with a more important chord or to thicken a melodic line.

Songs like “While My Guitar Gently Weeps” and “Norwegian Wood” are classic examples of parallel major and minor being used. Borrowing a chord, or using a chord sequence derived from parallel major minor, really helps gives songs a melancholy sounding shift.

If the measures of the two arcs between two distinct chords are equal, then the chords are parallel. There is one further property that holds for chords of equal lengths. That is, if two chords are equal in length, then the arcs between the endpoints of the chords will be equal in measure.

Two equal chords of a circle are always parallel.

G major and E minor are called parallel keys. The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann system. The tonic, subdominant, and dominant chords, in root position, each followed by its parallel.

For instance, if we consider the C major scale, its parallel minor scale would be C minor. This is because they both share the same tonic note, C. Likewise, if we take the A minor scale, its parallel major scale would be A major.

If the measures of the two arcs between two distinct chords are equal, then the chords are parallel. There is one further property that holds for chords of equal lengths. That is, if two chords are equal in length, then the arcs between the endpoints of the chords will be equal in measure.

If two chords intersect in a circle , then the products of the measures of the segments of the chords are equal. In the circle, the two chords ¯AC and ¯BD intersect at point E . So, AE⋅EC=DE⋅EB .

G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F♯. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor.

If two chords are equal and parallel, then they lie on opposite sides of the center. A chord divides a circle into two parts which are called "segments" of the circle.

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