opéra comique

"Opéra comique" was generally distinguished from grand opera by use of some spoken dialogue instead of a continuous musical texture. Generally it was simpler in musical expressiveness, used fewer characters, and compared with earlier French opera, relied very little on the chorus.

The term Italian term opera buffa (comic opera) is one used to describe a comedy or humorous opera. Comic characters have appeared in opera since the early 18th century, and they were often short operatic scenes of usually one-act, performed in between acts of the main opera.

One of the most distinguishing characteristics of Ballad opera and opera-comique is the use of popular tunes. Composers of these operas would often set new words to popular songs or compose songs in the style of popular music. This was the first method to oppose the unnatural virtuosity and grandiosity of opera seria.

They were also given the right to use the name "Opéra-Comique". The first work officially given that designation was Télémaque (a parody of the opera by André Cardinal Destouches), which was first performed by the Théâtre de la Foire Saint-Germain in 1715.

Nestled on a remote square away from the crowded Boulevard des Italiens, the Opéra Comique is one of the best kept secret in Paris. Founded during the reign of Louis XIV, in 1714, the Opéra Comique is one of the oldest theatres and music halls in France, together with the Opéra de Paris and the Comédie Française.

Etymology. French, from comique, adjective, from Latin comicus.

opera buffa, (Italian: “comic opera”) genre of comic opera originating in Naples in the mid-18th century. It developed from the intermezzi, or interludes, performed between the acts of serious operas.

Opera Buffa is the polar opposite to Opera Seria. One is funny and the other serious, one depicted royalty and the other ordinary peasant life that audiences could relate to. Mozart is a common thread between the two as his famous opera, The Marriage of Figaro, is one of the most well known examples of Opera Buffa.

You answer: . The most important and popular composer of opéra comique in the late eighteenth century was W.A. Mozart.

The Opéra Comique is also named the Salle Favart after Justine and Charles-Simon Favart, librettist and playwright, who both led to its development.

opéra-comique, French form of opera in which spoken dialogue alternates with self-contained musical numbers. The earliest examples of opéra-comique were satiric comedies with interpolated songs, but the form later developed into serious musical drama distinguished from other opera only by its spoken dialogue.

opéra-comique, French form of opera in which spoken dialogue alternates with self-contained musical numbers. The earliest examples of opéra-comique were satiric comedies with interpolated songs, but the form later developed into serious musical drama distinguished from other opera only by its spoken dialogue.