In music, the term "antecedent" refers to the first half of a musical phrase, while the term "consequent" refers to the second half or completing part of the phrase. Antecedent phrases are often inconclusive and leave the listener with a sense of unresolved harmony and an expectation for the music to continue. They typically feature a weak cadence. On the other hand, consequent phrases provide a sense of conclusion and often end with a strong cadence Antecedent and consequent phrases are often found in pairs and can be thought of as being in a question and answer relationship. They are commonly used in classical music and popular music. A period in music usually consists of at least one antecedent phrase followed by one consequent phrase, totaling about 8 bars in length ). The antecedent phrase is typically followed by the consequent phrase, creating a balanced and symmetrical structure.
1. The subject of a fugue or canon; the first phrase of a musical period.
2. Antecedent and consequent, a pair of musical statements that complement one another in rhythmic symmetry and harmonic balance.
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