Kontrabassklarinette

: a large clarinet that is lower in pitch by an octave than the ordinary B-flat clarinet.

noun. : a clarinet usually pitched an octave below the bass clarinet. called also double-bass clarinet, pedal clarinet.

Dumas of Sommières The earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières; little else is known of this instrument.

Kadenz f (genitive Kadenz, plural Kadenzen) (music) a cadenza (a part of a piece of music) (music) a cadence (a progression of at least two chords which conclude a piece of music) (speech) a cadence (a fall in inflection of a speaker's voice, such as at the end of a sentence)

A bass drum, guitar, or other musical instrument is one that produces a very deep sound. He had found success as a vocalist and bass guitarist with the band. Synonyms: deep, low, resonant, sonorous More Synonyms of bass.

The clarinet was symbolic of the history of jazz and was a symbol of pride for some and of oppression to others.

The terms for the instrument among classical performers are contrabass (which comes from the instrument's Italian name, contrabbasso), string bass (to distinguish it from brass bass instruments in a concert band, such as tubas), or simply bass.

The double bass, or contrabass as it is sometimes known, is the largest and lowest pitched bowed stringed instrument in a modern classical symphony orchestra.

The earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières; little else is known of this instrument. The batyphone (also spelled bathyphone, Ger. and Fr. batyphon) was a contrabass clarinet which was the outcome of W. F.

The Contrabass Flute, a full two octaves lower than the C-flute, is the 'Gentle Giant' of the flute family. It's warm tone may seem not loud at first hearing, but carries in an impressive way. And it is with much pleasure that we introduce this wonderful instrument to you.

Metric rhythm may be isometric or multimetric. In both cases, all time values are fractions or multiples of a beat; but in isometric rhythm, the groups of beats or measures are equal, with the first beat usually accented.

A crescendo is a way for composers to indicate that a passage of music should gradually increase in loudness over time (opposite of a decrease in volume, which is described as a decrescendo).