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hyperaeolian

Meaning of Hyperaeolian in Music

In music, the term "hyperaeolian" refers to a specific scale or mode. The term was coined by Heinrich Glarean in his work "Dodecachordon" in 1547. Glarean used the term to describe a division of the octave that corresponds to the modern Aeolian mode. The Aeolian mode is a musical scale that is commonly associated with a minor key. The hyperaeolian scale is an extension or variation of the Aeolian mode, with additional notes or alterations.

It is important to note that the usage of the term "hyperaeolian" as equivalent to the ancient Greek Mixolydian mode or Glarean's Hyperaeolian has no authority before the 19th century.

Sources:- : 'Locrian mode - Wikipedia'-: 'Music Theory: Pitch, notes, and scales'

The mode based on the seventh tone of the major scale. In the key of C, the hyperaeolian mode is based on the pitch B. Today, this is known as the locrian mode.

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The history of the Locrian mode The Locrian mode gets its name from those who lived in the ancient Greek regions of Locris, where it was believed to have originated. Compared to the other diatonic modes, it was used more sparsely throughout history, due to its perceived dissonance and instability.

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The Locrian mode is the seventh mode of the major scale. It is either a musical mode or simply a diatonic scale. On the piano, it is the scale that starts with B and only uses the white keys from there.

It's pretty rare to hear the Locrian mode used in music. Many experts say the reason is the diminished fifth scale degree, which makes it sound a bit off .

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It's called the circle of fifths because it's based on the interval of a fifth, which is the distance between two musical notes that are five steps apart in the musical alphabet. For example, the interval of a fifth between C and G includes the notes C, D, E, F, and G.

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