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all' ottava

Meaning of "all' ottava" in Music

In music notation, "all' ottava" is an Italian term that means "at the octave" or "play this an octave higher or lower than written". It is often abbreviated as "8va" or "8vb". The term "ottava" itself translates to "octave" or "eighth" in Italian.

When "all' ottava" is written above a note or a passage, it indicates that the performer should play the notes one octave higher than written. Conversely, when it is written below a note or a passage, it indicates that the performer should play the notes one octave lower than written.

The notation "8va" or "8vb" can also be used with a dotted line that covers a series of notes to be performed at the octave. The dotted line should end with a downstroke to indicate the end of the passage to be altered. The end of the passage can also be indicated by the term "loco" ("at place") or "perform at the written pitch".

Overall, "all' ottava" is a musical direction that instructs the performer to play the indicated notes at a different octave than written, either higher or lower.

The Italian term for at the octave.

In addition, you can familiarize yourself with the terms:

Popular questions related to all' ottava

: at an octave higher or lower than written. used as a direction in music.

played one octave higher than written ottava al·​ta. -ˈältə : intended to be played one octave higher than written. used as a direction in music.

Translation of ottava – Italian–English dictionary octave [noun] in music, a series or range of eight notes. octet [noun] a group of eight musicians, eight lines in a poem etc. (Translation of ottava from the PASSWORD Italian–English Dictionary © 2014 K Dictionaries Ltd)

An octave is a series of eight notes in a musical scale. It is also used to talk about the difference in pitch between the first and last notes in a musical scale.

Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio.

Originally an Italian stanza of eight 11-syllable lines, with a rhyme scheme of ABABABCC. Sir Thomas Wyatt introduced the form in English, and Lord Byron adapted it to a 10-syllable line for his mock-epic Don Juan.

Ottava Rima poems consist of eight-line stanzas, following an ABABABCC rhyming scheme. The first six lines alternate rhyming with one another until the final two lines, which contain a double rhyme - known as a couplet.

Originally an Italian stanza of eight 11-syllable lines, with a rhyme scheme of ABABABCC. Sir Thomas Wyatt introduced the form in English, and Lord Byron adapted it to a 10-syllable line for his mock-epic Don Juan.

The seventh octave is the highest octave of a piano. Using middle C (C4) as a guide, the next higher C is C5 or tenor C. The next C is C6 or soprano high C. The next C, C7 or double high C, is again one octave higher.

Western music typically uses 12 notes – C, D, E, F, G, A and B, plus five flats and equivalent sharps in between, which are: C sharp/D flat (they're the same note, just named differently depending on what key signature is being used), D sharp/E flat, F sharp/G flat, G sharp/A flat and A sharp/B flat.

Ottava Rima poems consist of eight-line stanzas, following an ABABABCC rhyming scheme. The first six lines alternate rhyming with one another until the final two lines, which contain a double rhyme - known as a couplet.

More contemporary English poets to use the form include William Butler Yeats and Kenneth Koch. Ottava rima are 8 lines with an abababcc rhyme scheme, most commonly written in iambic pentameter (or 10-syllable lines). The form can work as a stand alone poem, or be used as connecting stanzas.

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