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double ratamacue

Meaning of Double Ratamacue in Music

A double ratamacue is a rudiment in drumming that consists of a single ratamacue preceded by an additional drag note. The ratamacue itself is a four-note pattern where the first note has drag grace notes and the fourth note is accented.

The double ratamacue adds an extra drag note before the ratamacue pattern, creating a more complex and intricate rhythm. It is a challenging rudiment that requires control and coordination between the hands.

The ratamacue family of rudiments includes the single ratamacue, double ratamacue, and triple ratamacue. Each variation adds more drag notes before the accented note, increasing the complexity of the pattern.

Overall, the double ratamacue is a drum rudiment that drummers practice to improve their stick control and coordination, and it adds a dynamic and intricate element to drumming performances

drum rudiment based on the drag (or ruff). This rudiment consists of a drag (or ruff) followed by a single ratamacue. The sticking pattern shown below is the accepted method of performing a double ratamacue.

Popular questions related to double ratamacue

Because that's the way it sounds it's an onomatopoeia rudiment all right radamiku or radamiku or radamiku. Right so it's a diddle or drag triplet. Then an accent.

The paradiddle is a useful rudiment for development of technique, coordination and stick control.

So right left right right left left right left right right left it doesn't alternate naturally. So you have to practice it with your left but here we go the paradiddle. Diddle.

Think of the drum rudiments as the “building blocks” of drumming. Their purpose is something roughly equivalent to a pianist or a guitarist learning and practicing their musical scales on their instrument. The rudiments are important to help a drummer develop technique, phrasing, control and coordination on the drums.

Plus one other note another tap so if you play a flam tap flam tap tap another note on the left hand. And then we're going to start over.

I flam this my next note with the left hand is accented. And then I follow through and end with a flam it'll sound something like.

If you've already played a single paradiddle, you'll notice just how similar it is to this double paradiddle. The only difference here is that you play four alternating single strokes instead of two. So, you simply start with four alternating singles leading into a double.

The single paradiddle consists of eight notes. Right left right right left right left left now generally speaking you usually accent the quarter note or the first note of every rotation.

In drum terminology, “para” means "single stroke" and “diddle” means "double stroke," and thus the term describes a sticking pattern where a single stroke is followed by a double stroke.

A diddle is a double stroke played at the current prevailing speed of the piece. For example, if a sixteenth-note passage is being played, then any diddles in that passage would consist of sixteenth notes.

A drum rudiment is basically a sticking pattern. Every sticking pattern you play on the drum set is derived from different drum rudiments. Most are very common patterns that you are well aware of like the single stroke roll, double stroke roll, and flam stroke. Some are more complex and difficult to play.

Rudiments are the scales and arpeggios of the drum kit. Put simply, they're different sticking patterns that you need to learn and these will help you play more proficiently around the kit.

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