double fugue

The term double fugue has also been applied to a fugue in which the theme and countersubject appear simultaneously at the beginning of the composition and are regularly associated throughout.

Here's an example double fugue, the Kyrie Eleison from Mozart's Requiem. The first subject is highlighted in red (“Kyrie eleison”, in the bass and later the soprano); its continuation as a (debatable) counter-subject is in orange. The second subject is in green (in the alto and then tenor).

A double fugue is distinctly different from a fugue with a single subject and one or more countersubjects. Where a countersubject is almost always subservient to the main subject, a second subject usually enjoys its own independant exposure in a full exposition where the initial subject is absent.

There are two kinds of double (triple) fugue: (a) a fugue in which the second (third) subject is (are) presented simultaneously with the subject in the exposition (e.g. as in Kyrie Eleison of Mozart's Requiem in D minor or the fugue of Bach's Passacaglia and Fugue in C minor, BWV 582), and (b) a fugue in which all ...

In Mozart's Fugue in G Minor, K 401, for piano four hands (1782), the two subjects are melodic inversions of each other. Two excellent examples of triple fugue (i.e., having three subjects) are Bach's The Well-Tempered Clavier, Book 1, No. 4, and his Fugue in E-flat Major for organ, BWV 552, called the St.

A fugue is a contrapuntal composition whose form features sections called expositions and episodes. A fugue exposition is a section that contains at least one full statement of the subject of the fugue. The fugue subject is the primary melodic idea and is stated by each voice in turn in the first exposition.

What is an example of a fugue? Bach's "Little Fugue" in G minor is an excellent example of the fugue form. It has a clear exposition, episode, and development.

Fugues in two voices are rare, and in Bach's The Well-Tempered Clavier there is only one, No. 10 of Book 1; a few of his Fifteen Inventions are two-voice fugues (Nos. 5, 10, 12, and 15). Five-, six-, and even seven-part fugues are likewise possible but uncommon.

Toccata and Fugue in D minor Famed for its iconic opening, Bach's Toccata and Fugue in D minor (BWV 565) is one of the most well-known pieces of organ music ever written. Composed somewhere between ​​1703-7, the over 300-year-old work rose to popularity in the 20th century, after it cemented its place in popular media.

ˈfyüg. 1. a. : a musical composition in which one or two themes are repeated or imitated by successively entering voices and contrapuntally developed in a continuous interweaving of the voice parts.

polyphony, in music, the simultaneous combination of two or more tones or melodic lines (the term derives from the Greek word for “many sounds”). Thus, even a single interval made up of two simultaneous tones or a chord of three simultaneous tones is rudimentarily polyphonic.

polyphony polyphony (noun; polyphonic = adjective): two or more parts sung or played simultaneously. sometimes in folk music.