Short bio Thomas Ford
Full biography Thomas Ford
Thomas Ford (c. 1580 – 17 November 1648) was an English composer )), lutenist, viol player, and poet. Not much is known about his early life. However, he was admired for his musical talents, which led him to become a well-known composer during his time. Ford wrote anthems for 3 to 6 voices, four sacred canons, 35 partsongs, and many instrumental pieces. He was also recognized for his poetry, which was set to music by other composers as well.
One of his most famous pieces is the madrigal "Since First I Saw Your Face," which has remained popular to this day despite its age ). His music was appreciated by his contemporaries and continues to be performed by vocal and instrumental ensembles globally. Apart from the music, Ford was also recognized for his contributions to poetry. His most famous poem is “I did but see her passing by, And yet I love her till I die,” a verse that has been set to music by many composers over the years.
Although not as widely known as other composers from his era, Ford left a significant legacy and is still remembered for his musical and artistic contributions. His works continue to be performed and studied by scholars and musicians alike.
Compositions featuring Thomas Ford
| # | Name | Duration | Genre | Year |
|---|---|---|---|---|
| 1 | A Paven, M. Maynes Choice | 5:59 min | Chamber Music | 1607 |
| 2 | Why not here, M. Crosse his choice | 1:56 min | Chamber Music | 1607 |
| 3 | Whipit and Tripit, M. Southcotes Jig | 1:33 min | Chamber Music | 1607 |
| 4 | There Is a Ladie, Sweet and Kind for 4 voices & instruments | 2:20 min | Vocal Music | 1607 |
| 5 | The Baggepipes, Sir Charles Howards Delight | 1:23 min | Chamber Music | 1607 |
| 6 | Since First I Saw Your Face, song for 4 voices & instruments | 2:45 min | Choral | 1607 |
| 7 | Forget Me Not, for 2 viols | 1:10 min | Chamber Music | 1607 |
| 8 | Cate of Bardy, The Queenes Jig | 2:21 min | Chamber Music | 1607 |
| 9 | Pavane for Mr. Southcote | 1:48 min | Chamber Music | - |
| 10 | 'Tis Now Dead Night, for vocal ensemble & lute | 4:02 min | Choral | - |
| 11 | A Paven, Sir Richard Westons Delight | 6:34 min | Chamber Music | - |
| 12 | What Then Is Love Sings Coridon | 2:42 min | Miscellaneous (Classical) | - |
| 13 | Airs de Cour | Orchestral | - | |
| 14 | The Galiard, for 2 viols | 2:23 min | Chamber Music | - |
| 15 | An Almaine, M. Westovers Farewell | 1:28 min | Chamber Music | - |
| 16 | Aria for Solo Viol in Bandora Sett | 1:11 min | Chamber Music | - |
| 17 | Sigh No More Ladies | 2:46 min | Miscellaneous (Classical) | - |
| 18 | Shut not, sweet breast | 2:55 min | Vocal Music | - |
| 19 | Sarabande for Solo Viol in Bandora Sett | 1:07 min | Chamber Music | - |
| 20 | Come, Phyllis | 1:49 min | Vocal Music | - |
| 21 | Pavane and Galliard | Orchestral | - | |
| 22 | Now I See Thy Looks Were Feigne | Miscellaneous (Classical) | - | |
| 23 | Not full twelve years (Musicke of Sundrie Kindes), for voice & lute | 2:24 min | Vocal Music | - |
| 24 | Musicke of Sundrie Kindes | 11:09 min | Chamber Music | - |
| 25 | Mr Southcote's Pavan and Galliard | Orchestral | - | |
| 26 | Go, Passions, to the Cruel Fair | 3:43 min | Miscellaneous (Classical) | - |
| 27 | Galliard for Mr. Southcote | 1:14 min | Chamber Music | - |
| 28 | Faire Sweet Cruell for 4 voices & instruments | 1:57 min | Vocal Music | - |
| 29 | Courantta for Solo Viol in Bandora Sett | 1:37 min | Chamber Music | - |
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