Short bio Miguel de Fuenllana
Full biography Miguel de Fuenllana
Miguel de Fuenllana was a Spanish composer and vihuelist who lived in the 16th century. He was born around the year 1500 in the town of Fuenllana, which is located in the province of Ciudad Real in Spain. Fuenllana was an important figure in the Spanish Renaissance, particularly in the field of music.
Fuenllana was known primarily as a composer of music for vihuela, a Spanish instrument similar to the guitar that was popular during the Renaissance. He published his first collection of vihuela music in 1554, which he titled “Orphenica Lyra”. This collection contained a total of 155 vihuela arrangements, including many original works as well as transcriptions of songs from other composers of the time.
Fuenllana’s compositions were highly regarded during his lifetime, and he was known for his technical mastery and his ability to create complex, beautiful musical arrangements. Many of his pieces were influenced by traditional Spanish and Moorish musical styles, and they often featured intricate rhythms and harmonies that were unique for the time.
In addition to his work as a composer, Fuenllana was also a prominent vihuelist and performer. He was known for his virtuosic playing and his ability to bring out the full expressive potential of the instrument. He performed regularly for the Royal Court of Spain, as well as for other members of the nobility and wealthy patrons.
Fuenllana's legacy has endured long after his death. He is remembered as one of the most significant Spanish composers of the Renaissance period, and his work has been admired and emulated by many subsequent generations of musicians and composers. His influence on Spanish music can still be heard today, making him an important figure in the history of music both in Spain and beyond.
Compositions featuring Miguel de Fuenllana
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Morenica, dame un beso, for voice & vihuela | 2:33 min | Vocal Music | 1554 |
2 | Orphenica Lyra, 6 books of pieces for vihuela and for voice & vihuela | Chamber Music | - | |
3 | La carta de Boscán, for voice & vihuela | 2:57 min | Vocal Music | - |
4 | La Girigonça, song (fragment from "Jubilate") (after Flecha) | 1:59 min | Vocal Music | - |
5 | La mi sola | 1:50 min | Chamber Music | - |
6 | Las Endechas, for voice & vihuela | 3:54 min | Vocal Music | - |
7 | Madona mia, song (after Fontana) | 2:56 min | Vocal Music | - |
8 | Madonna per voi ardo (after Verdelot) | 2:52 min | Chamber Music | - |
9 | Mille regretz, for lute (after Josquin des Prez) | 2:33 min | Chamber Music | - |
10 | Morenica, dame un beso, for vihuela | 2:14 min | Chamber Music | - |
11 | No sé qué me bulle, for voice & vihuela | 1:37 min | Vocal Music | - |
12 | O felici occhi miei, song (after Ortiz) | 3:54 min | Vocal Music | - |
13 | O más dura que mármol!, for voice & vihuela | 7:11 min | Vocal Music | - |
14 | O que bonica cancion, song (fragment from "Jubilate") (after Flecha) | 1:50 min | Vocal Music | - |
15 | La Bomba, song (after Flecha) | 2:48 min | Vocal Music | - |
16 | Passeavase el rey moro, for voice & vihuela | 3:51 min | Vocal Music | - |
17 | Perdida de Antequera, for voice & guitar | 2:51 min | Vocal Music | - |
18 | Postrero kyrie, for lute (after Josquin from Missa la sol fa re mi) | 7:03 min | Chamber Music | - |
19 | Primero kyrie, for lute (After Josquin des Prez) | 4:43 min | Chamber Music | - |
20 | Puse mis amores, de Ravaneda, for vihuela | 6:54 min | Chamber Music | - |
21 | Quiero dormir, for voice & vihuela | 1:58 min | Vocal Music | - |
22 | Si los delfines, for voice & vihuela | 2:00 min | Vocal Music | - |
23 | Suscepit Israel, for vihuela | 1:58 min | Chamber Music | - |
24 | Tant que vivray (after Claudin de Sermisy), for vihuela | 3:36 min | Chamber Music | - |
25 | Teresica hermana, for voice & vihuela (after Flecha) | 1:57 min | Vocal Music | - |
26 | Tiento del Segundo tono, for vihuela | 2:19 min | Chamber Music | - |
27 | Torna Mingo a enamorarte, de Guerrero, for vihuela | 2:37 min | Chamber Music | - |
28 | Vos me matastes | 1:50 min | Miscellaneous (Classical) | - |
29 | Duo de Guerrero, for vihuela | 1:18 min | Chamber Music | - |
30 | Benedictus de la missa de Mila regres, for voice & vihuela (after Morales) | 2:46 min | Vocal Music | - |
31 | Buscad de oy mas, song (fragment from "La Justa") (after Flecha) | 3:07 min | Vocal Music | - |
32 | Christie, for lute (After Josquin des Prez) | 3:02 min | Chamber Music | - |
33 | Como quereys, madre, song (after Vásquez) | 2:02 min | Vocal Music | - |
34 | Con qué la lavaré? | 4:01 min | Miscellaneous (Classical) | - |
35 | Covarde caballero, for voice & vihuela | 1:42 min | Vocal Music | - |
36 | De Antequera sale el moro, for voice & vihuela (after Morales) | 3:34 min | Vocal Music | - |
37 | De Antequera salio el moro, for vihuela | 2:53 min | Chamber Music | - |
38 | De los álamos vengo madre, for vihuela | 2:09 min | Chamber Music | - |
39 | De los álamos vengo, for voice & vihuela | 2:31 min | Vocal Music | - |
40 | Duelete de mí, señora, for vihuela | 3:06 min | Chamber Music | - |
41 | Duo de contrapunto, for vihuela after Flecha the older's Si amores me han de matar | 3:27 min | Chamber Music | - |
42 | Duo de Fuenllana "Tant que vivray" | 3:00 min | Chamber Music | - |
43 | Benedictus de la missa de Gaude Barbara, de Morales, for vihuela | 1:50 min | - | |
44 | Duo de Josquin | 2:18 min | Chamber Music | - |
45 | Duo de Morales, for vihuela | 1:24 min | Chamber Music | - |
46 | Duélete de me, señora, for voice & vihuela (after Vasquez) | 3:39 min | Vocal Music | - |
47 | Endechas de Canaria | 2:08 min | Miscellaneous (Classical) | - |
48 | Fantasia de redobles, for vihuela | 1:51 min | Chamber Music | - |
49 | Fantasia Fuenllana | 2:09 min | Miscellaneous (Classical) | - |
50 | Fantasia quarta | 2:12 min | Miscellaneous (Classical) | - |
51 | Fantasia quinta | 1:57 min | Miscellaneous (Classical) | - |
52 | Fantasia sexta | 1:40 min | Miscellaneous (Classical) | - |
53 | Fantasía fácil for vihuela, Fol. 9r | 2:19 min | Chamber Music | - |
54 | Fantasía No.16, for vihuela | 2:31 min | - | |
55 | Glosa sobre "Tan que vivray," for vihuela | 4:04 min | Chamber Music | - |
56 | Il bianco e dolce cigno (after Jacques Arcadelt), for vihuela | 3:29 min | Chamber Music | - |
Albums featuring Miguel de Fuenllana
# | Сover | Name album | Year | Music label |
---|---|---|---|---|
1 | Alonso Mudarra, Miguel de Fuenllana, Carlos Mena (2), Juan Carlos Rivera – Lágrimas Corriendo(CD, Album) | 2001 | Almaviva | |
2 | Miguel de Fuenllana, Nuria Rial, Carlos Mena (2), Orphénica Lyra, José Miguel Moreno – Fuenllana - Libro De Musica Para Vihuela Intitulado Orphénica Lyra | 1999 | Glossa | |
3 | Alonso Mudarra, Miguel de Fuenllana, Juan Carlos Rivera – De los Álamos de Sevilla: música para Vihuela impresa en Sevilla(CD, ) | 1994 | Homokord | |
4 | Luis De Milán, Enríquez De Valderrábano, Alonso Mudarra, Miguel de Fuenllana, Luis de Narváez, Diego Pisador, Esteban Daza – Vihuelistas Españoles ( S. XVI )(2×CD, Compilation) | 1990 | Hispavox | |
5 | Alonso Mudarra - Miguel de Fuenllana – Vihuelistas Españoles (Siglo XVI): Tres Libros De Música En Cifras Para Vihuela - Orphenica Lyra | 1971 | Hispavox | |
6 | Antonio de Cabezón / Vasquez-Fuenllana / Arnolt Schlick / Luis de Narváez / Enríquez De Valderrábano / Juan Bermudo, Alonso Mudarra, De Santa-Maria - Maria-Carmen Bustamante, Carlos Santos (15), Montserrat Torrent, Rosa Balcells – Musique À La Cour De Cha | - | Harmonia Mundi |
Videos featuring Miguel de Fuenllana
History of Spanish Music Volume XII - Spanish Vihuelists of the Sixteenth Century, Jorge Fresno
History of Spanish Music Volume XII
Spanish Vihuelists of the Sixteenth Century
Jorge Fresno, Vihuela
Hispavox / Musical Heritage Society – MHS 3077
Vinyl, LP, Album
USA, 1971
0:00 - Tres Libros De Msica En Cifras Para Vihuela
Composed By Alonso Mudarra
Leave a Reply