Short bio Liza Lim
Full biography Liza Lim
Liza Lim is a renowned Australian composer known for her innovative and bold approach to music making. Born in Perth, Western Australia, in 1966, Lim began her formal musical education in the 1980s at the University of Western Australia, where she obtained a Bachelor of Music degree.
After completing her undergraduate studies, Lim continued her musical journey overseas, studying under some of the most acclaimed composers of the time. She gained valuable experience in Asia, Europe, and America, including stints at the Hong Kong Academy for Performing Arts, the University of California, Berkeley, and the Paris Conservatoire.
In 1990, Lim made her professional debut as a composer, with the premiere of her work "The Oven Bird" at the Adelaide Festival. Since then, she has continued to produce a diverse range of works, including operas, chamber music, orchestral pieces, and electronic works.
Lim's music is known for its exploratory nature, incorporating unusual sounds and techniques to create sonic landscapes that challenge traditional musical forms. Her works are marked by a fascination with non-Western musical traditions, particularly those of Southeast Asia and the Middle East, which she blends with contemporary Western classical music to create a unique hybrid style.
Across her career, Lim has earned numerous accolades for her achievements in music, including awards from the Australian Music Centre, the UNESCO Rostrum of Composers, and the Paul Lowin Prize for orchestral composition. She has also received commissions from some of the world's most prestigious orchestras, including the BBC Symphony Orchestra, the Royal Stockholm Philharmonic Orchestra, and the Los Angeles Philharmonic.
In addition to her work as a composer, Lim is also an accomplished academic, having held teaching positions at institutions such as the University of Melbourne, the University of Huddersfield, and the Hochschule für Musik und Theater Hamburg.
Overall, Liza Lim is a visionary composer whose music has won her legions of admirers around the world. Her willingness to blur the boundaries between musical traditions and her fearlessly exploratory style have made her a leading figure in contemporary classical music.
Compositions featuring Liza Lim
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Sex Magic, for contrabass flute, alto ocarina, Aztec death whistle, bell, pedal bass drum, electronics & an installation of kinetic percussion instruments | 45:41 min | Chamber Music | 2020 |
2 | Annunciation Triptych, for soprano & orchestra | 43:27 min | Vocal Music | 2019 |
3 | Extinction Events and Dawn Chorus, for violin & chamber orchestra | 40:16 min | Concerto | 2018 |
4 | How Forests Think, for sheng & ensemble | 35:39 min | Chamber Music | 2016 |
5 | Speak, Be Silent, for violin & 15 instruments | 22:22 min | Concerto | 2015 |
6 | The Weaver's Knot, for string quartet | 6:32 min | Chamber Music | 2014 |
7 | Axis Mundi, for bassoon | 8:08 min | Chamber Music | 2013 |
8 | Winding Bodies: 3 Knots, for flute, bass clarinet, piano, percussion, hardanger fiddle, violin, viola, cello & double bass | 15:15 min | Chamber Music | 2013 |
9 | Tongue of the Invisible, for improvised piano, baritone & 16 musicians | 54:02 min | Vocal Music | 2010 |
10 | The Navigator, opera | 79:52 min | Opera | 2008 |
11 | City of Falling Angels, for 12 percussionists | 17:40 min | Chamber Music | 2007 |
12 | Weaver-of-Fictions, for recorder | 4:25 min | Chamber Music | 2007 |
13 | Ochred String, for oboe, viola, cello & double bass | 12:45 min | Chamber Music | 2007 |
14 | Songs Found in Dream, for oboe, clarinet, alto sax, trumpet, 2 percussion, cello & double bass | 14:08 min | Chamber Music | 2005 |
15 | Mother Tongue, song cycle for soprano & 15 instruments | 37:04 min | Vocal Music | 2005 |
16 | Ming Qi (Bright Vessel), for oboe & percussion | 3:48 min | Chamber Music | 2000 |
17 | Veil, for ensemble | 10:50 min | Chamber Music | 1999 |
18 | The Heart's Ear, for ensemble | 12:47 min | Chamber Music | 1997 |
19 | Philtre, for violin | 7:21 min | Chamber Music | 1997 |
20 | Yuè Lìng Jié (Moon Spirit Feasting), opera | Opera | 1997 | |
21 | Inguz, for clarinet & cello | 6:13 min | Chamber Music | 1996 |
22 | The Oresteia, memory theatre for 6 voices, 11 instruments & dancer | 48:51 min | Opera | 1991 |
23 | The Oresteia, memory theatre for 6 voices, 11 instruments & dancer | 48:51 min | Opera | 1991 |
24 | Diabolical Birds, for ensemble | 5:47 min | Chamber Music | 1990 |
25 | Voodoo Child, for soprano & ensemble | 9:51 min | Vocal Music | 1989 |
26 | Roda - The Living Circle, for trumpet | 10:23 min | Chamber Music | - |
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