Short bio Jose Maceda
Full biography Jose Maceda
Jose Montserrat Maceda (1917-2004) was a Filipino composer, pianist, and ethnomusicologist who dedicated his life to understanding and popularizing Filipino traditional music. He was named a National Artist of the Philippines in 1997 and is widely considered to be one of the most important figures in the development of contemporary music in Southeast Asia.
Maceda's work was heavily influenced by his study and documentation of various indigenous music traditions throughout the Philippines and other parts of Southeast Asia. He believed that music was an important part of the cultural identity of different groups of people and worked tirelessly to preserve and promote these musical traditions, incorporating their unique sounds and rhythms into his own compositions.
Maceda's oeuvre is primarily characterized by his use of "sound masses," densely layered textures of sounds that he believed reflected the natural rhythms and patterns of the world around him. His compositions often featured large numbers of musicians playing unusual and traditional instruments, creating complex and intricate sonic landscapes that were both meditative and energetic.
In addition to his work as a composer, Maceda was also an accomplished teacher and scholar. He wrote several books and articles on the subject of musicology, including "Gongs and Bamboos: A Panorama of Philippine Music Instruments" and "Music in the Culture of Northeastern Thailand." He also served as a professor and researcher at several universities in the Philippines and abroad , sharing his knowledge and passion for music with generations of students and colleagues.
Overall, Maceda's legacy as a composer, ethnomusicologist, and cultural preservationist has had an enormous influence on the development of contemporary music in Southeast Asia and beyond. His commitment to exploring and celebrating the richness and diversity of the musical traditions of the region has inspired countless musicians and scholars and cemented his place as one of the foremost figures in the field of world music.
Compositions featuring Jose Maceda
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Sujeichon, a Korean court music for 4 pianos | 14:00 min | Keyboard | 2002 |
2 | Colors Without Rhythm, for orchestra | 17:09 min | Orchestral | 1999 |
3 | Strata, for buzzers, sticks, gongs, flutes, celli & guitars | 19:41 min | Chamber Music | 1987 |
4 | Suling-Suling, for 10 flutes, 10 bamboo buzzers & 10 flat gongs | 21:59 min | Miscellaneous (Classical) | 1985 |
5 | Ugnayan, for ensemble | 51:00 min | Miscellaneous (Classical) | 1973 |
6 | Pagsamba, for large bamboo ensemble, gongs, 5 male vocal & 100 mixed voices | 30:16 min | Choral | 1968 |
7 | Music for 2 pianos & 4 percussion groups | 12:05 min | Chamber Music | - |
Albums featuring Jose Maceda
# | Сover | Name album | Year | Music label |
---|---|---|---|---|
1 | Field Recordings In Philippines [1953–1972](2×CD, Compilation) | 2015 | Concrete (3) | |
2 | Ugnayan(CD, Album) | 2009 | Tzadik | |
3 | Drone And Melody(CD, Album) | 2007 | Tzadik | |
4 | Gongs And Bamboos(CD, Album) | 2001 | Tzadik |
Videos featuring Jose Maceda
Jose Maceda - Pagsamba: agnus
dall'album "Gongs and bamboos"
Jose Maceda - Strata (1988)
Strata for 10 Buzzers, 10 Sticks, 5 Tam-tams, 5 Flutes, 5 Cellos, and 5 Guitars (1988)
Steed Cowart conducting the Mills Performing Group
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Recording: https://www.amazon.com/Drone-Melody-Jose-Maceda/dp/B000W8ONQW
My blog on Philippine M
Jose Maceda - Ugnayan - for 20 radio stations (1973)
Jose Maceda - Ugnayan - for 20 radio stations (1973)
Nita Abrogar, Josefina Arrieta, Ruben Federizon, Jose Maceda, Arsenio Nicolas Jr., Fabian Obispo, Felicidad Prudente, and Antonio Regalario playing the Kolitong (zithers), Bungbung (Bamboo horns), Ongi
José Maceda - Colors Without Rhythm (1998)
Jose Maceda - Pagsamba (1968)
Jose Maceda - Pagsamba (1968)
Jose Maceda conducting 241 players from Ellinwood Chancel Choir, Far Eastern University Glee Club, Manila Cathedral Male Chorale, University of the East Mixed Concert Chorus, UP Conservtory of Music Students, UPCYM Choir, UP
José Maceda Music for Gongs n Bamboo (exerpt)
The most remarkable among Maceda’s “late period” outputs, “Music for Gongs and Bamboo” (1997) explores culturally defined tuning systems from Javanese, Japanese, “Western” equal temperament and the various sounds of bamboo instruments layere
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José Maceda with 241 musicians / Pagsamba - Kyrie / Gongs And Bamboos / Tzadik 2001
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José Maceda with 241 musicians / Pagsamba - Gloria / Gongs And Bamboos / Tzadik 2001
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José Maceda with 241 musicians / Pagsamba - Credo / Gongs And Bamboos / Tzadik 2001
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José Maceda with 241 musicians / Pagsamba - Agnus / Gongs And Bamboos / Tzadik 2001
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