Short bio John Adson
Full biography John Adson
John Adson (baptized 1587, died 29 June 1640) was an English composer and musician. He is primarily known for his Courtly Masquing Ayres, which is considered one of his greatest works. This piece was written in 1621 and is a collection of dance pieces that were often used during masquerades, a popular form of entertainment during the seventeenth century.
Despite his prominence in his time, Adson's body of work is relatively small, with only four other known pieces attributed to him. In addition to his works for the masque, Adson was also a skilled instrumentalist, playing the viol, the cornetto, and the recorder.
Not much is known about Adson's personal life, but he may have been baptized in Watford, Northamptonshire. He was a musician in the service of both King James I and King Charles I, which attests to his high standing in the English court.
In addition to his contributions to court music, Adson also played a role in the development of English Baroque music. He was one of several English composers who were influenced by the Italian Baroque style, and he incorporated these techniques into his own compositions. Through his work, Adson helped to establish a distinct English style of Baroque music.
Today, John Adson is remembered primarily for his contributions to English court music and as one of the pioneers of English Baroque music. His Courtly Masquing Ayres remains a popular work, and his influence can be heard in the works of later English composers.
Compositions featuring John Adson
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Adsonns Maske | 1:33 min | Miscellaneous (Classical) | - |
2 | Ayre a 5 | 2:20 min | Miscellaneous (Classical) | - |
3 | Ayre a 6 | 2:38 min | Miscellaneous (Classical) | - |
4 | Ayres for cornets & sackbutts | 1:01 min | Chamber Music | - |
5 | Courtly Masquing Ayres (31) in 5 Parts | 13:45 min | Chamber Music | - |
6 | Maske, Adsonns | 1:36 min | Miscellaneous (Classical) | - |
7 | Royal Wind Music | 2:09 min | Chamber Music | - |
8 | Satyr's Masque | 2:12 min | Miscellaneous (Classical) | - |
9 | The Bull Masque | 1:26 min | Opera | - |
10 | The First of the Temple Anticke | 1:23 min | Miscellaneous (Classical) | - |
11 | The Second of my Lord of Essex | 3:59 min | Miscellaneous (Classical) | - |
12 | The Second of the Temple Antic | 1:46 min | Miscellaneous (Classical) | - |
13 | Williams his love | 1:54 min | Miscellaneous (Classical) | - |
14 | Work(s) for brass | Orchestral | - |
Albums featuring John Adson
# | Сover | Name album | Year | Music label |
---|---|---|---|---|
1 | Aaron Copland, Richard Harvey (2), Jean-Baptiste Lully, John Adson, Carlo Gesualdo, Giovanni Gabrieli, Lodovico Viadana, Henry Purcell, The Brass Of Aquitaine & London – Fanfare For The Common Man(CD, ) | 1993 | ASV | |
2 | Jacques Arcadelt, Mathieu Lasson, Pascal De L'Estocart, Fabrice Caietain, John Adson – La Renaissance En Lorraine(CD, Album) | 1990 | L'Empreinte Digitale | |
3 | Aaron Copland, Richard Harvey (2), Jean-Baptiste Lully, John Adson, Carlo Gesualdo, Giovanni Gabrieli, Lodovico Viadana, Henry Purcell – Brass At La Sauve-Majeure | 1983 | Musical Heritage Society | |
4 | Quintette De Cuivres Guy Touvron, G.P. Palestrina, A. Holborne, J. Adson, S. Scheidt, M. Locke, J.C. Pezel, G.H. Haendel – Oeuvres Du XVIe Au XVIII Siècles | 1979 | Erato | |
5 | Brass Ensemble Under The Direction Of Gabriel Masson - Works By Melchior Franck • Heinrich Scheidemann • Heinrich Schütz • Thomas Stoltzer • Pierre Attaingnant • John Adson • Giovanni And Andrea Gabrieli • Girolamo Frescobaldi • Adriano Banchieri – Renais | 1966 | Nonesuch |
Videos featuring John Adson
Four Pieces From "Octo Tonorum Melodiae" (Nos. 1, 2, 7, 3) - Thomas Stoltzer (9:55)
Two
">Renaissance Music for Brass: Schutz, Gabrieli, Frescobaldi (1962) Gabriel Masson - Nonesuch H-71111
Intrada II - Melchior Franck (0:00)
Praeambulum In F; Canzona In F - Heinrich Scheidemann (1:32)
Motet "Herr, Wenn Ich Nur Dich Habe," SWV 280 - Heinrich Schütz (7:10)
Four Pieces From "Octo Tonorum Melodiae" (Nos. 1, 2, 7, 3) - Thomas Stoltzer (9:55)
Two
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