Short bio Johann Sigismund Kusser
Full biography Johann Sigismund Kusser
Johann Sigismund Kusser (1660–1727) was a German composer and conductor who was active in the late Baroque era. Born in Pressburg, Hungary (now Bratislava, Slovakia), Kusser received his musical education in Vienna, where he studied with the likes of Johann Joseph Fux and Antonio Caldara.
Kusser began his career as a violinist in the orchestra of Count Morzin, and later worked as a conductor in the courts of Italy, Austria, and Germany. He worked as the court Kapellmeister in Weissenfels, Leipzig, and then in Berlin, where he was in charge of music at the court of Frederick I. Kusser is regarded as one of the early pioneers in the development of the opera seria genre, and his music was highly appreciated by royal courts and theater audiences across Europe.
Kusser composed more than fifty operas, as well as numerous choral works, instrumental pieces, and chamber music. He was admired for his exceptional ability to combine Italian elegance with Germanic depth and solidity. His most successful operas include "La Cintia," "Arminio" and "Aeneas in Cartago." In addition to his work as a composer, Kusser was also a music theorist; he wrote a treatise on harmony and counterpoint that remained influential for many years.
Despite his considerable success in his lifetime, Kusser's music was largely forgotten after his death, and it was only in recent times that scholars and musicians have begun to rediscover his works. Kusser's music possesses a unique blend of French, Italian and German influences that make it an interesting study for any lover of music. Today, he is remembered as an important figure in the development of early German opera and as one of the pioneers of the opera seria genre.
Compositions featuring Johann Sigismund Kusser
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | An ode Elegiecal on the Death of Mrs. Arabella Hunt (Long have I fear'd) | 7:39 min | Vocal Music | 1715 |
2 | The Universal Applause of Mount Parnassus, serenata da camera | 42:11 min | Opera | 1711 |
3 | Le Festin des Muses, suite for 2 organs | 17:05 min | Keyboard | 1700 |
4 | Erindo oder Die unsträfliche Liebe, opera | Opera | 1694 | |
5 | Composition de Musique, Suite No. 1, for orchestra | 19:00 min | Orchestral | 1682 |
6 | Composition de Musique, Suite No. 2, for orchestra | 16:13 min | Orchestral | 1682 |
7 | Composition de Musique, Suite No. 3, for orchestra | 13:24 min | Orchestral | 1682 |
8 | Theatre Overture No. 5 in B flat major, for 2 oboes, oboe da caccia & bassoon | 10:25 min | Chamber Music | - |
9 | Serenata Theatrale for 5 voices, chorus & orchestra ("For the Celebration of the Treaty of Utrecht") | 35:30 min | Choral | - |
10 | Serenata for soloists, chorus & orchestra ("For a Memorial Celebration of King William III") | 31:31 min | Choral | - |
11 | Ouverture No.6 in G minor | 12:53 min | Orchestral | - |
12 | Ouverture No.5 in F major | 12:44 min | Opera | - |
13 | Ouverture No.4 in D minor | 12:15 min | Orchestral | - |
14 | Ouverture No.3 in C major | 11:35 min | Orchestral | - |
15 | Ouverture No.2 in A flat major | 12:40 min | Orchestral | - |
16 | Ouverture No.1 in A minor | 13:49 min | Orchestral | - |
17 | Orchestral Suite No. 6 in A minor | 20:50 min | Orchestral | - |
18 | Orchestral Suite No. 5 in B flat major | 16:19 min | Orchestral | - |
19 | Orchestral Suite No. 4 in C major | 21:15 min | Orchestral | - |
20 | Orchestral Suite No. 3 in D minor | 22:22 min | Orchestral | - |
21 | Orchestral Suite No. 2 in F major | 18:30 min | Orchestral | - |
22 | Orchestral Suite No. 1 in G minor | 21:43 min | Orchestral | - |
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