Short bio Gianmatteo Asola
Full biography Gianmatteo Asola
Gianmatteo Asola (1532-1609) was an Italian composer, known for his contribution to vocal music during the late Renaissance era. He was active in several cities across Northern Italy, including Milan, Cremona, Bergamo, Parma, and Bologna.
Asola was born in Verona, Italy, and later moved to Milan, where he most likely studied music with prominent composers of his time. In 1561, he was appointed as the maestro di cappella at the Cathedral of Cremona, where he worked for almost 30 years. During this time, he also served as the music director at the Scuola della Carità in his hometown of Verona.
Asola's compositions were primarily vocal, including motets, madrigals, psalms, and liturgical music. He was influenced by the musical style of his contemporary, Giovanni Pierluigi da Palestrina, and his works are known for their smooth and lyrical melodies, clear harmonic structure, and precise rhythmic elements. Asola's music was also distinguished by the frequent use of chromaticism, which was quite unusual for the time.
Asola's most significant works include his collection of Sacred Polyphony, published in 1599, which included twenty motets for six to twelve voices, and his collection of Madrigals, which were highly praised by musicologists of his time.
Gianmatteo Asola remained active as a composer throughout his life and continued to produce music until his death in Cremona in 1609. His contributions to vocal music during the late Renaissance era have greatly influenced the development of music in Italy and beyond.
Compositions featuring Gianmatteo Asola
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Deus Canticum Novum, motet | 2:08 min | Choral | - |
2 | In una verde piaggia, madrigal | 2:14 min | Vocal Music | - |
3 | Quem Vidistis Pastores | 3:08 min | Choral | - |
4 | Regina caeli, motet for 12 voices | 3:08 min | Choral | - |
5 | Vinea mea electa | Miscellaneous (Classical) | - |
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