Short bio Doreen Carwithen
Full biography Doreen Carwithen
Doreen Carwithen was a British composer born on December 15, 1922, in Haddenham, Buckinghamshire, England. Despite never receiving any formal musical training growing up, Carwithen began composing music at a young age. She attended the Royal Academy of Music, studying composition with William Alwyn.
Carwithen's music is often characterized by dramatic melodies and rich orchestration, inspired by her love of film scores. In fact, she began her career as a composer for films, scoring several British productions in the 1940s and 1950s. Some of her most notable film scores include "The Story of Shirley Yorke" and "Meet Mr. Lucifer."
In addition to her film work, Carwithen composed a number of concert pieces as well. Her works include a piano concerto, string quartets, and orchestral suites. Many of her works were influenced by her passion for literature, and she often set poetry to her music.
Carwithen's music was well-received and recognized during her lifetime. She won the prestigious "Prix de Rome" award in 1949 and was invited to become an Associate of the Royal Academy of Music in 1957. However, her career was relatively short-lived, as she stopped composing for an extended period due to familial responsibilities. Despite this, Carwithen's music remains an important contribution to the British classical music landscape. She passed away on April 24, 2003.
Compositions featuring Doreen Carwithen
# | Name | Duration | Genre | Year |
---|---|---|---|---|
1 | Suffolk Suite | 12:02 min | Orchestral | 1964 |
2 | East Anglian Holiday, film score | 15:37 min | Film Score | 1954 |
3 | Men of Sherwood Forest, film score | Film Score | 1954 | |
4 | Three Cases of Murder, suite from the film score | 7:06 min | Film Score | 1953 |
5 | Mantrap, suite from the film score | 12:43 min | Film Score | 1953 |
6 | Travel Royal, suite from the film score | 8:41 min | Film Score | 1952 |
7 | Overture-Bishop Rock | 8:21 min | Orchestral | 1952 |
8 | Boys in Brown, suite from the film score | 9:21 min | Film Score | 1949 |
9 | Concerti for piano & strings | 30:30 min | Concerto | 1948 |
10 | To the Public Danger, film score | Film Score | 1948 | |
11 | Overture-ODTAA (One Damn Thing After Another) | 8:24 min | Orchestral | 1945 |
12 | String quartet No 1 | 20:33 min | Chamber Music | 1945 |
13 | Serenade for voice & piano | 1:21 min | Vocal Music | - |
14 | The Ride-by-Nights, for voice & piano | 1:30 min | Vocal Music | - |
15 | String quartet No 2 | 19:44 min | Chamber Music | - |
16 | Sonatina for piano | 13:57 min | Keyboard | - |
17 | Sonata for violin & piano | 19:23 min | Chamber Music | - |
18 | Slow Spring, for voice & piano | 2:41 min | Vocal Music | - |
19 | Noon, for voice & piano | 2:03 min | Vocal Music | - |
20 | Echo ("Who Called?"), for voice & piano | 2:08 min | Vocal Music | - |
21 | Echo ("Seven Sweet Notes"), for voice & piano | 2:10 min | Vocal Music | - |
22 | Clear Had the Day Been, for voice & piano | 1:45 min | Vocal Music | - |
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