canzona

The distinctive “canzona” rhythm (long-short-short) is used as a primary structural element for the piece. A further influence of Gabrieli's music is the presence of an antiphonal brass ensemble, which is heard during the opening and closing sections of the composition.

The sixteenth century saw the development of instrumental music such as the canzona, ricercare, fantasia, variations, and contrapuntal dance-inspired compositions, for both soloists and ensembles, as a truly distinct and independent genre with its own idioms separate from vocal forms and practical dance accompaniment.

Giovanni Gabrieli 1 “La Spiritata”, is one of many canzonas Giovanni Gabrieli composed throughout his lifetime. Canzona No. 1, was initially published as a part of a collection of canzonas which contained works by Gabrieli, Girolamo Frescobaldi and others.

Italian Literally "song" in Italian, a canzone (Italian pronunciation: [kanˈtsoːne], plural: canzoni; cognate with English to chant) is an Italian or Provençal song or ballad. It is also used to describe a type of lyric which resembles a madrigal.

Italy Although Italy remained the principal home of the canzona, it spread to other countries, notably Germany. In the late 16th century two varieties emerged: for keyboard and for instrumental ensemble.

Four pitches (Eb, G, A, Bb) form the primary musical materials for the one-movement Canzona for the Music Makers. In four short sections, the piece begins with a fanfare-like opening that quickly builds to include all instruments of the ensemble. A dreamy, reflective second section follows.

The instrumental canzona derived its form from the French polyphonic chanson known in Italy as canzon(a) francese; many early canzonas were instrumental arrangements of chansons, alternating between polyphonic and homophonic (based on chords) sections.

Italy The instrumental canzona derived its form from the French polyphonic chanson known in Italy as canzon(a) francese; many early canzonas were instrumental arrangements of chansons, alternating between polyphonic and homophonic (based on chords) sections.

Musical languages are constructed languages based on musical sounds, which tend to incorporate articulation. Unlike tonal languages, focused on stress, and whistled languages, focused on pitch bends, musical languages distinguish pitches or rhythms.

The instrumental canzona derived its form from the French polyphonic chanson known in Italy as canzon(a) francese; many early canzonas were instrumental arrangements of chansons, alternating between polyphonic and homophonic (based on chords) sections.

Toward the middle of the 17th century, the multisectional canzona was systematically transformed into a four-movement instrumental composition, as a rule for two treble and two bass instruments, known as the sonata da chiesa, or church form of the trio sonata, although the term canzona was still occasionally used for a ...

Fuelled by Hollywood and Madison Avenue, the American pop culture machine has helped cement the English language as the world's lingua franca. Consequently, the English language has dominated international music for the last century.