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cabaletta

Meaning of Cabaletta in Music

In music, a **cabaletta** is a term used to describe a specific type of aria in Italian opera. It is a multi-section aria that typically follows a more lyrical and expressive section called the *cavatina*. The cabaletta is characterized by its faster tempo, rhythmic drive, and often virtuosic vocal writing. It serves as a contrasting section to the cavatina and is usually more energetic and dramatic in nature.

The cabaletta is often used to convey heightened emotions, resolve a conflict, or express a character's determination or triumph. It is typically shorter in length compared to the cavatina and may feature repeated sections or melodic phrases for emphasis.

**Example**: One famous example of a cabaletta is the aria "Una voce poco fa" from Gioachino Rossini's opera *Il barbiere di Siviglia* (The Barber of Seville). This aria consists of two main sections: a slow, lyrical cantabile (the cavatina) followed by a fast, brilliant cabaletta.

It's important to note that the term "cabaletta" can also have other meanings in different contexts, such as referring to a short aria of simple and reiterated rhythm or a type of song in rondo form. However, in the context of Italian opera, the definition provided above is the most commonly understood meaning of cabaletta.

A simple, sweet melody or air; also, an operatic air like the rondo in form.

Popular questions related to cabaletta

The cabaletta typically ends with a coda, often a very virtuosic one. Classic examples include "Non più mesta" from La Cenerentola by Rossini (1817), "Vien diletto, è in ciel la luna" from I puritani by Bellini (1835), and "Di quella pira" from Verdi's Il trovatore (1853).

The cabaletta aria is shorthand for a two part form of aria that is more precisely cantabile-cabaletta form. The cantabile section is significantly slower, the cabaletta more virtuosic providing a strong distinction between the two sections.

The difference between a cavatina and a cabaletta lies in the fact that the cavatina is usually slow and contemplative, whereas the cabaletta is set in a faster tempo and aims to showcase the technical skills of the solo singer, through a series of vigorous melismatic passages and other vocal tricks.

Cavatina (and cabaletta) The term is specifically used to refer to the solo piece of the virtuoso. In that meaning is connected with the cabaletta, usually the last part of this long aria, in a rondo form and with many variations and embellishments.

“O mio babbino caro” from Puccini's Gianni Schicchi. This famous aria is a recital favorite. The aria itself is even more famous than the opera it comes from!

Cabaletta is a two-part musical form particularly favored for arias in 19th century Italian opera in the bel canto era until about the 1850s during which it was one of the era's most important elements.

songlike In music, cantabile [kanˈtaːbile], an Italian word, means literally "singable" or "songlike".

songlike In music, cantabile is an Italian word that means 'songlike' or 'singable. ' It is a style of music that is meant to emulate the sound or style of the human voice.

"Ecco, ridente in cielo" from Gioachino Rossini's opera The Barber of Seville, "Porgi amor" and "Se vuol ballare" from Mozart's The Marriage of Figaro are also well-known cavatinas. Ralph Vaughan Williams gave the title of "Cavatina" to the 3rd movement of his Symphony no. 8.

Stanley Myers' “Cavatina” has become one of the staples of the classical guitar in recent years ever since its appearance in the 1978 film “The Deer Hunter”.

cavatina. noun. Cavatina, a melody of a more simple form than the aria; a song without a second part. ( f) Velazquez® Spanish and English Dictionary.

Aria name meaning and origin In Italian, Aria translates to "air" but also means song or melody.

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