Meaning of Broken Consort in Music
In music, a **broken consort** refers to an instrumental ensemble that consists of instruments from different families or types. The term "consort" originally referred to groups of diverse instruments coming from different families, while the term "broken" in the Elizabethan era primarily referred to the division or "breaking" of long notes into shorter ones. The term "broken consort" is often used to describe a six-part instrumentation that was popular in England during the late 16th and early 17th centuries, also known as an "English consort".
The term "broken consort" is sometimes used retrospectively to refer to music of earlier periods and different nationalities, although historically it was only used in reference to English music in the late 17th century. It is important to note that the authenticity of such terms is doubtful, and there may be discrepancies in the usage of these terms.
The distinction between a whole consort and a broken consort lies in the composition of the ensemble. A whole consort consists of instruments from the same family, such as a group of viols, while a broken consort includes instruments from different families.
The term "broken consort" is not limited to music but can also be used in other contexts. For example, in the Queen's English, Elizabethan style, "broken" sometimes meant mixed, so a broken consort can be understood as a mixed consort.
It is worth noting that the usage and interpretation of musical terms can vary, and there may be differing opinions among scholars and researchers.
A Renaissance performing ensemble consisting of several different kinds of instruments. This is in opposition to a consort, which is a performing group consisting of different members of a single family of instruments (for example the soprano, alto, tenor, and bass recorder).
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