Meaning of Viola da Braccio in Music
The term "viola da braccio" refers to a family of instruments from the violin family that were used during the Baroque period. It is used to distinguish these instruments from the "viola da gamba" family, which includes the viol, a bowed string instrument played between the legs. "Viola da braccio" translates to "arm viol" in Italian, indicating that these instruments are played on the arm, similar to the modern violin. The term was later used specifically to refer to the viola, the alto member of the modern violin family .
The viola da braccio played a significant role in the development of orchestral music. In the 18th century, it often doubled cello parts in the orchestra. Composers such as Christoph Willibald Gluck, Wolfgang Amadeus Mozart, and Joseph Haydn gave the viola distinctive treatment, and it gradually assumed an independent orchestral role. It has been featured in notable works such as Hector Berlioz's "Harold in Italy" and Richard Strauss's "Don Quixote." The viola also gained prominence through the viola sonatas of Paul Hindemith, Bla Bartók's viola concerto, and the contributions of renowned violists like William Primrose and Walter Trampler.
The viola da braccio is sometimes confused with the viola da gamba, which is a different family of instruments. The viola da gamba is the ancestor of the modern cello and is played between the legs. The confusion arises because the Italian word "viola" was a generic term used to refer to any bowed instrument or fiddle in the 15th century. However, in the context of the viola da braccio, it most commonly denotes an instrument from the violin family or specifically the viola.
Overall, the viola da braccio is an important instrument in the history of music, particularly in the development of orchestral music and the role of the viola in the modern violin family.
The family of of which the modern violin is a member. This family originated in the early Renaissance, and developed alongside the viola da gamba family; it eventually overshadowed the later in popularity due to its brighter, louder, more lively tone.
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