tenor C

Tenor Clef is a “C” clef that is placed on the 4th line from the bottom of the staff. The line going through the center of the clef (4th line) is a Flick C (C4) which would be located one ledger line above the staff in bass clef.

highest natural adult male singing voice a. : the highest natural adult male singing voice. also : a person having this voice. b. : the voice part next to the lowest in a 4-part chorus.

The Tenor Clef is centred on the fourth line up of the stave, which corresponds to middle C. As a result, the Tenor Clef is also referred to as a C Clef.

The word Tenor comes from the latin tenere, which means "to hold". In medieval polyphonic music, it was the voice that would sustain the fundamental line of the song, the cantus firmus. By the sixteenth century, the “tenor” would be any voice carrying the cantus firmus.

We think it's a high note. So we start thinking up here but what i want you to do is take that high note and bring it down to you. Yeah. Yeah i think down.

The tenor's vocal range goes from the C below middle C to the C above middle C. Striking these high notes crisply and cleanly is a challenge for many tenors.

In choral music In SATB four-part mixed chorus, the tenor is the second lowest vocal range, above the bass and below the alto and soprano.

The tenor is a classical voice type with the highest pitch range within the four choral voice types (soprano, alto, tenor, bass). The four male voice types from lowest to highest are bass, baritone, tenor, and countertenor (often considered a ''male alto''). In opera, there are many different subtypes of tenor voices.

B♭ When a C is played on a tenor saxophone, however, the actual pitch produced corresponds to a B♭ on a piano, and in the case of an alto saxophone, playing a C actually produces an E♭.

Answer: You've probably seen a curious C symbol at the beginning of a your sheet music after the clef and key signature - this is simply another way of writing “common time,” a.k.a. the 4/4 time signature.

A tenor in music refers to the voice type as well as its vocal pitch range. In operatic vocal music music, the tenor voice is used often as the leading male role. There are many famous examples of the tenor voice in operatic roles, including Tamino from the Magic Flute by Mozart, or Florestan from Fidelio by Beethoven.

In choral music In SATB four-part mixed chorus, the tenor is the second lowest vocal range, above the bass and below the alto and soprano. Men's chorus usually denotes an ensemble of TTBB in which the first tenor is the highest voice.