stromentato

recitative, style of monody (accompanied solo song) that emphasizes and indeed imitates the rhythms and accents of spoken language, rather than melody or musical motives.

In recitative. The second variety, recitativo stromentato, or accompanied recitative, has stricter rhythm and more involved, often orchestral accompaniment. Used at dramatically important moments, it is more emotional in character. Its vocal line is more melodic, and typically it leads into a formal aria.

Recitative is found in oratorios and operas from the Baroque period onwards. Typically, it involves a predominantly syllabic setting of a text to a homophonic accompaniment; it is used for dialogue, narration, plot exposition, and to introduce arias and sometimes choruses in the Baroque period.

Recitative is a type of singing that is closer to speech than song. It is used in opera or oratoria to move the story along. An example of recitative from the film "Juan" based on the opera "Don Giovanni" composed by Wolfgang Amadeus Mozart, 1789. This type of singing contrasts with aria.

: a rhythmically free vocal style that imitates the natural inflections of speech and that is used for dialogue and narrative in operas and oratorios. also : a passage to be delivered in this style.

Recitativo stromentato or accompagnato Used at dramatically important moments, it is more emotional in character. Its vocal line is more melodic, and often it leads into a formal aria. Examples include 'Thus saith the Lord' from Handel's Messiah; and Haydn and Mozart were also fond of it.

Aria. A self-contained piece for solo voice, usually accompanied by orchestra. In opera, arias mostly appear during a pause in dramatic action when a character is reflecting on their emotions. Most arias are lyrical, with a tune that can be hummed, and many arias include musical repetition.

There are two types of recitative found in opera, secco recitative, and accompagnato.

Recitative is a kind of music with rhythms that sound like regular speaking. You'll usually hear recitative in opera. Most classical operas are a mix of arias (melodic, expressive songs) and recitatives, which are meant to move the plot along or fill in information in the story.

Recitative (/ˌrɛsɪtəˈtiːv/, also known by its Italian name recitativo ([retʃitaˈtiːvo])) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do.

: a poem, story, or play set to music to be sung by a chorus and soloists. Etymology. from Italian cantata "music for a chorus," from Latin cantata (same meaning), derived from canere "to sing" - related to cantor, chant, chantey.

The simplest answer is that a solo piece from an opera, oratorio, or cantata is an aria while a stand-alone (or sometimes part of a set or series, but not a full-blown cantata) is a song.