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ars antiqua

Meaning of Ars Antiqua in Music

Ars antiqua, also known as ars veterum or ars vetus, refers to the Medieval music of Europe during the High Middle Ages, specifically between approximately 1170 and 1310. It encompasses the period of the Notre-Dame school of polyphony, which involved the use of multiple, simultaneous, independent melodic lines, as well as the early development of the motet, a highly varied choral musical composition. The term "ars antiqua" is typically used to describe sacred or polyphonic music, excluding the secular monophonic songs of the troubadours and trouvères. However, colloquially, it can also refer to all European music of the 13th century and slightly before.

The term "ars antiqua" is used in contrast to "ars nova," which means "new art" or "new style." The transition from ars antiqua to ars nova is not clearly defined, but it generally refers to a period of musical activity in 13th-century France characterized by increasing complexity and experimentation.

In summary, ars antiqua refers to the Medieval music of Europe during the High Middle Ages, particularly the period of the Notre-Dame school of polyphony and the early development of the motet.

Term used by 14th century composers to distinguish the French sacred polyphonic musical style of the 13th century (c. 1260 - 1320) from that of the ars nova (new art). The term 'antiqua' is now generally extended to include the earlier music of the Notre Dame period (that of Léonin and Pérotin), thus covering the musical styles from c. 1160 - 1320.

Popular questions related to ars antiqua

1 Answer. Ars nova simply means "new style"; ars antiqua means "old style". There are Wikipedia articles on ars nova and ars antiqua which explain a bit about the different styles and the composers associated with them.

Ars antiqua, also called ars veterum or ars vetus, refers to the music of Europe of the late Middle Ages between approximately 1170 and 1310, covering the period of the Notre Dame school of polyphony and the subsequent years which saw the early development of the motet.

Both schools were integral in revolutionizing music at that time. For example, before the 1100s, songs were conducted freely and without measured rhythm. Ars Antiqua introduced the concept of measured rhythm, and Ars Nova expanded on these concepts and created even more metered options.

Ars Nova, (Medieval Latin: “New Art”), in music history, period of the tremendous flowering of music in the 14th century, particularly in France. The designation Ars Nova, as opposed to the Ars Antiqua (q.v.) of 13th-century France, was the title of a treatise written about 1320 by the composer Philippe de Vitry.

Almost all composers of the ars antiqua are anonymous. Léonin (fl. late 12th century), and Pérotin (fl. c.

The Ars Antiqua style refers specifically to the pioneering contributions to polyphonic music made by two men working at the cathedral of Notre Dame in the late twelfth and early thirteenth centuries: Léonin and Pérotin.

Almost all composers of the ars antiqua are anonymous. Léonin (fl. late 12th century), and Pérotin (fl. c.

The Ars Antiqua style refers specifically to the pioneering contributions to polyphonic music made by two men working at the cathedral of Notre Dame in the late twelfth and early thirteenth centuries: Léonin and Pérotin.

Usually the term ars antiqua is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères.

Sometimes the music of this period is called the Parisian school, or Parisian organum, and represents the beginning of what is conventionally known as Ars antiqua.

Innovations: Writing Rhythm With Ars Nova notation, composers could write rhythms that could not be notated in the thirteenth century. The long, breve, and semibreve could each be divided into either two or three of the next smaller note value; triple divisions were perfect (or major) and duple imperfect (or minor).

skilled work The Latin word 'ars' signified skilled work; it did not mean art as we might understand it today, but a craft activity demanding a high level of technical ability including tapestry weaving, goldsmith's work or embroidery.

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