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Minnesang

Meaning of Minnesang in Music

Minnesang refers to a tradition of lyric and songwriting that flourished in Germany and Austria during the Middle High German period, which is roughly from the 12th to the 14th centuries. The term "Minnesang" is often used interchangeably with "Lied" in the context of German songs, although "Minnesang" specifically refers to the tradition of German songs that originated as early as the 12th century.

Minnesang was primarily concerned with themes of courtly love and chivalry. It was a form of poetry and music that expressed the ideals of love, devotion, and longing, often directed towards a noble lady or a patron. The Minnesingers, the poets and musicians who composed and performed Minnesang, were typically of noble birth or belonged to the knightly class.

The songs of Minnesang were usually performed in a solo voice accompanied by a musical instrument such as a lute or a harp. The melodies were often simple and repetitive, allowing the focus to be on the lyrics and the emotional expression of the singer.

Relationship to Lieder

The term "Lieder" is sometimes used to encompass the Minnesang tradition of German songs, although it most commonly refers to the specific musical settings of Romantic poetry composed in the 18th and 19th centuries. While Minnesang originated in the medieval period, Lieder emerged during the Romantic era and sought to express concepts of love, feeling, and the beauty of nature through music.

Lieder are often composed as individual songs, but they can also be grouped into a song cycle, where multiple songs are connected by the same poetic text or a common theme.

Conclusion

In summary, Minnesang is a tradition of lyric and songwriting that flourished in Germany and Austria during the Middle High German period. It was characterized by its focus on courtly love and chivalry, and the songs were typically performed by noble poets and musicians. The term "Lieder" is sometimes used to encompass the Minnesang tradition, but it more commonly refers to the musical settings of Romantic poetry composed in the 18th and 19th centuries.

A tradition of Medieval courtly and secular music in Germany. The Minnesang tradition has many things in common with the traveling troubadour tradition, with the exception that the Minnesang was cultivated by the nobility. The main focus of the music of this tradition was the idea of Minnedienst, servitude to love, often illustrated as the devoted knight entirely loyal to an unattainable lady with no hope of her love in return. The theme of love was further broken down into hohiu minne, pure, holy love, and nideriu minne, physical love.

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Popular questions related to Minnesang

Minnesinger a German lyric poet and singer of the 12th–14th centuries, who performed songs of courtly love. The name comes (in the early 19th century) from German Minnesinger 'love-singer'.

The history of German Minnesang begins in the middle of the 12th century and reaches its heyday in the so-called Staufer Classic, the period between 1170 and 1220/30; the phase of the late Minnesang lasts from around the middle of the 13th century until about 1350.

In the usage of these poets themselves, the term Minnesang denoted only songs dealing with courtly love (Minne); it has come to be applied to the entire poetic-musical body, Sprüche (political, moral, and religious song) as well as Minnesang.

The troubadours and trouveres came from diverse background such as merchants, craftsmen, or jongleurs, yet was favored like into the aristocratic lifestyle. On the other hand, the Minnesingers reflected their songs from the Middle High German in the German language. The Minnesingers were from the knights and nobles.

A German lyric poet and singer of the 12th–14th centuries, who performed songs of courtly love. The name comes (in the early 19th century) from German Minnesinger 'love-singer'.

The Minnesinger were professional musicians, often of noble birth; most of the Meistersinger, on the other hand, were musical amateurs who earned their living as tradespeople.

The Minnesänger were similar to the Provençal troubadours and northern French trouvères in that they wrote love poetry in the tradition of courtly love in the High Middle Ages.

The Minnesingers movement developed mainly in southern Germany, in an area containing Swabia, Bavaria, Tyrol, and Upper Austria, whose base extends eastward from Strasbourg or Basle on the Upper Rhine to Vienna. Renowned centres were Freiburg in the west, Vienna in the east, and several other cities in Thuringia.

Trouvère refers to poet-composers who were roughly contemporary with and influenced by the trobadors, both composing and performing lyric poetry during the High Middle Ages, but while the trobadors composed and performed in Old Occitan, the trouvères used the northern dialects of France.

The Minnesingers movement developed mainly in southern Germany, in an area containing Swabia, Bavaria, Tyrol, and Upper Austria, whose base extends eastward from Strasbourg or Basle on the Upper Rhine to Vienna.

plural meistergesänge. -ˌzeŋə often capitalized. 1. : one of the songs of the meistersinger consisting of strophic mechanical verse usually didactic or religious in nature and composed according to strict rules to fit a few traditional monophonic melodies.

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