Home Terms les deux pedales

les deux pedales

Meaning of "les deux pedales" in music

In music, "les deux pedales" is a French phrase that translates to "both pedals" in English. It is often used as a directive in piano compositions to indicate the use of both the damper pedal (right) and the soft pedal (una corda or left) at the same time.

Historically, pianos used to have only two pedals: the damper pedal and the soft pedal. The damper pedal lifts the dampers off the strings, allowing the notes to sustain, while the soft pedal shifts the entire keyboard to the right, causing the hammers to strike fewer strings and producing a softer sound. The directive to use both pedals simultaneously was necessary to achieve specific tonal effects and dynamics in the music.

It's important to note that the use of "les deux pedales" may vary depending on the composer and the musical context. In some French compositions, the phrase may be explicitly written, while in others, the composer may use different notations or symbols to indicate the desired pedal usage.

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The French term for 2 ped.

In addition, you can familiarize yourself with the terms:

Popular questions related to les deux pedales

“play with the pedal This technique is called overlapping pedaling, and it creates a fluid, continuous sound on the piano. In some advanced piano music a piece may say “con pedale” meaning “play with the pedal.” This is where the overlapping pedaling technique also comes in.

Modern pianos usually have three pedals, from left to right, the soft pedal (or una corda), the sostenuto pedal, and the sustaining pedal (or damper pedal). Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano.

The left pedal on an upright piano is known as the half-blow or soft pedal. It moves the hammers closer to the strings so that they hit them with less velocity – allowing the player to produce a sound which is a little quieter and softer.

While the right pedal sustains all the notes on a piano, the sostenuto, in essence, holds down selective notes you wish to sustain. When it is depressed, the last note played continues to sound while all the other notes are damped.

sustain pedal 3. The instruction 'con pedale' at the start of a piece of music means the piece can have sustain pedal where you feel it might be appropriate.

[English, two pedals] A directive found in piano compositions indicating the use of both the damper pedal (right) and the soft pedal (una corda or left) at the same time. In French compositions, the phrase les deux pedales is often seen. This directive comes from the days when pianos only had two pedals.

The Damper/Sustain pedal controls how long the notes can be heard after playing them. The second most important pedal is the Soft pedal, otherwise known as the Una Corda. This controls how soft the piano sounds, and is usually the pedal furthest to the left on acoustic pianos.

Most modern day acoustic grand pianos will have two other pedals: The 'una corda' pedal (left pedal) and the sostenuto pedal (middle pedal). If you only have two pedals in total on your piano, as many uprights do, the right will be the sustain pedal and the left will be the una corda pedal.

1. Sustain pedal. The sustain pedal, also known as the damper pedal, is the most frequently used pedal on a piano. Positioned on the right side, this pedal is typically operated with the right foot.

There are three pedals on the grand piano – they are named, from left to right, the una corda, sostenuto, and damper pedal. The purpose of the pedals is to change the tone of the piano in some way.

A few examples come to mind:

  • Claude Debussy: Clair de Lune. Second page, Tempo rubato.
  • Sergei Rachmaninoff: Prelude in c♯ minor. The sostenuto pedal is extensively used throughout the piece.
  • Maurice Ravel: Sonatine. The last two bars of the second movement require the sostenuto pedal.

It literally just means "with pedal". It's probably an instruction to either keep pedaling in the same pattern, or to pedal ad lib from there.

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