anapest

anapest, metrical foot consisting of two short or unstressed syllables followed by one long or stressed syllable. First found in early Spartan marching songs, anapestic metres were widely used in Greek and Latin dramatic verse, especially for the entrance and exit of the chorus.

A metrical foot consisting of two unaccented syllables followed by an accented syllable. The words “underfoot” and “overcome” are anapestic.

What is an example of an anapest? The word "anapest" is itself an example of an anapest: it's three syllables long, and the last syllable is stressed. Another famous example of an anapest is the poem "Twas the Night before Christmas" - this phrase contains two anapests.

Anapest, in the simplest terms, is a metrical foot used in formal poetry. It consists of two short or unstressed syllables followed by a long or stressed syllable. This gives the anapest a distinctive "da-da-DUM" rhythm.

An anapaest (/ˈænəpiːst, -pɛst/; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry.

A metrical foot consisting of three syllables, two unaccented followed by one accented, as in the words “in a war.” The anapest was originally a Greek martial rhythm and often creates a galloping sense of action, a catchy, headlong momentum, as in these lines from the beginning of Lord Byron's “The Destruction of ...

An anapest is a particular rhythmic pattern in poetry. The simplest anapest definition is a collection of three syllables, the first two of which are unstressed and the third of which is stressed. These three syllables together are also called an anapestic foot.

An anapaest (/ˈænəpiːst, -pɛst/; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry.

The final common metrical foot is the opposite of an anapest: a dactyl, which is a 3-syllable unit that starts with a stress and ends with two unstressed syllables.