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just intonation

Just Intonation in Music

Just intonation is a system of tuning in music where the intervals of a scale are based on simple ratios of whole numbers. In this system, the correct size of intervals is determined by adding or subtracting pure natural thirds and fifths. These intervals occur between the fourth and fifth, and second and third tones of the natural harmonic series. Just intonation is characterized by its pure and consonant harmonies, as the intervals are based on simple ratios that are recognized as consonant by the human auditory system.

Difference from Equal Temperament

The most common alternative to just intonation is equal temperament, which is the tuning system used in most Western music. In equal temperament, the octave is divided into 12 equal semitones. This allows for easy modulation between different keys but sacrifices the purity of intervals found in just intonation. Equal temperament divides the octave into equal steps, resulting in slightly compromised intervals that are not based on simple ratios. This compromise allows for greater flexibility in playing in different keys and enables the use of fixed-pitch instruments like the piano. However, it can result in intervals that are slightly out of tune compared to the pure intervals of just intonation.

Practicality and Challenges

While just intonation offers pure and consonant harmonies, it presents challenges in practical application. Composing and performing music in just intonation requires careful attention to the relationships between different notes and intervals. This can be complex and time-consuming, as composers need to consider how each note relates to every other note. However, composers like Ben Johnston and Toby Twining have been successfully composing in just intonation for many years, demonstrating that it is possible with dedication and expertise.

Aesthetic Experience

The aesthetic experience of just intonation is often described as tranquil, calm, and pure. Some listeners may perceive just-intonation chords as more passive and calming compared to equal-tempered chords, which can have a more active and intense quality. This perception may be influenced by the familiarity and exposure to equal temperament in Western music. Just intonation chords require listeners to slow down and actively engage with the music to fully appreciate the subtle nuances of the intervals.

In conclusion, just intonation is a system of tuning in music that prioritizes pure and consonant intervals based on simple ratios of whole numbers. While it presents challenges in practical application, it offers a unique and aesthetically pleasing musical experience.

A manner of tuning in which the intervals are tuned so that they do not beat (2). In keyboard tuning, this means that the fifths are tuned very small in order to make most of the thirds pure.

Popular questions related to just intonation

What is Just Intonation? Just intonation (hereinafter “JI”) is any system of tuning in which all of the intervals can be represented by ratios of whole numbers, with a strongly implied preference for the smallest numbers compatible with a given musical purpose.

A TUNING of a SCALE in just intonation involves the usage of FREQUENCY ratios based on integer proportions as found in the HARMONIC SERIES, instead of, for instance, a division of the OCTAVE into exactly equal parts (as in the case of EQUAL TEMPERAMENT).

Examples of intonation in music include peaking and rising intonation in solo singing intonation in various ways, such as maintaining and managing deep breaths. On the other hand, in an ensemble, one must keenly listen to the voice of others to enhance the maintenance of the tune.

The intervals of 5-limit just intonation (prime limit, not odd limit) are ratios involving only the powers of 2, 3, and 5. The fundamental intervals are the superparticular ratios 2/1 (the octave), 3/2 (the perfect fifth) and 5/4 (the major third).

5-limit Since 5-limit has been the most prevalent just intonation used in western music, western musicians have subsequently tended to consider this scale to be the only version of just intonation. In principle, there are an infinite number of possible "just intonations," since the harmonic series is infinite.

The difference between just intonation and equal temperament lies in the focus of each tuning system: ET is easier to use and has been widely adopted. However, its harmonies don't sound as good as JI's. JI sounds harmonically in tune but can be melodically flat.

Harry Partch Harry Partch was the first such composer. He defined his own scale with 43 pitches to the octave, and invented his own instruments to play it.

Intonation is primarily a matter of variation in the pitch of the voice. In such languages as English, it is often accompanied by stress and rhythm to produce meaning. (Tone is also a form of pitch modulation, but the term describes the use of pitch to differentiate words and grammatical categories.)

The three main patterns of intonation in English are: falling intonation, rising intonation and fall-rise intonation.

In music, just intonation (sometimes abbreviated as JI) or pure intonation is any musical tuning in which the frequencies of notes are related by ratios of small whole numbers. Any interval tuned in this way is called a pure or just interval.

A TUNING of a SCALE in just intonation involves the usage of FREQUENCY ratios based on integer proportions as found in the HARMONIC SERIES, instead of, for instance, a division of the OCTAVE into exactly equal parts (as in the case of EQUAL TEMPERAMENT).

Supposedly used in medieval monophonic music (melody only, without harmony) and considerably discussed by theorists, just intonation proved impractical for polyphonic (multipart) music and was replaced at least by the year 1500 by meantone temperament.

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