in Alt

An "alt chord" is a Dominant chord whose 5th has been altered and if it has a 9th (which is typically the case) it is altered too. So if you see G7alt, it generally means that the 5th can be either #5 or b5, (or both), and the 9th should be #9 or b9, (or both), but you should not use the unaltered 5 or 9.

altered chord In jazz, the term altered chord, notated as an alt chord (e.g. G7alt), refers to a dominant chord, in which neither the fifth nor the ninth is unaltered[20] - namely, where the 5th and the 9th are raised or lowered by a single semitone, or omitted.

Also known as an altered chord, It's a dominant 7 chord which includes one or more alterations to its diatonic chord tones. These alterations are most often b5, #5, #9, b9.

Altered chords are best used to either pull progressions momentarily out of a strong sense of key, or to provide interesting colour to an otherwise mundane progression. Here's an example of an altered chord that achieves the first circumstance: pulling the progression away from a key.

Alternative music is the most versatile music out there, therefore making it the best genre of music due to its ability to please massive audiences. Even if people listen to predominantly rap music, people will still have some kind of form of alternative music hidden within their library.

Alternative music may refer to the following types of music:

• Alternative rock.
• Alternative pop.
• Alternative R&B.
• Neo soul, sometimes known as alternative soul.
• Alternative reggaeton.
• Alternative hip hop.
• Alternative dance.
• Alternative metal.

Music Theory for the 21st-Century Classroom Typically, a dominant seventh chord is considered altered if either or both the 5th or 9th are chromatically raised or lowered. (“G7alt” might mean a G7 with both an altered 5th and 9th, but is vague in that it doesn't specify how the 5th and 9th are chromatically altered.)

The first concept we'll look at is the seventh mode of the Melodic Minor Scale, otherwise known as the Altered Scale. This scale is one of the most common ways to solo over 7alt chords, and it's a great place to start when first digging into exploring altered chords in a soloing context.

Music Theory for the 21st-Century Classroom Typically, a dominant seventh chord is considered altered if either or both the 5th or 9th are chromatically raised or lowered. (“G7alt” might mean a G7 with both an altered 5th and 9th, but is vague in that it doesn't specify how the 5th and 9th are chromatically altered.)

Common Lead Sheet Chord Symbols

• “G” – the root of the chord.
• “m” – the chord quality (major, minor, diminished, or augmented), in this case minor.
• “7” – the extended tones (7, 9, 11, 13). In this case we have a minor chord with a 7th tone added.
• “♭5” – the modifications.
• “/B♭” – the lowest note.

The basic idea here is to allow you to play more of your song in one “area” of the keyboard without having to move a “long way” up or down the keyboard to get to the next chord. If you choose your inversions carefully, you may be able to play the same song with far less movement!

The So What chord is often used as an alternative to quartal voicings and may be used in diatonic and chromatic planing. It is identical to the standard tuning of a guitar's five lowest strings.