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gymel

A Medieval technique of splitting one voice part into two parts, both with the same range. In most cases the voices would start and end together, but would diverge in the middle of the composition.

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1. : vocal part writing in medieval music in which the voices usually progress in parallel thirds. 2. : a direction for divisi singing used in 16th century choral music.

fauxbourdon, (French), English false bass, also called faburden, musical texture prevalent during the late Middle Ages and early Renaissance, produced by three voices proceeding primarily in parallel motion in intervals corresponding to the first inversion of the triad.

fauxbourdon, (French), English false bass, also called faburden, musical texture prevalent during the late Middle Ages and early Renaissance, produced by three voices proceeding primarily in parallel motion in intervals corresponding to the first inversion of the triad.

Strophic form consists only of repeated strophes . Its form would be abbreviated as AAA. AABA form , also known as 32-bar song form, consists of a twice-repeated strophe (AA), followed by a contrasting bridge (B), followed by another repetition of the initial strophe (A).

A distinctive English musical technique in which a simple form of three-voice polyphony is created by the addition of two extemporized voices to a preexistent plainsong. The term may also refer to the whole complex of voices, or simply to the faburden proper, the lowest voice, from which the technique takes its name.

Description. In its simplest form, fauxbourdon consists of the cantus firmus and two other parts a sixth and a perfect fourth below. To prevent monotony, or create a cadence, the lowest voice sometimes jumps down to the octave, and any of the accompanying voices may have minor embellishments.

Through-Composed / ABCD Song Form By being “through-composed”, also known as ABCD song form, it means that any musical ideas will not be repeated without introducing some significant variations to the extent that the melody would be considered as a new melody.

Enclosed rhyme (or enclosing rhyme) is the rhyme scheme ABBA (that is, where the first and fourth lines, and the second and third lines rhyme). Enclosed-rhyme quatrains are used in introverted quatrains, as in the first two stanzas of Petrarchan sonnets.

A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably.

fauxbourdon, (French), English false bass, also called faburden, musical texture prevalent during the late Middle Ages and early Renaissance, produced by three voices proceeding primarily in parallel motion in intervals corresponding to the first inversion of the triad.

It's called the circle of fifths because it's based on the interval of a fifth, which is the distance between two musical notes that are five steps apart in the musical alphabet. For example, the interval of a fifth between C and G includes the notes C, D, E, F, and G.

The earliest definitely datable example of fauxbourdon is in a motet by Dufay, Supremum est mortalibus, which was written for the treaty reconciling the differences between Pope Eugene IV and Sigismund, after which Sigismund was crowned as Holy Roman Emperor, which happened on 31 May 1433.

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