allemande

1. : a musical composition or movement (as in a baroque suite) in moderate tempo and duple or quadruple time. 2. a. : a 17th and 18th century court dance developed in France from a German folk dance.

An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.

Our classic recipe for Allemande sauce makes a perfect accompaniment to any meat or vegetables, as its mild but rich flavors make it perfect on poached fish or chicken, veal, beef, vegetables, or eggs.

Mattheson described the Allemande as 'a serious and well-composed harmoniousness', adding that the dance expresses 'satisfaction or amusement... delighting in order and calm. '

Then there were the Alemanni, a southern Germanic tribe that lived in the geographic area of Switzerland and the Alsace, from which the French, Spanish, and Portuguese came to name the land Allemagne, Alemana, and Alemanha.

Etymology. French, from feminine of allemand German. First Known Use.

allemande: a moderately slow, serious dance in quadruple meter and binary form. The allemande began life as a dance in the Renaissance, and was later cultivated as an independent instrumental piece.

: a musical composition or movement (as in a baroque suite) in moderate tempo and duple or quadruple time. 2. a. : a 17th and 18th century court dance developed in France from a German folk dance.

Its music is characterised by absence of syncopation, combination of short motifs into larger units and contrasts of tone and motif. Some of the close embraces and turns of the allemande were carried over to square dance and contra dance.

1. : a musical composition or movement (as in a baroque suite) in moderate tempo and duple or quadruple time. 2. a. : a 17th and 18th century court dance developed in France from a German folk dance.

The form of the allemande was used for the tombeau. Other identifying features include an upbeat of one or occasionally three sixteenth notes, the absence of syncopation, its combination of short motivic scraps into larger units, and its tonal and motivic contrasts.

The German composers Froberger and Bach followed suit in their allemandes for keyboard instruments, although ensemble allemandes kept a more traditional style.