double exposition

However, the first movement of a concerto uses what is called a double exposition. This means that the first section of the movement is played twice, first by the orchestra alone, and the second time by the soloist accompanied by the orchestra.

In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied.

An example of a movement with a double-exposition form is the first movement of Mozart's Piano Concerto in A major, K. 488.

Double-exposition form – form of the first movement of a Classical period concerto that combines the exposition, development, and recapitulation of sonata form with the ritornello form used for the first movements of Baroque concertos; also called first-movement concerto form.

Description – The author explains a particular topic by showing characteristics, features, and examples. Comparison – The author shows how two or more topics are alike. Contrast – The author shows how two or more topics are different.

Types of Exposition edit Contrast - The author shows how two or more topics are different. Cause and Effect - The author demonstrates the cause while showing the effects of the cause. Problem and Solution - The author explains a problem, then explores possible solutions.

The exposition section of a sonata form presents the main thematic material as well as the complementary key areas in which the themes are presented. In its most essential form, the exposition will consist of one theme in the home key and a different theme in a secondary key with a transitional passage in between.

the soloist The second exposition is carried mainly by the soloist, and like a normal exposition is modulates to a main contrasting key. Often some new material is added.

In double-exposition form: there are two expositions, the first for the orchestra, the second for the soloist with the orchestra.

It is a double-exposition sonata form, in which the first exposition, for orchestra alone, presents a first rotation of the basic material of the movement (P, TR, MC, S, C); it resembles a normal sonata- form exposition except that it doesn't modulate.

The exposition section of a sonata form presents the main thematic material as well as the complementary key areas in which the themes are presented. In its most essential form, the exposition will consist of one theme in the home key and a different theme in a secondary key with a transitional passage in between.

Though writers can use many different techniques to create exposition, it comes in two main forms: direct and indirect exposition.