Short bio Matthew Locke
Birthday:
1621 in Exeter, Devon, England
Died:
1677 in London, England
Genre:
Classical
Period:
Baroque
Full biography Matthew Locke
Matthew Locke was an English Baroque composer, born in 1621. He is known for his contributions to English music during the Restoration period, which followed a period of strict Puritanism in the country. During this time, art and music were seen as luxurious, frivolous and unnecessary, and so very little music was produced, and censorship was strict. It was only when the monarchy was restored that music and the arts flourished once again.
Locke began his music career at a young age, joining the Royal College of Music at the age of 15. He worked as an organist in various churches before being appointed as a court musician to King Charles II in 1672. It was during this time that he composed much of his music, including his celebrated work, "The Tempest," which is now considered to be one of the first English operas.
Apart from his vocal music, Locke was also known for his instrumental compositions. He wrote consort music, for groups of instruments, and some of his work for the viola da gamba is still played today. His music is characterized by its use of harmony and melody, and he was known for his experimental approach to musical composition which often went against the traditional rules of music-making.
Overall, Locke is considered to be one of the most important English composers of his time, with his work marking a significant transition in English music from the earlier Renaissance style to the Baroque style. His contribution to the development of the English opera was also significant, making him an important figure in the history of English music.
Compositions featuring Matthew Locke
| # | Name | Duration | Genre | Year |
|---|---|---|---|---|
| 1 | As on Euphrates' shady banks, sacred song for 2 voices & continuo (doubtful) | 4:56 min | Vocal Music | 1678 |
| 2 | Audi, Domine, clamantes ad te, motet for 5-part chorus, 3 viols & continuo | 9:44 min | Choral | 1678 |
| 3 | Bone Jesu verbum Patris, motet for 2 voices & continuo | 4:41 min | Choral | 1678 |
| 4 | Break, distracted heart, song for 4 voices | 5:46 min | Choral | 1678 |
| 5 | Canon 4 in 2 on a plain song (from Two Canons in 2 parts for 4 strings) | 1:01 min | Chamber Music | 1678 |
| 6 | Curtain Tune, for string orchestra, in C major | 3:02 min | Orchestral | 1678 |
| 7 | Curtain Tune, for string orchestra, in D major | 3:16 min | Orchestral | 1678 |
| 8 | Divinest siren, cruel fair, song for voice & continuo | 2:25 min | Vocal Music | 1678 |
| 9 | Fantastick Spirits, dance for viol consort (from Drexel Ms.) | 2:49 min | Chamber Music | 1678 |
| 10 | For Several Friends, suites (12) for treble viol (or violin), bass viol & optional continuo | Chamber Music | 1678 | |
| 11 | Gavotte, for viol consort (from Drexel Ms.) | 0:57 min | Chamber Music | 1678 |
| 12 | How Doth the City Sit Solitary, verse anthem for 5 voices & continuo | 9:09 min | Choral | 1678 |
| 13 | In a soft vision of the night, song for voice & continuo | 3:10 min | Vocal Music | 1678 |
| 14 | In the beginning, O Lord, sacred song for 3 voices & continuo | 2:28 min | Vocal Music | 1678 |
| 15 | Jesu auctor clementie, motet for 3 voices, 4 strings & continuo | 2:12 min | Choral | 1678 |
| 16 | Let God arise, sacred song for 3 voices & continuo | 1:24 min | Vocal Music | 1678 |
| 17 | Lord let me know mine end, verse anthem for 2 voices & continuo | 9:07 min | Vocal Music | 1678 |
| 18 | Lucinda, wink or veil those eyes, song for voice & continuo | 2:07 min | Vocal Music | 1678 |
| 19 | Mr. Locke's Courante, for keyboard (GB-Ob Ms. D. 219) | 1:05 min | Keyboard | 1678 |
| 20 | O Be Joyful in the Lord, verse anthem for double chorus 4 instruments | 5:24 min | Choral | 1678 |
| 21 | Pavan-almand, for 2 cornetts & 4 sackbuts in F major | 3:17 min | Chamber Music | 1678 |
| 22 | Prelude, for keyboard in A minor (GB-Lbm Add. MS 22099, f.2) | 0:53 min | Keyboard | 1678 |
| 23 | Saraband, for keyboard in C major (Musicks Handmaid No. 69) | 1:29 min | Keyboard | 1678 |
| 24 | Saraband, for keyboard in F major (Musicks Hand-maide No. 67) | 1:12 min | Keyboard | 1678 |
| 25 | Saraband, for keyboard in G (Musicks Handmaid No. 65) | 1:06 min | Keyboard | 1678 |
| 26 | Suite, for 4 viols & optional continuo No. 1 in D minor (Consort of Fower Parts No. 1) | 10:46 min | Chamber Music | 1678 |
| 27 | Suite, for 4 viols & optional continuo No. 2 in D minor/D major (Consort of Fower Parts No. 2) | 8:28 min | Orchestral | 1678 |
| 28 | Suite, for 4 viols & optional continuo No. 3 in F major (Consort of Fower Parts No. 3) | 8:46 min | Chamber Music | 1678 |
| 29 | Suite, for 4 viols & optional continuo No. 4 in F major (Consort of Fower Parts No. 4) | 8:24 min | Chamber Music | 1678 |
| 30 | Suite, for 4 viols & optional continuo No. 5 in G minor (Consort of Fower Parts No. 5) | 9:14 min | Chamber Music | 1678 |
| 31 | Suite, for 4 viols & optional continuo No. 6 in G major (Consort of Fower Parts No. 6) | 8:19 min | Chamber Music | 1678 |
| 32 | Suite, for keyboard in D major (NY Drexel Ms. 5611) | 4:13 min | Keyboard | 1678 |
| 33 | The Lord hear thee in thy day of trouble, verse anthem for double chorus, 4 instruments & continuo | 4:51 min | Choral | 1678 |
| 34 | When the son of man shall come in his glory, verse anthem for double chorus, 4 instruments & continuo | 5:19 min | Choral | 1678 |
| 35 | Who shall separate us from the love of Christ, verse anthem for double chorus & continuo | 3:12 min | Choral | 1678 |
| 36 | Suite, for 2 violins & bass violin in G major No. 2 (Tripla Concordia No. 2) | 8:56 min | Chamber Music | 1677 |
| 37 | Psyche, semi-opera (composed with Giovanni Draghi) | 97:02 min | Opera | 1675 |
| 38 | The Conclusion, a canon 4 in 2 for strings (The Tempest No. 31) | 2:03 min | Chamber Music | 1674 |
| 39 | The Tempest, 1674 (Shadwell) version, Incidental Music | 10:00 min | Chamber Music | 1674 |
| 40 | The Tempest, suite for strings from semi-opera | 5:29 min | Orchestral | 1674 |
| 41 | Almand, for bass viol in D minor (Present Practice Musick) | 2:12 min | Chamber Music | 1673 |
| 42 | An Entry, for keyboard in F major (Present Practice Musick No. 10) | 0:59 min | Keyboard | 1673 |
| 43 | Descende caelo cincta sororibus regina, for 4 voices, 3 viols & continuo ("Oxford Ode") | 10:15 min | Choral | 1673 |
| 44 | Horne Pipe, for keyboard in D minor (Melothesia No. 42) | 0:47 min | Keyboard | 1673 |
| 45 | Melothesia, collection of keyboard lessons by Locke (29) and others | Keyboard | 1673 | |
| 46 | Prelude, for keyboard in C major (Melothesia No. 1) | 0:34 min | Keyboard | 1673 |
| 47 | Saraband, for keyboard in C major (Melothesia No. 2) | 0:51 min | Keyboard | 1673 |
| 48 | Suite, for keyboard in C major (I) (Melothesia Nos. 3-7; No. 6 inauthentic) | 5:49 min | Keyboard | 1673 |
| 49 | Suite, for keyboard in D major (Melothesia Nos. 19-20, 22-24) | 6:13 min | Keyboard | 1673 |
| 50 | Suite, for keyboard in G minor (Melothesia Nos. 8, 10-11) | 5:36 min | Keyboard | 1673 |
| 51 | Voluntaries (7) for organ (from "Melothesia" Nos. 62-68) | 2:31 min | Keyboard | 1673 |
| 52 | Voluntary for a Double Organ, for 2 organs in D minor | 2:38 min | Keyboard | 1673 |
| 53 | Voluntary, for organ No. 1 in A minor | 2:08 min | Keyboard | 1673 |
| 54 | Voluntary, for organ No. 2 in F major | 1:35 min | Keyboard | 1673 |
| 55 | Voluntary, for organ No. 3 in A minor | 2:53 min | Keyboard | 1673 |
| 56 | Voluntary, for organ No. 4 in D minor | 1:15 min | Keyboard | 1673 |
| 57 | Voluntary, for organ No. 5 in G major | 1:05 min | Keyboard | 1673 |
| 58 | Voluntary, for organ No. 6 in A minor | 1:05 min | Keyboard | 1673 |
| 59 | Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | 9:13 min | Chamber Music | 1672 |
| 60 | Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | 4:46 min | Chamber Music | 1672 |
| 61 | Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | 8:32 min | Chamber Music | 1672 |
| 62 | Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | 20:39 min | Chamber Music | 1672 |
| 63 | Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | 5:24 min | Chamber Music | 1672 |
| 64 | Be thou exalted Lord, verse anthem for 12-part chorus, 2 violins, 2 bass viols, 2 theorbos, strings & continuo | 10:26 min | Choral | 1666 |
| 65 | Fancye and Courante, for 2 treble viols, 2 bass viols in D minor (The Oxford Suite) | 4:30 min | Chamber Music | 1665 |
| 66 | Suite of Brawles, for 2 treble viols, alto viol & bass viol in B flat major (Drexel ms. 49-52) | 5:56 min | Orchestral | 1665 |
| 67 | Suite of Brawles, for 2 treble viols, alto viol & bass viol in C major (Drexel ms. 45-47) | 3:10 min | Orchestral | 1665 |
| 68 | Suite, for 3 viols, 3 theorbos & continuo No. 2 in G major (Broken Consort I/2) | 7:15 min | Orchestral | 1662 |
| 69 | Suite, for 3 viols, 3 theorbos & continuo No. 7 in C minor/major (Broken Consort II/7) | 9:32 min | Chamber Music | 1662 |
| 70 | Five-Part Things for the Cornetts, suites (2) for 2 cornetti & 3 sackbuts | 11:48 min | Chamber Music | 1661 |
| 71 | Music for His Majesty's sackbutts and cornetts, suites (2) for 2 cornetts & 3 sackbuts | 5:36 min | Chamber Music | 1661 |
| 72 | Suite, for 2 cornetti & 3 sackbuts No. 1 in D minor (from Music for H. M. Sagbutts & Cornetts) | 5:12 min | Chamber Music | 1661 |
| 73 | Suite, for 2 cornetti & 3 sackbuts No. 2 in F major (from Music for H. M. Sagbutts & Cornetts) | 5:18 min | Chamber Music | 1661 |
| 74 | Suite, for 3 viols, 3 theorbos & continuo No. 1 in G minor (Broken Consort I/1) | 9:37 min | Chamber Music | 1661 |
| 75 | Suite, for 3 viols, 3 theorbos & continuo No. 3 in C major (Broken Consort I/3) | 9:59 min | Chamber Music | 1661 |
| 76 | Suite, for 3 viols, 3 theorbos & continuo No. 4 in C major (Broken Consort I/4) | 6:02 min | Chamber Music | 1661 |
| 77 | Suite, for 3 viols, 3 theorbos & continuo No. 5 in D minor (Broken Consort I/5) | 8:37 min | Chamber Music | 1661 |
| 78 | Suite, for 3 viols, 3 theorbos & continuo No. 6 in D major (Broken Consort I/6) | 7:48 min | Chamber Music | 1661 |
| 79 | The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo | 25:29 min | Chamber Music | 1661 |
| 80 | Consort of Four Parts, suites (6) for 4 viols & continuo (optional) | 55:53 min | Chamber Music | 1660 |
| 81 | Suite for 3 parts & optional continuo No. 2 in B flat major (The Flat Consort No. 2) | 10:41 min | Chamber Music | 1660 |
| 82 | The Flat Consort, 5 suites for trumpet, trombone, bass or tenor viol, 2 bass viols & continuo | 56:52 min | Chamber Music | 1660 |
| 83 | Allman, for keyboard in G major (Musicks Handmaid No. 64) | 2:18 min | Keyboard | 1659 |
| 84 | An Antick Dance, for keyboard (Musicks Handmaid No. 39) | 0:44 min | Keyboard | 1659 |
| 85 | Ayre, for keyboard in C major (Musicks Handmaid No. 68) | 1:44 min | Keyboard | 1659 |
| 86 | Ayre, for keyboard in F major (Musicks Handmaid No. 66) | 0:43 min | Keyboard | 1659 |
| 87 | The Simeron's Dance, for keyboard (Musicks Hand-maide No. 38) | 0:44 min | Keyboard | 1659 |
| 88 | The Apes' Dance, for violin & continuo (from The Cruelty of the Spaniards in Peru) | 0:59 min | Chamber Music | 1658 |
| 89 | Cupid and Death, masque in 5 parts (composed with Christopher Gibbons) | Show/Musical | 1653 | |
| 90 | Duos (4), for 2 bass viols | 3:07 min | Chamber Music | 1652 |
| 91 | Suite, for 2 bass viols No. 1 in D minor (Duos for 2 bass viols No. 1) | 8:17 min | Chamber Music | 1652 |
| 92 | Suite, for 2 bass viols No. 2 in D major (Duos for 2 bass viols No. 2) | 5:53 min | Chamber Music | 1652 |
| 93 | Suite, for 2 bass viols No. 3 in C minor (Duos for 2 bass viols No. 3) | 5:08 min | Chamber Music | 1652 |
| 94 | Suite, for 2 bass viols No. 4 in C major (Duos for 2 bass viols No. 4) | 5:53 min | Chamber Music | 1652 |
| 95 | Suite, for 3-part consort & continuo No. 1 in G minor (Little Consort No. 1) | 6:31 min | Chamber Music | 1651 |
| 96 | Suite, for 3-part consort & continuo No. 2 in C major (Little Consort No. 2) | 6:38 min | Chamber Music | 1651 |
| 97 | Suite, for 3-part consort & continuo No. 3 in D minor (Little Consort No. 3) | 8:12 min | Chamber Music | 1651 |
| 98 | Suite, for 3-part consort & continuo No. 4 in B flat major (Little Consort No. 4) | 7:50 min | Chamber Music | 1651 |
| 99 | Suite, for 3-part consort & continuo No. 5 in E minor (Little Consort No. 5) | 6:36 min | Chamber Music | 1651 |
| 100 | Suite, for 3-part consort & continuo No. 6 in F major (Little Consort No. 6) | 5:36 min | Chamber Music | 1651 |
| 101 | Suite, for 3-part consort & continuo No. 7 in G minor/G major (Little Consort No. 7) | 6:38 min | Chamber Music | 1651 |
| 102 | Suite, for 3-part consort & continuo No. 8 in A minor (Little Consort No. 8) | 6:52 min | Chamber Music | 1651 |
| 103 | Suite, for 3-part consort & continuo No. 9 in B flat major (Little Consort No. 9) | 7:21 min | Chamber Music | 1651 |
| 104 | Suite, for 3-part consort & continuo No. 10 in D minor/D major (Little Consort No. 10) | 6:55 min | Chamber Music | 1651 |
| 105 | Suite, for consort No. 5 in G minor | Orchestral | 1650 | |
| 106 | Symphony of Bird Calls, for 2 flutes & ensemble | 1:12 min | Chamber Music | 1634 |
| 107 | Canon 4 in 2 on the hexachord | 1:47 min | Chamber Music | - |
| 108 | Corant for keyboard in A minor | 0:59 min | Keyboard | - |
| 109 | Ground for keyboard in D major | 1:56 min | Keyboard | - |
| 110 | Lilk, song (The Rare Theatrical, Ms. Drexel 3976) | 0:46 min | Vocal Music | - |
| 111 | My lodging is on the Cold Ground, song (attributed) | 2:02 min | Vocal Music | - |
| 112 | Suite for 2 violins & bass violin in E minor (from Tripla Concordia) | 11:13 min | Chamber Music | - |
| 113 | Suite for 3 parts & continuo No. 3 in D minor (The Flat Consort) | 10:00 min | Chamber Music | - |
| 114 | Suite for 3 parts & continuo No. 4 in B flat major (The Flat Consort) | 9:39 min | Chamber Music | - |
| 115 | Suite for 3 parts & continuo No. 5 in A minor (The Flat Consort) | 9:08 min | Chamber Music | - |
| 116 | Suite for treble viol (or violin), bass viol & optional continuo No. 1 in G minor (For Several Friends) | Chamber Music | - | |
| 117 | Suite for treble viol (or violin), bass viol & optional continuo No. 3 in B flat major (For Several Friends) | 7:52 min | Chamber Music | - |
| 118 | Suite for treble viol (or violin), bass viol & optional continuo No. 4 in D minor (For Several Friends) | 11:11 min | Chamber Music | - |
| 119 | Suite for treble viol (or violin), bass viol & optional continuo No. 6 in A major/minor (For Several Friends) | 10:12 min | Chamber Music | - |
| 120 | Suite for treble viol (or violin), bass viol & optional continuo No. 8 in A minor (For Several Friends) | 6:56 min | Chamber Music | - |
| 121 | Suite Pannekoeck, for instrumental consort | 6:03 min | Chamber Music | - |
| 122 | Suite, for consort in G minor | 7:48 min | Chamber Music | - |
| 123 | Suite, for consort No. 1 in C minor (from Flat Consort for My Cousin Kemble) | 8:47 min | Chamber Music | - |
| 124 | Suite, for consort No. 4 in E minor | 10:12 min | Orchestral | - |
| 125 | Suite, for consort No. 6 in A major | Orchestral | - | |
| 126 | Suite, for keyboard in C major (II) (Melothesia Nos. 13-18) | 7:30 min | Keyboard | - |
| 127 | Suites (7) | Orchestral | - | |
| 128 | Super flumina Babylonis, motet for 4 voices, 3 viols & continuo | 12:58 min | Choral | - |
| 129 | The Bondman's Dance, for keyboard | 1:04 min | Keyboard | - |
| 130 | The delights of the bottle | 1:10 min | Vocal Music | - |
| 131 | Trio Suite in G major/minor No 7 | 8:03 min | Chamber Music | - |
| 132 | Trytons' Dance (from "The Rare Theatrical, & Other Compositions by Mr Matthew Lock") | 0:35 min | Vocal Music | - |
Albums featuring Matthew Locke
| # | Сover | Name album | Year | Music label |
|---|---|---|---|---|
| 1 |  |
Matthew Locke – Fretwork – The Little Consort(CD, ) | 2022 | Signum Classics |
| 2 |  |
Matthew Locke – Ensemble Correspondances, Sébastien Daucé – Psyche(2×CD, Album, Deluxe Edition) | 2022 | Harmonia Mundi |
| 3 |  |
Purcell, Locke, Vox Orchester, Lorenzo Ghirlanda – Orchestral Works(CD, Album) | 2019 | Deutsche Harmonia Mundi |
| 4 |  |
J.C. Bach, Salieri, Arne, Boyce, Purcell, Albinoni, Pachelbel, Locke, Bononcini, Richard Bonynge, Emanuel Hurwitz, Richard Hickox – Sinfonia(2×CD, Compilation) | 2018 | Decca |
| 5 |  |
Matthew Locke, Phantasm (3) – For Lovers Of Consort Music(CD, ) | 2018 | Linn Records |
| 6 |  |
The English Concert, Harry Bicket, Rosemary Joshua, Sarah Connolly, Purcell, Locke, Blow, Gibbons – Purcell / Locke/Blow / Gibbons(CD, Album) | 2017 | Wigmore Hall Live |
| 7 |  |
Henry Purcell, Matthew Locke, La Dispersione, Joan B. Boïls – The Curtain(CD, ) | 2016 | DSP (8) |
| 8 |  |
Locke, Marais, Rameau, Rebel, Telemann, Vivaldi - Le Concert Des Nations, Jordi Savall – Les Éléments · Tempêtes, Orages & Fêtes Marines(2×SACD, Hybrid, Multichannel, Stereo, Album) | 2015 | Alia Vox |
| 9 |  |
Matthew Locke - Wayward Sisters – The Broken Consort, Part I; Triple Concordia(CD, Album) | 2014 | Naxos |
| 10 |  |
Wieland Kuijken, Sigiswald Kuijken, Robert Kohnen – Music For A Viol | 2011 | Accent |
| 11 |  |
Fretwork . Purcell . Lawes . Locke . Jenkins – Music For Viols | 2008 | Virgin Classics |
| 12 |  |
Locke, Schumann, Brahms, London Symphony Orchestra, István Kertész – Kertész(CD, Compilation, Remastered, Stereo) | 2008 | BBC Legends |
| 13 |  |
Lawes · Blow · Child · Jeffreys · Locke · Purcell - Charivari Agréable Director Kah-Ming Ng – The Oxford Psalms (Anthems For Three Men And A Band From 17th-Century England)(CD, Album) | 2007 | Signum Records |
| 14 |  |
Matthew Locke - Henry Purcell / La Rêveuse – The Theater Of Musick - Musique Pour Les Théâtres Londoniens(CD, ) | 2006 | K617 |
| 15 |  |
Jordi Savall - Purcell / Dowland / Hume / Locke / Tye – Pieces For The Viols(5×CD, Compilation) | 2003 | Naïve |
| 16 |  |
Händel · Locke · Mozart · Tchaikovsky · Wagner, Royal Danish Brass – Fredensborg Fantasier(CD, Album, Reissue) | 2002 | Scandinavian Classics |
| 17 |  |
John Jenkins (5), Matthew Locke, Henry Purcell - Tripla Concordia, Lorenzo Cavasanti, Giulio Capocaccia, Caroline Boersma, Sergio Ciomei – Musicke From The Ayre(CD, Album) | 2002 | Cantus |
| 18 |  |
Matthew Locke, Masques – Consorts In Two Parts(CD, Album) | 2001 | Dorian Recordings |
| 19 |  |
Locke - Phantasm – Consort Music(CD, Album, Reissue, Stereo) | 2001 | Global Music Network |
| 20 |  |
Haydn Jeugd Strijkorkest, Mozart, Gluck, Tsjaikovski, Locke, Sjostakovitsj, Sibelius – Untitled(CD, Album) | 2001 | Haydn Unlimited |
| 21 |  |
Matthew Locke – Il Dolcimelo – For Several Friends(CD, ) | 2000 | Aeolus |
| 22 |  |
Jérôme Hantaï, Kaori Uemura, Couperin, Locke, Sainte-Colombe, Schaffrath, Simpson – Pièces Pour Deux Basses De Viole(CD, Album, Stereo) | 1999 | Virgin Veritas |
| 23 |  |
Locke - Phantasm – Consort Music(CD, Album) | 1999 | Global Music Network |
| 24 |  |
Biber, Locke, Il Giardino Armonico – Battaglia - The Tempest | 1998 | TELDEC |
| 25 |  |
Matthew Locke, Fretwork – Consort Of Fower Parts(CD, Album) | 1996 | Virgin Veritas |
| 26 |  |
Ensemble Oriol Berlin - Britten / Locke / Ives – Serenade / The Tempest / Washington's Birthday(CD, Album) | 1996 | Kreuzberg Records |
| 27 |  |
Henry Purcell, Blow, Eccles, Locke, Catherine Bott – Sweeter Than Roses - Restoration Theatre Songs(CD, Album) | 1995 | L'Oiseau-Lyre |
| 28 |  |
Matthew Locke, Ensemble De Violes Orlando Gibbons, Kaori Uemura - Anne-Marie Lasla, Sylvie Moquet - Jérôme Hantaï – The Flat Consort / Consort Of Four Parts(2×CD, ) | 1995 | Alphée |
| 29 |  |
Matthew Locke, The Parley Of Instruments – The Broken Consort | 1995 | Hyperion |
| 30 |  |
Matthew Locke - Bott • Gooding • Robson • King • Agnew • George • Grant • New London Consort • Philip Pickett – Psyche(CD, Album, Box Set, ) | 1995 | L'Oiseau-Lyre |
| 31 |  |
Christopher Gibbons, Matthew Locke, The Consort Of Musicke, Anthony Rooley – Music From "Cupid And Death"(CD, ) | 1995 | Deutsche Harmonia Mundi |
| 32 |  |
Matthew Locke - Hespèrion XX – Consort Of Fower Parts | 1994 | Astrée Auvidis |
| 33 |  |
Matthew Locke, Henry Purcell - Christopher Hogwood, The Academy Of Ancient Music – Incidental Music To The Tempest / Music For His Majesty's Sackbuts & Cornetts / Abdelazer(CD, Compilation) | 1993 | L'Oiseau-Lyre |
| 34 |  |
Purcell, Blow & Locke - John Butt – Purcell: Complete Organ Works / Blow & Locke: Voluntaries | 1993 | Harmonia Mundi France |
| 35 |  |
John Coperario, William Lawes, Matthew Locke, Sébastien Marq, Le Concert Français, Pierre Hantaï – Maskes & Fantazies(CD, Stereo) | 1992 | Astrée Auvidis |
| 36 |  |
Matthew Locke, The Locke Consort – Seven Suites From the Little Consort, The Broken Consort And Tripla Concordia(CD, ) | 1990 | Globe (3) |
| 37 |  |
Matthew Locke - Choir Of New College, Oxford, The Parley Of Instruments, Edward Higginbottom – Anthems, Motets And Ceremonial Music | 1990 | Hyperion |
| 38 |  |
Matthew Locke - Patrizia Kwella · Nigel Rogers (2), The London Cornett & Sackbut Ensemble – Lieder Und Instrumentalstücke(CD, Album, Reissue, Stereo) | 1989 | EMI DRM |
| 39 |  |
Blow, Gibbons & Locke, Consort Of Musicke, Anthony Rooley – Venus & Adonis / Cupid & Death(2×CD, Reissue, Remastered) | 1988 | Deutsche Harmonia Mundi |
| 40 |  |
Blow, Gibbons & Locke, Consort Of Musicke – Venus & Adonis / Cupid & Death | 1988 | EMI |
| 41 |  |
Vivaldi • Frescobaldi • Palestrina • Locke • Gibbons • Byrd - Amsterdam Loeki Stardust Quartet – Virtuoso Recorder Music • La Flûte À Bec Virtuose • Die Virtuose Blockflöte | 1985 | L'Oiseau-Lyre |
| 42 |  |
Matthew Locke - Patrizia Kwella · Nigel Rogers (2), The London Cornett & Sackbut Ensemble – Lieder Und Instrumentalstücke | 1982 | His Master's Voice |
| 43 |  |
Henry Purcell, Matthew Locke, Johann Pezel, John Stanley (2), Giovanni Gabrieli, Samuel Scheidt – Brass Music of the Baroque(LP) | 1982 | Musical Heritage Society |
| 44 |  |
Byrd / Farnaby / Blow / Locke / Bull / Babell / Arne - Harold Lester – Masters Of The Keyboard In England | 1980 | Harmonia Mundi France |
| 45 |  |
Henry Purcell - Matthew Locke - Pelham Humfrey - John Blow – Music Of The "Chapels Royal" | 1980 | Erato |
| 46 |  |
Quintette De Cuivres Guy Touvron, G.P. Palestrina, A. Holborne, J. Adson, S. Scheidt, M. Locke, J.C. Pezel, G.H. Haendel – Oeuvres Du XVIe Au XVIII Siècles | 1979 | Erato |
| 47 |  |
Matthew Locke - The Violes Of Oxenford – Approche De La Viole / Consort Of Four Parts (Suites N° 1 Et 4)(12", 45 RPM) | 1978 | Approche |
| 48 |  |
Matthew Locke, The Academy Of Ancient Music – Incidental Music To The Tempest / Music For His Majesty's Sackbuts & Cornetts | 1977 | L'Oiseau-Lyre |
| 49 |  |
Fontana, Locke, Vitali, Marais - Quadro Hotteterre - Kees Boeke & Walter Van Hauwe, Bob van Asperen, Wouter Möller – Hotteterre Quartet, Vol. 2 (Works By Fontana, Locke, Vitali & Marais) | 1975 | World Record Club |
| 50 |  |
The Philip Jones Brass Ensemble – Golden Brass (Brass Music Of The 16th & 17th Centuries From England, Italy & Germany) | 1974 | |
| 51 |  |
English Chamber Orchestra, Emanuel Hurwitz – Music In London 1670-1770 | 1971 | Ace Of Diamonds |
| 52 |  |
Matthew Locke - Colin Tilney – Colin Tilney Plays The Keyboard Music Of Matthew Locke(LP, Stereo) | 1970 | Pye Golden Guinea Records |
| 53 |  |
Fayrfax • Tallis • Bull • Gibbons • Morley • Humfrey • Parsons • Locke • Purcell – Music Of The Court Homes And Cities Of England Vol. 1 – Composers Of The Chapel Royal(LP, Album, Club Edition, Stereo) | 1969 | The Record Society |
| 54 |  |
Giovanni Coperario, Matthew Locke, Thomas Campion, Studio Der Frühen Musik, Concentus Musicus Wien – Florid - Song und Gambenmusik in England | 1965 | Telefunken |
| 55 |  |
Matthew Locke, The Elizabethan Consort Of Viols, The Golden Age Singers – Music Of Matthew Locke For Voices And Viols | 1964 | Westminster Gold Series |
| 56 |  |
Henry Purcell / Orlando Gibbons / Matthew Locke, New Music String Quartet – Pavan And Chacony / Two Fantasias / Consort Of Ffowre Parts (No. 6)(LP, Club Edition, Mono) | 1962 | Recorded Music Circle |
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Henry Purcell, Jenkins And Locke - Alfred Deller, Gustav Leonhardt, Leonhardt Baroque Ensemble With Consort Of Viols – Music Of Henry Purcell, Jenkins And Locke | 1954 | Vanguard |
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Henry Purcell, Orlando Gibbons, Matthew Locke, The New Music String Quartet – Orlando Gibbons, Matthew Locke, Henry Purcell(LP) | - | Bartók Records |
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Byrd / Farnaby / Blow / Locke / Bull / Babell / Arne - Harold Lester – Les Maîtres Du Clavier En Angleterre - Harold Lester, Clavecin Et Pianoforte De La Colt Collection(LP) | - | Harmonia Mundi |
Videos featuring Matthew Locke
Matthew Locke (c.1621-1677) - The Tempest (Christopher Hogwood)
Matthew Locke (c.1621-1677)
The Tempest (Christopher Hogwood)
Colin Tilney (harpsichord, organ) The keyboard music of Matthew Locke
Golden Guinea Collection Series, Colin Tilney plays the keyboard music of Matthew Locke, stereo GSGC 14128, production 1970
The harpsichord used for this recording is a single-manual instrument. undated by the Irish maker Robert Woffington. who worked in
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