Short bio Heinrich Marschner
Birthday:
1795 in Zittau, Germany
Died:
1861 in Hanover, Germany
Genre:
Classical
Period:
Romantic
Full biography Heinrich Marschner
Heinrich August Marschner (16 August 1795 – 14 December 1861) was a prominent composer of German opera during the Romantic era , between Weber and Wagner. He wrote a total of 23 operas and singspiels, including the famous work "Der Vampyr", based on the story of "The Vampyre" by John Polidori. Marschner was also a composer of chamber music, writing seven piano trios and two piano quartets.
Marschner's work heavily influenced the development of German Romantic opera, and his use of supernatural themes and emphasis on vocal expression had a profound impact on later operatic composers. One of his most successful works, "Hans Heiling," was performed throughout Germany and Austria during his lifetime.
Despite his significant contribution to the musical landscape of his time, Marschner's work has not received as much attention as some of his contemporaries, such as Weber and Wagner. However, his influence can still be seen in the works of later composers, including Richard Strauss and Alban Berg.
In conclusion, Heinrich Marschner was a prominent composer of German opera during the Romantic era, known for his use of supernatural themes and emphasis on vocal expression. He wrote a total of 23 operas and singspiels and was also a composer of chamber music. Despite his significant contribution to the development of German Romantic opera, his work has not received as much attention as some of his contemporaries.
Compositions featuring Heinrich Marschner
| # | Name | Duration | Genre | Year |
|---|---|---|---|---|
| 1 | Der deutsche Wald, das deutsche Herz, for voice & piano, Op. 185/1 | 2:25 min | Vocal Music | 1859 |
| 2 | Ermuthigung, for voice & piano, Op. 185/2 | 3:16 min | Vocal Music | 1859 |
| 3 | Der Goldschmied von Ulm, incidental music | Orchestral | 1856 | |
| 4 | Das sehnende Herz, for low voice & piano, Op. 162/6 | 3:12 min | Vocal Music | 1853 |
| 5 | Des Harfners Klage, for baritone & piano, Op. 160/4 | 2:30 min | Vocal Music | 1852 |
| 6 | Die Vertraute, for low voice & piano, Op. 151/4 | 3:21 min | Vocal Music | 1850 |
| 7 | Gebet, for baritone & piano, Op. 154/1 | 4:59 min | Vocal Music | 1850 |
| 8 | Eine dunkle Stunde, for low voice & piano, Op. 151/3 | 2:12 min | Vocal Music | 1850 |
| 9 | Herbstlied, for baritone & piano, Op. 154/4 | 2:15 min | Vocal Music | 1850 |
| 10 | Duets (3) for soprano, baritone & piano, Op. 154a | 17:25 min | Vocal Music | 1850 |
| 11 | Treue, for low voice & piano, Op. 151/1 | 2:36 min | Vocal Music | 1850 |
| 12 | Ungleiche Theilung, for low voice & piano, Op. 151/5 | 1:17 min | Vocal Music | 1850 |
| 13 | Kaiser Adolph von Nassau, opera, Op. 130 | Opera | 1845 | |
| 14 | Leb wohl, Therese!, for baritone & piano, Op. 128/3 | 1:59 min | Vocal Music | 1844 |
| 15 | Um Mitternacht, for bass & piano, Op. 128/4 | 3:17 min | Vocal Music | 1844 |
| 16 | Verloren ("Ich ruh nicht in den Nächten"), for low voice & piano, Op.123/1 | 4:37 min | Vocal Music | 1843 |
| 17 | Aufforderung, for bass & piano, Op. 94/2 | 2:10 min | Vocal Music | 1838 |
| 18 | Der Bäbu, opera, Op. 98 | Opera | 1837 | |
| 19 | Das Testament ("Im alten Faß zu Heidelberg"), for male chorus | 2:10 min | Choral | 1837 |
| 20 | Des Falkners Braut, opera, Op. 65 | Opera | 1832 | |
| 21 | Hans Heiling, opera, Op. 80 | 132:47 min | Opera | 1831 |
| 22 | Doppelte Gefahr, for baritone & piano, Op. 68/6 | 3:16 min | Vocal Music | 1831 |
| 23 | Das Schloss am Ätna, opera, Op. 95 | Opera | 1830 | |
| 24 | Geständnis, for bass & piano, Op. 51/1 | 3:24 min | Vocal Music | 1829 |
| 25 | Der Templer und die Judin, opera, Op. 60 | 100:33 min | Opera | 1829 |
| 26 | Der Vampyr, opera | 134:16 min | Opera | 1827 |
| 27 | Die Wiener in Berlin (The Viennese in Berlin), liederspiel | Opera | 1825 | |
| 28 | Ali Baba, oder Die vierzig Räuber (Ali Baba, or The Forty Thieves), incidental music | Vocal Music | 1823 | |
| 29 | Schön Ella, incidental music, Op. 27 | Orchestral | 1823 | |
| 30 | Der Kyffhäuser Berg (The Kyffhäuser Hill), opera | Opera | 1816 | |
| 31 | Lieder (6) for voice & piano, Op. 73 | Vocal Music | - | |
| 32 | O kühler Wald, song for voice & piano, Op. 132/2 | 3:15 min | Vocal Music | - |
| 33 | Nachts in der Herberge, song for low voice & piano, Op. 168/2 | 2:27 min | Vocal Music | - |
| 34 | Nach Reinmar der Alte, song for voice & piano, Op. 92/4 | 2:20 min | Vocal Music | - |
| 35 | Lieder und Gesänge (7) for bass & piano, Op. 128 | Vocal Music | - | |
| 36 | Lieder for voice & guitar, Op. 5 | Vocal Music | - | |
| 37 | Lieder (7) for high voice & piano, Op. 115 | Vocal Music | - | |
| 38 | Lieder (6) for voice & piano, Op. 92 | Vocal Music | - | |
| 39 | Overture to "Prinz Friedrich von Homburg", Op. 56 | 8:58 min | Orchestral | - |
| 40 | Lieder (6) for middle voice & piano, Op. 184 | Vocal Music | - | |
| 41 | Lieder (6) for low voice & piano, Op. 173 | Vocal Music | - | |
| 42 | Lieder (6) for low voice & piano, Op. 127 | Vocal Music | - | |
| 43 | Lieder (4) for voice & piano, Op. 132 | Vocal Music | - | |
| 44 | Liebslieder (6) for low voice & piano, Op. 155 | Vocal Music | - | |
| 45 | Leonore, song for voice & piano, Op. 27/7 | 1:40 min | Vocal Music | - |
| 46 | Bilder des Orients, songs for voice & piano, Op. 140 | Vocal Music | - | |
| 47 | Kunde aus dem Feenland, for high voice & piano, Op. 125/5 | 1:44 min | Vocal Music | - |
| 48 | Sängers Genesung, song for voice & piano, Op. 30/6 | 5:03 min | Vocal Music | - |
| 49 | Warum bist du so ferne? | 3:02 min | Miscellaneous (Classical) | - |
| 50 | Abschied, song for low voice & piano, Op. 168/6 | 2:14 min | Vocal Music | - |
| 51 | Unter der Lorelei, song for voice & piano, Op. 146/4 | 2:54 min | Vocal Music | - |
| 52 | An der Schenkentür, song for low voice & piano, Op. 168/3 | 5:10 min | Vocal Music | - |
| 53 | Bagatelles (12) for guitar, Op. 4 | Chamber Music | - | |
| 54 | Ballade vom Ritter Hugo, for low voice & piano, Op. 190/3 | 2:44 min | Vocal Music | - |
| 55 | Trennungsschmerz, song for voice & piano, Op. 171/2 | 15:50 min | Vocal Music | - |
| 56 | Traum der Sehnsucht, song for voice & piano, Op. 171/1 | 4:17 min | Vocal Music | - |
| 57 | Overture to "Lukretia", Op. 67 | 9:29 min | Orchestral | - |
| 58 | So weit, song for low voice & piano, Op. 173/3 | 3:15 min | Vocal Music | - |
| 59 | Bauernregel, song for bass & piano, Op. 94/6 | 1:11 min | Vocal Music | - |
| 60 | Rosemonde | 3:26 min | Miscellaneous (Classical) | - |
| 61 | Piano Trio No. 5 in D minor, Op. 138 | 39:28 min | Chamber Music | - |
| 62 | Piano Trio No. 2 in G minor, Op. 111 | 31:18 min | Chamber Music | - |
| 63 | Piano Trio in D major, Op. 135 | 36:27 min | Chamber Music | - |
| 64 | Das Lied vom alten König ("Es war ein alter König"), for voice & piano, Op. 82/2 | 1:48 min | Vocal Music | - |
| 65 | Der Prager Musikant, song for voice & piano, Op. 73/6 | 3:41 min | Vocal Music | - |
| 66 | Ernst und Scherz, 3 songs for bass & piano, Op. 51 | Vocal Music | - | |
| 67 | Der Himmel im Tale, song for voice & piano, Op. 101/5 | 2:49 min | Vocal Music | - |
| 68 | Einkehr, song for low voice & piano, Op. 168/1 | 2:59 min | Vocal Music | - |
| 69 | Der Holzdieb, opera | 40:51 min | Opera | - |
| 70 | Der Kuss, song for high voice & piano, Op. 115/2 | 2:14 min | Vocal Music | - |
| 71 | Diebstahl, song for voice & piano, Op. 114/2 | 2:29 min | Vocal Music | - |
| 72 | Der König von Thule ("Es war ein König in Thule"), for baritone & piano, Op. 160/1 | 4:03 min | Vocal Music | - |
| 73 | Die verwünschte Schließerin, song for voice & piano, Op. 89/6 | 3:05 min | Vocal Music | - |
| 74 | Es schauen die Ruinen, song for voice & piano, Op. 186/3 | 1:28 min | Vocal Music | - |
| 75 | Die sieben Freier ("Die Wogen"), for bass & piano (Rheinromanzen, 1), Op. 128/1 | 1:46 min | Vocal Music | - |
| 76 | Die Rache ("Der Knecht hat erstochen den edlen Herrn"), for baritone & piano, Op. 160/2 | 1:53 min | Vocal Music | - |
| 77 | Die Nymphen im Rhein, song for voice & piano, Op. 188/2 | 2:35 min | Vocal Music | - |
| 78 | Die Monduhr ("Der Förster ging"), for voice & piano, Op. 102/2 | 3:06 min | Vocal Music | - |
| 79 | Deutsche Lieder (8) for voice & piano, Op. 30 | Vocal Music | - | |
| 80 | Deutsche Lieder (6) for baritone or bass & piano, Op. 47 | Vocal Music | - | |
| 81 | Der Sänger, song for voice & piano, Op. 7 | 13:34 min | Vocal Music | - |
| 82 | Grande Overture solenne, Op. 78 | 10:19 min | Orchestral | - |
| 83 | Der treue Ritter, song for voice & piano, Op. 189/4 | 2:50 min | Vocal Music | - |
| 84 | Ja, du bist mein, for low voice & piano, Op. 155/1 | 3:31 min | Vocal Music | - |
| 85 | Imagina, song for voice & piano, Op. 130/6 | 3:37 min | Vocal Music | - |
| 86 | Im Herbst da muß man trinken | 2:02 min | Miscellaneous (Classical) | - |
| 87 | Ich seh' dich endlich wieder, song for voice & piano (from Sechs Wanderlieder) | 3:54 min | Vocal Music | - |
| 88 | Das Wirtstöchterlein singt, song for low voice & piano, Op. 168/5 | 2:30 min | Vocal Music | - |
| 89 | Heinrich IV und d'Aubigné, opera | Opera | - | |
| 90 | Der betrogene Teufel ("Die Araber hatten ihr Feld bestellt"), for voice & piano, Op. 87/1 | 1:58 min | Vocal Music | - |
| 91 | Kennt ihr die Wunde, song for voice & piano (from Sechs Wanderlieder) | 2:07 min | Vocal Music | - |
| 92 | Grand Trio for violin, cello & piano No. 7 in F major, Op. 167 | 27:13 min | Chamber Music | - |
| 93 | Gesänge (6), for male chorus, Op. 52 | Choral | - | |
| 94 | Gesänge (4) for voice & piano, Op. 87 | Vocal Music | - | |
| 95 | Gesänge (4) for baritone & piano, Op. 160 | Vocal Music | - | |
| 96 | Gesänge (3) for low voice & piano, Op. 116 | Vocal Music | - | |
| 97 | Der fahrende Schüler, 6 songs for low voice & piano, Op. 168 | Vocal Music | - | |
| 98 | Der Fee Beschwörung, song for voice & piano, Op. 87/3 | 4:16 min | Vocal Music | - |
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