later (1680) Henry Purcell wrote his youthful Fantasias for strings and followed them with the publication in 1683 of * Twelve Sonatas of 3 parts,' admittedly6 in the Italian manner. Thus the Fancy, which had developed a type without establishing a form, was superseded. (2) T h e te rm , e sp e c ia l ly in th e fo rm ' P h a n t a s y ' (P h a n ta s ie ) , wa s c o n sc io u s ly r e v iv e d in E n g l ish mu s ic in c o n n e x io n w i th th e C o b b e t t c om p e t i t io n s (see Co b b e t t ), b e g u n u n d e r th e a u sp ic e s of th e W o r s h ip fu l C om p a n y of Music ia n s in 1906. T h e s e were d e s ig n e d to e n co u r ag e th e c om p o s i t io n b y th e y o u n g e r g ro u p o f B r i t is h c om p o s e r s of s h o r t c h am b e r w o rk s in a s ingle m o v em e n t . (See Ch am b e r Mu s ic .) T h e f ir st of th e p r iz e s offered was wo n b y W . Y. H ur l - s to n e (q.v.) w i th a P h a n t a s y s t r in g q u a r t e t . L a rg e ly a s a r e s u l t of th e s e c om p e t i t io n s a fa ir ly w id e r e p e r to ry o f w o rk s fo r v a r io u s c om b in a t io n s of s t r in g s , w i th o r w i th o u t p ia n o , was c r e a t e d , w h ic h h a s p ro v e d v e ry a c c e p ta b le in th e c o n c e r t ro om . Am o n g th e m a n y c omp o se rs w h o h a v e c o n t r ib u t e d succ e s s fully to th e n ew P h a n t a s y l i te r a tu r e m a y be n am e d F r a n k B r id g e , T h om a s D u n h il l , J o h n I r e la n d , R. Va u ghan W ill iams (q.v.). T h e s e c om p o s i t io n s h a v e s om e th in g m o re t h a n th e n am e in c om m o n w i th th e old, fo r of th em i t m a y e q u a l ly b e s a id t h a t th e y h a v e d e v e lo p e d a ty p e w i th o u t e s ta b l i s h in g a fo rm . Mo r le y 's d e s c r ip t io n , w i th o u t h is r e s t r ic t io n s , m ig h t e v e n be a p p l ie d t o th em . C.